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The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution, was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. <br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.
The Tale of Genji (Genji Monogatari) is a classic work of Japanese literature attributed to the Japanese noblewoman Murasaki Shikibu in the early 11th century, around the peak of the Heian period.<br/><br/> It is sometimes called the world's first novel, the first modern novel, the first psychological novel or the first novel still to be considered a classic. Notably, the novel also illustrates a unique depiction of the livelihoods of high courtiers during the Heian period.
The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution, was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. <br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.
The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution, was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. <br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.
The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution, was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. <br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.
The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution, was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. <br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.
Inserts surrounding main engraving, top to bottom, left to right:<br/><br/> 'Drays employed carrying the bodies to barges for burial in the Gulf'; '2650 dead bodies buried in the Gulf'; 'Loss of Life about 7000 - Property Loss about 20,000,000 dollars'; 'Shooting ghouls found despoiling the dead'; 'Ruins of Sacred Heart Church'; 'First Baptist Church Ruins'; 'Bodies incinerated in lieu of burial'.
Japan: Great Blade Guan Sheng or Taito Kansho, one of the 'One Hundred and Eight Heroes of the Water Margin', holding a long weapon, fierce waves behind him. Woodblock print by Utagawa Kuniyoshi (1797-1863), 1827-1830. The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu, known as Suikoden in Japanese, as well as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang in English, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature. Attributed to Shi Nai'an and written in vernacular Chinese.
Blue Wave Pavilion takes its name from a waterside pavilion built in 1044 by the poet Su Shunqin. It is the oldest garden in Suzhou, with a wilder design than the others, with rockeries and artificial hillocks decorated with bamboo.<br/><br/>Suzhou, the city of canals and gardens, was called the ‘Venice of the East’ by Marco Polo. An ancient Chinese proverb states: ‘In Heaven there is Paradise; on Earth there is Suzhou’.<br/><br/>The city’s love affair with gardens dates back 2,500 years and continues still. At the time of the Ming dynasty (1368–1644) there were 250 gardens, of which about a hundred survive, although only a few are open to the public.
Blue Wave Pavilion takes its name from a waterside pavilion built in 1044 by the poet Su Shunqin. It is the oldest garden in Suzhou, with a wilder design than the others, with rockeries and artificial hillocks decorated with bamboo.<br/><br/>Suzhou, the city of canals and gardens, was called the ‘Venice of the East’ by Marco Polo. An ancient Chinese proverb states: ‘In Heaven there is Paradise; on Earth there is Suzhou’.<br/><br/>The city’s love affair with gardens dates back 2,500 years and continues still. At the time of the Ming dynasty (1368–1644) there were 250 gardens, of which about a hundred survive, although only a few are open to the public.
Blue Wave Pavilion takes its name from a waterside pavilion built in 1044 by the poet Su Shunqin. It is the oldest garden in Suzhou, with a wilder design than the others, with rockeries and artificial hillocks decorated with bamboo.<br/><br/>Suzhou, the city of canals and gardens, was called the ‘Venice of the East’ by Marco Polo. An ancient Chinese proverb states: ‘In Heaven there is Paradise; on Earth there is Suzhou’.<br/><br/>The city’s love affair with gardens dates back 2,500 years and continues still. At the time of the Ming dynasty (1368–1644) there were 250 gardens, of which about a hundred survive, although only a few are open to the public.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Katsushika Hokusai (葛飾 北斎, October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s.<br/><br/> Hokusai created the 'Thirty-Six Views' both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai’s fame both in Japan and overseas.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
An Amis beachcomber collecting sea-washed marble pebbles, Taiwan.<br/><br/> The Amis (also Ami or Pangcah) are an Austronesian ethnic group native to Taiwan. They speak Amis, an Austronesian language, and are one of the sixteen officially recognized groups of Taiwanese aborigines.
A wild sea crashes onto a rocky beach in Taiwan's East Coast National Scenic Area, Taiwan
An Amis beachcomber collecting sea-washed marble pebbles, Taiwan.<br/><br/> The Amis (also Ami or Pangcah) are an Austronesian ethnic group native to Taiwan. They speak Amis, an Austronesian language, and are one of the sixteen officially recognized groups of Taiwanese aborigines.
An Amis beachcomber collecting sea-washed marble pebbles, Taiwan.<br/><br/> The Amis (also Ami or Pangcah) are an Austronesian ethnic group native to Taiwan. They speak Amis, an Austronesian language, and are one of the sixteen officially recognized groups of Taiwanese aborigines.
The Great Proletarian Cultural Revolution, commonly known as the Cultural Revolution (Chinese: 文化大革命), was a socio-political movement that took place in the People's Republic of China from 1966 through 1976. Set into motion by Mao Zedong, then Chairman of the Communist Party of China, its stated goal was to enforce socialism in the country by removing capitalist, traditional and cultural elements from Chinese society, and impose Maoist orthodoxy within the Party. The revolution marked the return of Mao Zedong to a position of political power, after he lost most of his political influence after his failed Great Leap Forward. Using only his name and credibility, he used the controlled anarchy of the cultural revolution to remove his inner-party opponents, most notably China`s president Liu Shaoqi. The movement brought chaos, as social norms largely evaporated and the previously established political institutions disintegrated at all levels of government.<br/><br/> The Revolution was launched in May 1966. Mao alleged that bourgeois elements were entering the government and society at large, aiming to restore capitalism. He insisted that these 'revisionists' be removed through violent class struggle. China's youth then responded to Mao's appeal by forming Red Guard groups around the country. The movement then spread into the military, urban workers, and the Communist Party leadership itself. It resulted in widespread factional struggles in all walks of life. In the top leadership, it led to a mass purge of senior officials who were accused of deviating from the socialist path, most notably Liu Shaoqi and Deng Xiaoping. During the same period Mao's personality cult grew to immense proportions.<br/><br/> The Cultural Revolution damaged the country on a great scale economically and socially. Millions of people were persecuted in the violent factional struggles that ensued across the country, and suffered a wide range of abuses including torture, rape, imprisonment, sustained harassment, and seizure of property. A large segment of the population was forcibly displaced, most notably the transfer of urban youth to rural regions during the Down to the Countryside Movement. Historical relics and artifacts were destroyed. Cultural and religious sites were ransacked.<br/><br/> Mao officially declared the Cultural Revolution to have ended in 1969, but its active phase lasted until the death of Lin Biao in 1971. The political instability between 1971 and the arrest of the Gang of Four in 1976 are now also widely regarded as part of the Revolution. After Mao's death in 1976, forces within the Party that opposed the Cultural Revolution, led by Deng Xiaoping, gained prominence. Most of the Maoist reforms associated with the Cultural Revolution were abandoned by 1978. The Cultural Revolution has been treated officially as a negative phenomenon ever since; in 1981, the Party assigned chief responsibility to Mao, but also laid significant blame on Lin Biao and the Gang of Four for causing its worst excesses.
The important Battle of Dien Bien Phu was fought between the Việt Minh (led by General Vo Nguyen Giap), and the French Union (led by General Henri Navarre, successor to General Raoul Salan). The siege of the French garrison lasted fifty-seven days, from 5:30PM on March 13 to 5:30PM on May 7, 1954.<br/><br/> The southern outpost or fire base of the camp, Isabelle, did not follow the cease-fire order and fought until the next day at 01:00AM; a few hours before the long-scheduled Geneva Meeting's Indochina conference involving the United States, the United Kingdom, the French Union and the Soviet Union.<br/><br/> The battle was significant beyond the valleys of Dien Bien Phu. Giap's victory ended major French involvement in Indochina and led to the accords which partitioned Vietnam into North and South. Eventually, these conditions inspired the United States to increase their involvement in Vietnam leading to the Second Indochina War.<br/><br/> The battle of Điện Biên Phủ is described by historians as the first time that a non-European colonial independence movement had evolved through all the stages from guerrilla bands to a conventionally organized and equipped army able to defeat a modern Western occupier in pitched battle.
This woodcut is from Hokusai’s series of woodblock prints titled ’36 Views of Mount Fuji’.<br/><br/> Hokusai (1760-1849) was first and foremost a ‘ukiyo-e’ (floating world) painter of the Edo period. In this woodcut, he shows Mount Fuji in the background. The raging waves in this illustration are often mistakenly called ‘tsunami’; however, as the waves are offshore, they are more correctly known in Japanese as ‘okinami’.<br/><br/> A tsunami caused by an offshore 8.9 magnitude earthquake devastated northeastern Japan on March 11, 2011. Thousands of people were killed, and nuclear power plants were damaged, leading to widespread fears of radiation poisoning in the region.
Ferdinand Emmanuel Edralin Marcos (September 11, 1917 – September 28, 1989) was the 10th President of the Philippines from 1965 to 1986. He was a lawyer, member of the Philippine House of Representatives (1949–1959) and a member of the Philippine Senate (1959–1965). He was Senate President from 1963-1965.<br/><br/> In 1983, his government was implicated in the assassination of his primary political opponent, Benigno Aquino, Jr. The implication caused a chain of events, including a tainted presidential election that served as the catalyst for the People Power Revolution in February 1986 that led to his removal from power and eventual exile in Hawaii.
Blue Wave Pavilion takes its name from a waterside pavilion built in 1044 by the poet Su Shunqin. It is the oldest garden in Suzhou, with a wilder design than the others, with rockeries and artificial hillocks decorated with bamboo.<br/><br/>Suzhou, the city of canals and gardens, was called the ‘Venice of the East’ by Marco Polo. An ancient Chinese proverb states: ‘In Heaven there is Paradise; on Earth there is Suzhou’.<br/><br/>The city’s love affair with gardens dates back 2,500 years and continues still. At the time of the Ming dynasty (1368–1644) there were 250 gardens, of which about a hundred survive, although only a few are open to the public.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The Vegetarian Festival is a religious festival annually held on the island of Phuket in southern Thailand. It attracts crowds of spectators because of many of the unusual religious rituals that are performed. Many religious devotees will slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts. The Nine Emperor Gods Festival (Chinese: Jiǔhuángyé; Pe̍h-ōe-jī: Káu-ông-iâ; Cantonese: Kow Wong Yeh) is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, which is observed primarily in Southeast Asian countries like Myanmar, Singapore, Malaysia, and Thailand.
The important Battle of Dien Bien Phu was fought between the Việt Minh (led by General Vo Nguyen Giap), and the French Union (led by General Henri Navarre, successor to General Raoul Salan). The siege of the French garrison lasted fifty-seven days, from 5:30PM on March 13 to 5:30PM on May 7, 1954.<br/><br/> The southern outpost or fire base of the camp, Isabelle, did not follow the cease-fire order and fought until the next day at 01:00AM; a few hours before the long-scheduled Geneva Meeting's Indochina conference involving the United States, the United Kingdom, the French Union and the Soviet Union.<br/><br/> The battle was significant beyond the valleys of Dien Bien Phu. Giap's victory ended major French involvement in Indochina and led to the accords which partitioned Vietnam into North and South. Eventually, these conditions inspired the United States to increase their involvement in Vietnam leading to the Second Indochina War.<br/><br/> The battle of Điện Biên Phủ is described by historians as the first time that a non-European colonial independence movement had evolved through all the stages from guerrilla bands to a conventionally organized and equipped army able to defeat a modern Western occupier in pitched battle.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/> He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/> By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.