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Japan: Leaving Edo: Nihonbashi, 'The Bridge of Japan' (日本橋). Introduction to 'The Fifty-three Stations of the Tōkaidō' (Hōeidō edition), Utagawa Hiroshige (1833-1834)

Japan: Leaving Edo: Nihonbashi, 'The Bridge of Japan' (日本橋). Introduction to 'The Fifty-three Stations of the Tōkaidō' (Hōeidō edition), Utagawa Hiroshige (1833-1834)

Nihonbashi: View looking across Nihon Bridge, Edo, from whence all distances were measured with a daimyo's cortège coming into view over the summit. In the foreground is a group of five fish-vendors (and a sixth partly hidden) getting out of the way, on the left, and two dogs on the right. This bridge was located in the centre of Edo and was the starting point of the Tokaido Highway.

Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).

The Tōkaidō (東海道 East Sea Road) was the most important of the Five Routes of the Edo period, connecting Edo (modern-day Tokyo) to Kyoto in Japan. Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name.

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