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Tokugawa Yoshinobu, also known as 'Keiki', was the 15th and last shogun of the Tokugawa shogunate of Japan. He was part of a movement which aimed to reform the aging shogunate, but was ultimately unsuccessful.<br/><br/> Kawamura Kiyoo (1852-1934) was a Japanese painter from Edo. He became a follower of the yōga (Western-style) of painting, and journeyed for a time through France and Italy. He aided in the formation of the Meiji Bijutsukai in 1889, the first art association in Japan championing western-style painting.
The Mazrui were an Omani Arab clan that reigned over some areas of East Africa, especially Kenya, from the 18th to the 20th century. In the 18th century they governed Mombasa and other coastal places including Gazi, and were rivals to the Omani Al Bu Sa'id Dynasty that ruled over Zanzibar.<br/><br/> When the British East Africa Protectorate was established in the late 19th century, the Mazrui were one of the groups that most actively resisted the British rule, along with the Kikuyu and Kamba peoples.
<i>Bugaku</i>, a court dance accompanied by <i>Gagaku</i> music, is a Japanese traditional dance blending Buddhist and Shinto elements that has been performed to select elites mostly in Japanese imperial courts for over twelve hundred years.<br/><br/> In this way it has been an upper class secret, although after World War II the dance was opened to the public and has even toured around the world in 1959. The dance is marked by its slow, precise and regal movements.<br/><br/> The dancers wear intricate traditional Buddhist costumes, which usually include equally beautiful masks. The music and dance pattern is often repeated several times. It is performed on a square platform, usually 6m by 6m.<br/><br/> Representing one of twenty standard characters that appear in Bugaku dance performance, <i>sanju</i> masks are a fine example of the exaggerated realism that captures a symbolic emotion or expression for dramatic stage effect. The earliest Bugaku masks were made by imperial craftsmen in dry lacquer.
Jean Sibelius (born Johan Julius Christian Sibelius, (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country's greatest composer and, through his music, is often credited with having helped Finland to develop a national identity during its struggle for independence from Russia.
Ueno Hikoma (上野 彦馬, October 15, 1838 – May 22, 1904) was a pioneer Japanese photographer, born in Nagasaki. He is noted for his fine portraits, often of important Japanese and foreign figures, and for his excellent landscapes, particularly of Nagasaki and its surroundings. Ueno was a major figure in nineteenth-century Japanese photography as a commercially and artistically successful photographer and as an instructor.
Black slaves were imported into the Muslim world from Africa by a number of routes northward across the Sahara desert, and by sea into Arabia and the Persian Gulf. Estimates of the number involved vary greatly but it seems that there may easily have been 10 million, perhaps even twice that number.<br/><br/> Two-thirds of African slaves were female. The males were considered to be troublesome. An uprising of slaves from West Africa, the Zanj, who had been imported into the Tigris-Euphrates delta to reclaim salt marshland through their backbreaking labour, lasted from 869 until 883.<br/><br/> The mortality rate was very high because of the harsh conditions, but the trade was so lucrative that merchants were not deterred by the numbers who died. Harrowing eye witness accounts tell of the vast scale and miserable conditions of the slave trade in Africa. In the 1570s many thousands of black Africans were seen for sale in Cairo on market days. In 1796 a caravan was seen by a British traveller leaving Darfur with 5,000 slaves. Black eunuchs became favoured for the royal harems. Even after Britain outlawed the slave trade in 1807, a further 2 million Africans were enslaved by Muslim traders.<br/><br/> (Barnabas Fund, 2007).
Black slaves were imported into the Muslim world from Africa by a number of routes northward across the Sahara desert, and by sea into Arabia and the Persian Gulf. Estimates of the number involved vary greatly but it seems that there may easily have been 10 million, perhaps even twice that number.<br/><br/> Two-thirds of African slaves were female. The males were considered to be troublesome. An uprising of slaves from West Africa, the Zanj, who had been imported into the Tigris-Euphrates delta to reclaim salt marshland through their backbreaking labour, lasted from 869 until 883.<br/><br/> The mortality rate was very high because of the harsh conditions, but the trade was so lucrative that merchants were not deterred by the numbers who died. Harrowing eye witness accounts tell of the vast scale and miserable conditions of the slave trade in Africa. In the 1570s many thousands of black Africans were seen for sale in Cairo on market days. In 1796 a caravan was seen by a British traveller leaving Darfur with 5,000 slaves. Black eunuchs became favoured for the royal harems. Even after Britain outlawed the slave trade in 1807, a further 2 million Africans were enslaved by Muslim traders.<br/><br/> (Barnabas Fund, 2007).
Kusakabe Kimbei (1841 - 1934) was a Japanese photographer. He usually went by his given name, Kimbei, because his clientele, mostly non-Japanese-speaking foreign residents and visitors, found it easier to pronounce than his family name.
The earliest description of the use of opium as a recreational drug in China comes from Xu Boling, who wrote in 1483 that opium was ‘mainly used to aid masculinity, strengthen sperm and regain vigor’, and that it ‘enhances the art of alchemists, sex and court ladies’.<br/><br/> He described an expedition sent by the Chenghua Emperor in 1483 to procure opium for a price ‘equal to that of gold’ in Hainan, Fujian, Zhejiang, Sichuan and Shaanxi where it is close to Xiyu. A century later, Li Shizhen listed standard medical uses of opium in his renowned Compendium of Materia Medica (1578), but also wrote that ‘lay people use it for the art of sex’, in particular the ability to ‘arrest seminal emission’. This association of opium with sex continued in China until the twentieth century.<br/><br/> Opium smoking began as a privilege of the elite and remained a great luxury into the early 19th century, but by 1861, Wang Tao wrote that opium was used by rich peasants, and that even a small village without a rice store would have a shop where opium was sold.
A hookah (Hindustani: huqqah), also known as a waterpipe, is a single or multi-stemmed (often glass-based) instrument for smoking in which the smoke is cooled and filtered by passing through water. The tobacco smoked is referred to as narghile or shisha (sheesha) in the United Kingdom, United States and Canada.
The word Nautch is an anglicized version of nāc, a word found in Hindi and Urdu and several other languages of North India, derived from the Sanskrit, Nritya, via the Prakrit, Nachcha. A simple and literal translation of Nautch is 'dance' or 'dancing'.<br/><br/> The culture of the performing art of Nautch rose to prominence during the later period of Mughal Empire, and the East India Company Rule. Over a period of time, the Nautch traveled outside the confines of the Imperial courts of the Mughals, the palaces of the Nawabs and the Princely states, and the higher echelons of the officials of the British Raj, to the places of smaller Zamindars, and other places.<br/><br/> Some references use the terms Nautch and Nautch girls to describe Devadasis who used to perform Hindu ritual and religious dances in the Hindu temples of India. However, there is not much commonality between the Devadasis and the Nautch girls. The former performed dances in the precincts of the Hindu temples to please the temple deities, whereas Nautch girls performed for the pleasure of men.
The word Nautch is an anglicized version of nāc, a word found in Hindi and Urdu and several other languages of North India, derived from the Sanskrit, Nritya, via the Prakrit, Nachcha. A simple and literal translation of Nautch is 'dance' or 'dancing'.<br/><br/> The culture of the performing art of Nautch rose to prominence during the later period of Mughal Empire, and the East India Company Rule. Over a period of time, the Nautch traveled outside the confines of the Imperial courts of the Mughals, the palaces of the Nawabs and the Princely states, and the higher echelons of the officials of the British Raj, to the places of smaller Zamindars, and other places.<br/><br/> Some references use the terms Nautch and Nautch girls to describe Devadasis who used to perform Hindu ritual and religious dances in the Hindu temples of India. However, there is not much commonality between the Devadasis and the Nautch girls. The former performed dances in the precincts of the Hindu temples to please the temple deities, whereas Nautch girls performed for the pleasure of men.
Ueno Hikoma (上野 彦馬, October 15, 1838 – May 22, 1904) was a pioneer Japanese photographer, born in Nagasaki. He is noted for his fine portraits, often of important Japanese and foreign figures, and for his excellent landscapes, particularly of Nagasaki and its surroundings. Ueno was a major figure in nineteenth-century Japanese photography as a commercially and artistically successful photographer and as an instructor.
Ueno Hikoma (上野 彦馬, October 15, 1838 – May 22, 1904) was a pioneer Japanese photographer, born in Nagasaki. He is noted for his fine portraits, often of important Japanese and foreign figures, and for his excellent landscapes, particularly of Nagasaki and its surroundings. Ueno was a major figure in nineteenth-century Japanese photography as a commercially and artistically successful photographer and as an instructor.