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Utagawa Toyokuni (1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I to distinguish him from the members of his school who took over his gō (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints.<br/><br/> He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who really moved it to the position of great fame and power it occupied for the rest of the nineteenth century.
The Pacific War, also sometimes called the Asia-Pacific War, refers broadly to the parts of World War II that took place in the Pacific Ocean, its islands, and in the Far East. The term Pacific War is used to encompass the Pacific Ocean theatre, the South West Pacific theatre, the South-East Asian theatre and the Second Sino-Japanese War, also including the 1945 Soviet-Japanese conflict.<br/><br/> It is generally considered that the Pacific War began on 7/8 December 1941 with the Japanese invasion of Thailand for the invasion of British Malaya, and the attack on Pearl Harbor in the United States' Territory of Hawaii by the Empire of Japan.<br/><br/> The Pacific War saw the Allied powers against the Empire of Japan, the latter briefly aided by Thailand and to lesser extent by its Axis allies Germany and Italy. The war culminated in the atomic bombings of Hiroshima and Nagasaki, and other large aerial bombing attacks by the United States Army Air Forces, accompanied by the Soviet invasion of Manchuria on 8 August 1945, resulting in the surrender of Japan and the end of fighting during World War II on 15 August 1945. The formal and official surrender of Japan occurred aboard the battleship USS Missouri in Tokyo Bay on 2 September 1945
The Hurricane of 1900 made landfall on September 8, 1900, in the city of Galveston, Texas, in the United States. It had estimated winds of 145 miles per hour (233 km/h) at landfall, making it a Category 4 storm on the Saffir–Simpson Hurricane Scale. It was the deadliest hurricane in US history.<br/><br/> The hurricane caused great loss of life with the estimated death toll between 6,000 and 12,000 individuals; the number most cited in official reports is 8,000, giving the storm the third-highest number of deaths or injuries of any Atlantic hurricane, after the Great Hurricane of 1780 and 1998's Hurricane Mitch. The Galveston Hurricane of 1900 is the deadliest natural disaster ever to strike the United States.<br/><br/> The hurricane occurred before the practice of assigning official code names to tropical storms was instituted, and thus it is commonly referred to under a variety of descriptive names. Typical names for the storm include the Galveston Hurricane of 1900, the Great Galveston Hurricane, and, especially in older documents, the Galveston Flood. It is often referred to by Galveston locals as The Great Storm or The 1900 Storm.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker.<br/><br/> Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.<br/><br/> Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker.<br/><br/> Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.<br/><br/> Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Utagawa Yoshiiku (歌川 芳幾, 1833 - February 6, 1904, also known as or Ochiai Yoshiiku 落合 芳幾), was a Japanese printmaker and newspaper illustrator. The son of a tea house proprietor, he was a student of Utagawa Kuniyoshi. Utagawa went to school with Tsukioka Yoshitoshi, recognized as the last great masters of Ukiyo (woodblock printing).<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’)., also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
Tsukioka Yoshitoshi (月岡 芳年, 30 April 1839 – 9 June 1892, also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> Eimei nijūhasshūku (英名 二十八 衆句 or ‘28 Famous Murders with Verse’), also known as the 'Bloody Prints', is a collection of Japanese ukiyo-e from the 1860s, which depicted gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art sub-genre which depicts either erotic or extreme images of violence and mutilation.
The Hurricane of 1900 made landfall on September 8, 1900, in the city of Galveston, Texas, in the United States. It had estimated winds of 145 miles per hour (233 km/h) at landfall, making it a Category 4 storm on the Saffir–Simpson Hurricane Scale. It was the deadliest hurricane in US history.<br/><br/> The hurricane caused great loss of life with the estimated death toll between 6,000 and 12,000 individuals; the number most cited in official reports is 8,000, giving the storm the third-highest number of deaths or injuries of any Atlantic hurricane, after the Great Hurricane of 1780 and 1998's Hurricane Mitch. The Galveston Hurricane of 1900 is the deadliest natural disaster ever to strike the United States.<br/><br/> The hurricane occurred before the practice of assigning official code names to tropical storms was instituted, and thus it is commonly referred to under a variety of descriptive names. Typical names for the storm include the Galveston Hurricane of 1900, the Great Galveston Hurricane, and, especially in older documents, the Galveston Flood. It is often referred to by Galveston locals as The Great Storm or The 1900 Storm.
The Hurricane of 1900 made landfall on September 8, 1900, in the city of Galveston, Texas, in the United States. It had estimated winds of 145 miles per hour (233 km/h) at landfall, making it a Category 4 storm on the Saffir–Simpson Hurricane Scale. It was the deadliest hurricane in US history.<br/><br/> The hurricane caused great loss of life with the estimated death toll between 6,000 and 12,000 individuals; the number most cited in official reports is 8,000, giving the storm the third-highest number of deaths or injuries of any Atlantic hurricane, after the Great Hurricane of 1780 and 1998's Hurricane Mitch. The Galveston Hurricane of 1900 is the deadliest natural disaster ever to strike the United States.<br/><br/> The hurricane occurred before the practice of assigning official code names to tropical storms was instituted, and thus it is commonly referred to under a variety of descriptive names. Typical names for the storm include the Galveston Hurricane of 1900, the Great Galveston Hurricane, and, especially in older documents, the Galveston Flood. It is often referred to by Galveston locals as The Great Storm or The 1900 Storm.