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Central Asia / China: Restored miniature of Oguz Khan hunting with a falcon, Fatih album, Topkapi Palace Museum, c. 15th century

Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.

The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.

Oghuz Khagan (Turkish: Oğuz Kağan) was a legendary and semi-mythological Khan of the Turks. Some Turkic cultures use this legend to describe their ethnic origins and the origin of the system of political clans used by Turkmen, Ottoman, and other Oghuz Turks. The narrative is often entitled Oghuznama, or narrative of the Oghuz.