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Japan: 'An Amazon'. Oil on canvas painting by Fujishima Takeji (1867-1943), 1929, private collection. Fujishima Takeji (October 15, 1867 - March 19, 1943) was a Japanese painter from an ex-samurai class household in southern Kyushu. He helped to develop impressionism and Romanticism within the Western-style ('yōga') art movement that became popular in Japanese painting during the late 19th and early 20th century. He would also be inspired by the Art Nouveau movement in his later years.
Japan: 'Distant View of Awajishima'. Oil on canvas landscape painting by Fujishima Takeji (1867-1943), 1929, Bridgestone Museum of Art, Tokyo. Fujishima Takeji (October 15, 1867 - March 19, 1943) was a Japanese painter from an ex-samurai class household in southern Kyushu. He helped to develop impressionism and Romanticism within the Western-style ('yōga') art movement that became popular in Japanese painting during the late 19th and early 20th century. He would also be inspired by the Art Nouveau movement in his later years.
Japan: 'A Youthful Noble'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Japan: 'A Foot Soldier of the Fujiwara Epoch'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Japan: 'One of the Bodyguard'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Japan: 'A General of the Fujiwara Epoch'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
John Calvin Coolidge Jr. (July 4, 1872 – January 5, 1933) was the 30th President of the United States (1923–29). A Republican lawyer from Vermont, Coolidge worked his way up the ladder of Massachusetts state politics, eventually becoming governor of that state.<br/><br/> He was elected as the 29th vice president in 1920 and succeeded to the presidency upon the sudden death of Warren G. Harding in 1923. Elected in his own right in 1924, he gained a reputation as a small-government conservative.<br/><br/> Coolidge's retirement was relatively short, as he died at the age of 60 in January 1933, less than two months before his direct successor, Herbert Hoover, left office.
Herbert Clark Hoover (August 10, 1874 – October 20, 1964) was an American politician who served as the 31st President of the United States from 1929 to 1933. A Republican, as Secretary of Commerce in the 1920s he introduced Progressive Era themes of efficiency in the business community and provided government support for standardization, efficiency and international trade.<br/><br/> As president from 1929 to 1933, his ambitious programs were overwhelmed by the Great Depression, that seemed to get worse every year despite the increasingly large-scale interventions he made in the economy.<br/><br/> He was defeated in a landslide in 1932 by Democrat Franklin D. Roosevelt, and spent the rest of his life as a conservative denouncing big government, liberalism and federal intervention in economic affairs
Mohammed Yasser Abdel Rahman Abdel Raouf Arafat al-Qudwa (24 August 1929 – 11 November 2004), popularly known as Yasser Arafat, was a paramount Palestinian leader.<br/><br/> He was Chairman of the Palestine Liberation Organization (PLO), President of the Palestinian National Authority (PNA), and leader of the Fatah political party and former paramilitary group, which he founded in 1959.
Nikolai Ivanovich Bukharin ( 9 October 1888 – 15 March 1938) was a Russian Bolshevik revolutionary, Soviet politician and prolific author on revolutionary theory.<br/><br/> As a young man, he spent six years in exile, working closely with fellow exiles Lenin and Trotsky. After the revolution of February 1917, he returned to Moscow, where his Bolshevik credentials earned him a high rank in the party, and after the October Revolution, he became editor of the party newspaper Pravda.<br/><br/> Within the bitterly divided Bolsheviks, his gradual move to the right, as a defender of the New Economic Policy (NEP), positioned him favourably as Stalin’s chief ally, and together they ousted Trotsky, Zinoviev and Kamenev from the party leadership. From 1926 to 1929, Bukharin enjoyed great power as General Secretary of Comintern's executive committee. But Stalin’s decision to proceed with collectivisation drove the two men apart, and Bukharin was expelled from the Politburo.<br/><br/> When the Great Purge began in 1936, Stalin looked for any pretext to liquidate his former allies and rivals for power, and some of Bukharin’s letters, conversations and tapped phone-calls indicated disloyalty. Arrested in February 1937, he was charged with conspiring to overthrow the Soviet state and executed in March 1938, after a trial that alienated many Western communist sympathisers.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Tan Ting-pho (Chen Chengbo; Peh-oe-ji: Tan Teng-pho; February 2, 1895 – March 25, 1947), was a well-known Taiwanese painter. In 1926, his oil painting <i>Street of Chiayi</i> was featured in the seventh Empire Art Exhibition in Japan, which was the first time a Taiwanese artist's work was displayed at the exhibition.<br/><br/> Tan devoted his life to education and creation, and was greatly concerned about the development of humanist culture in Taiwan. He was not only devoted to the improvement of his own painting, but also to the promotion of the aesthetic education of the Taiwanese people. He was murdered as a result of the February 28 Incident, a 1947 popular uprising in Taiwan which was brutally repressed by the Kuomintang (KMT).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
The Inupiat are an Alaskan Native people, whose traditional territory spans Norton Sound on the Bering Sea to the Canada–United States border. Their current communities include seven Alaskan villages in the North Slope Borough, affiliated with the Arctic Slope Regional Corporation; eleven villages in Northwest Arctic Borough; and sixteen villages affiliated with the Bering Straits Regional Corporation.<br/><br/> Culturally, Inupiat are divided into two regional hunter-gatherer groups: the Tagiugmiut ('sea people'), living on or near the north Alaska coast, and the Nunamiut ('land people'), living in interior Alaska.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
The Aceh War, also known as the Dutch War or the Infidel War (1873–1914), was an armed military conflict between the Sultanate of Aceh and the Netherlands which was triggered by discussions between representatives of Aceh and the United Kingdom in Singapore during early 1873.<br/><br/> The war was part of a series of conflicts in the late 19th century that consolidated Dutch rule over modern-day Indonesia.<br/><br/> Panglima Polim was an Acehnese commander who fought against the Dutch from the time of the First Aceh Expedition (1873) to 1903, when he surrenderd to Captain Hendricus Colijn at Lhokseumawe, together with 150 of his men. He was given the post of Raja of Sigli by the Dutch. In 1928, Panglima Polim received the cross of Nassau-Oranje Orde.
'Founding of the Nation / Le Coq Blanc (The White Rooster)'. Oil and gold on textile painting by Kawamura Kiyoo (1852-1934), 1929.<br/><br/> Kawamura Kiyoo (1852-1934) was a Japanese painter from Edo. He became a follower of the yōga (Western-style) of painting, and journeyed for a time through France and Italy. He aided in the formation of the Meiji Bijutsukai in 1889, the first art association in Japan championing western-style painting.
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Torii Kotondo is known to have made only 21 prints - all of them images of bijin or beautiful women. They belong to the finest works of art of the Shin Hanga movement.<br/><br/> Shin hanga ('new prints') was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century).<br/><br/> The movement flourished from around 1915 to 1942, though it resumed briefly from 1946 through the 1950s. Inspired by European Impressionism, the artists incorporated Western elements such as the effects of light and the expression of individual moods, but focused on strictly traditional themes of landscapes (fukeiga), famous places (meisho), beautiful women (bijinga), kabuki actors (yakusha-e), and birds and flowers (kachoga).
Henry Lewis Stimson (September 21, 1867 – October 20, 1950) was an American statesman, lawyer and Republican Party politician and spokesman on foreign policy. He served as Secretary of War (1911–1913) under Republican William Howard Taft, and as Governor-General of the Philippines (1927–1929).<br/><br/> As Secretary of State (1929–1933) under Republican President Herbert Hoover, he articulated the Stimson Doctrine which announced American opposition to Japanese expansion in Asia. He again served as Secretary of War (1940–1945) under Democrats Franklin D. Roosevelt and Harry S. Truman, and was a leading hawk calling for war against Germany.<br/><br/> During World War II he took charge of raising and training 13 million soldiers and airmen, supervised the spending of a third of the nation's GDP on the Army and the Air Forces, helped formulate military strategy, and oversaw the building and use of the atomic bomb.
Haj Mohammed Effendi Amin el-Husseini (Arabic: محمد أمين الحسيني‎, Muhammad Amin al-Husayni; born between 1895 and 1897; died July 4, 1974) was a Palestinian Arab nationalist and Muslim leader in the Mandatory Palestine.<br/><br/> Al-Husseini was an Arab nationalist and following the end of the First World War positioned himself in Damascus, as a supporter of the Arab Kingdom of Syria. However, following the fiasco of the Franco-Syrian War, his positions on pan-Arabism shifted to a form of local nationalism for the Arabs of Palestine and he moved back to Jerusalem. From 1921 to 1937 al-Husseini was the Grand Mufti of Jerusalem, using the position to promote Islam and rally Arab nationalism against Zionism.<br/><br/> During the 1948 Palestine War, Husseini represented the Arab Higher Committee and opposed both the 1947 UN Partition Plan and King Abdullah's entente with Zionists to annex the Arab part of British Mandatory Palestine to Jordan. In September 1948, he participated in the establishment of an All-Palestine Government. Seated in Egyptian ruled Gaza, this government won a limited recognition of Arab states, but was eventually dissolved by Gamal Nasser in 1959.
Tan Ting-pho (Chen Chengbo; Peh-oe-ji: Tan Teng-pho; February 2, 1895 – March 25, 1947), was a well-known Taiwanese painter. In 1926, his oil painting <i>Street of Chiayi</i> was featured in the seventh Empire Art Exhibition in Japan, which was the first time a Taiwanese artist's work was displayed at the exhibition.<br/><br/> Tan devoted his life to education and creation, and was greatly concerned about the development of humanist culture in Taiwan. He was not only devoted to the improvement of his own painting, but also to the promotion of the aesthetic education of the Taiwanese people. He was murdered as a result of the February 28 Incident, a 1947 popular uprising in Taiwan which was brutally repressed by the Kuomintang (KMT).
Sir Ernest Mason Satow PC, GCMG, (30 June 1843 – 26 August 1929), known in Japan as 'アーネスト・サトウ' (Ānesuto Satō), known in China as (traditional Chinese) '薩道義' or (simplified Chinese) '萨道义', was a British scholar, diplomat and Japanologist.<br/><br/> Satow was born to an ethnically German father (Hans David Christoph Satow, born in Wismar, then under Swedish rule, naturalised British in 1846) and an English mother (Margaret, née Mason) in Clapton, North London. He was educated at Mill Hill School and University College London (UCL).<br/><br/> Satow was an exceptional linguist, an energetic traveller, a writer of travel guidebooks, a dictionary compiler, a mountaineer, a keen botanist (chiefly with F.V. Dickins) and a major collector of Japanese books and manuscripts on all kinds of subjects before the Japanese themselves began to do so. He also loved classical music and the works of Dante on which his brother-in-law Henry Fanshawe Tozer was an authority. Satow kept a diary for most of his adult life which amounts to 47 mostly handwritten volumes.<br/><br/> Satow served in Siam (1884–1887), during which time he was accorded the rare honour of promotion from the Consular to the Diplomatic service, Uruguay (1889–93) and Morocco (1893–95). In 1886, while serving in Siam, he travelled to Chiang Mai and the Lan Na states and left a detailed account of his visit.
The Druk Gyalpo (Dzongkha: འབྲུག་རྒྱལ་པོ་; Wylie: brug rgyal-po; 'Dragon King') is the head of state of Bhutan. He is also known in English as the King of Bhutan. Bhutan, in the local Dzongkha language, is known as Dryukyul which translates as 'The Land of Dragons'. Thus, while Kings of Bhutan are known as Druk Gyalpo ('Dragon King'), the Bhutanese people call themselves the Drukpa, meaning 'Dragon people'.<br/><br/> The current ruler of Bhutan is the 5th Hereditary King His Majesty Jigme Khesar Namgyel Wangchuck, who is the 5th Druk Gyalpo. He wears the Raven Crown which is the official Crown worn by the Monarchs of Bhutan. He is correctly styled 'Mi'wang 'Ngada Rimboche' ('His Majesty') and addressed ''Ngada Rimboche' ('Your Majesty').
The Druk Gyalpo (Dzongkha: འབྲུག་རྒྱལ་པོ་; Wylie: brug rgyal-po; 'Dragon King') is the head of state of Bhutan. He is also known in English as the King of Bhutan. Bhutan, in the local Dzongkha language, is known as Dryukyul which translates as 'The Land of Dragons'. Thus, while Kings of Bhutan are known as Druk Gyalpo ('Dragon King'), the Bhutanese people call themselves the Drukpa, meaning 'Dragon people'.<br/><br/> The current ruler of Bhutan is the 5th Hereditary King His Majesty Jigme Khesar Namgyel Wangchuck, who is the 5th Druk Gyalpo. He wears the Raven Crown which is the official Crown worn by the Monarchs of Bhutan. He is correctly styled 'Mi'wang 'Ngada Rimboche' ('His Majesty') and addressed ''Ngada Rimboche' ('Your Majesty').
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.
Phuket, formerly known as Thalang and, in Western sources, Junk Ceylon (a corruption of the Malay Tanjung Salang or 'Cape Salang'), is one of the southern provinces (changwat) of Thailand. Neighbouring provinces are Phang Nga and Krabi, but as Phuket is an island it has no land boundaries.<br/><br/> Phuket, which is approximately the size of Singapore, is Thailand’s largest island. The island is connected to mainland Thailand by two bridges. It is situated off the west coast of Thailand in the Andaman Sea. Phuket formerly derived its wealth from tin and rubber, and enjoyed a rich and colorful history. The island was on one of the major trading routes between India and China, and was frequently mentioned in foreign ship logs of Portuguese, French, Dutch and English traders. The region now derives much of its income from tourism.
In 1918, the last year of the war, Liman von Sanders took over command of the Ottoman army during the Sinai and Palestine Campaign, replacing the German General Erich von Falkenhayn who had been defeated by British General Allenby at the end of 1917.<br/><br/> Liman was hampered by the significant decline in power of the Ottoman army. His forces were unable to do anything more than occupy defensive positions and wait for the British attack. The attack was a long time in coming, but when General Allenby finally unleashed his army, the entire Ottoman army was destroyed in a week of fighting at the Battle of Megiddo. In the rout, Liman was nearly captured by British soldiers.<br/><br/> After the war ended he was arrested in Malta in February 1919 on charges of having committed war crimes, but he was released six months later. He retired from the German army that year.
Amanullah Khan (June 1, 1892 – April 25, 1960) was the ruler of the Emirate of Afghanistan from 1919 to 1929, first as Amir and after 1926 as Shah. He led Afghanistan to independence over its foreign affairs from the United Kingdom, and his rule was marked by dramatic political and social change.
Edgar 'Pop' Buell was a farmer from Steuben County, Indiana, but following the death of his wife in 1958 he joined the International Voluntary Services, a precursor to the Peace Corps, which offered him a job as an agricultural adviser in Laos. Buell worked in Laos through the Laotian Civil War, organizing relief aid to refugees and isolated villages, before he was forced to flee Laos in the mid-1970s.<br/><br/> He is widely regarded as having been the CIA's main contact with the Hmong anti-communist forces during the Laos 'Secret War' (1964-1973).<br/><br/> Vang Pao (Hmong: Vaj Pov; 8 December 1929 – 6 January 2011) was a Lieutenant General in the Royal Lao Army and leading figure in the American 'Secret War' in Laos (1964-1973). He was a leader in the Hmong American community in the United States.<br/><br/>
Sri Lanka had always been an important port and trading post in the ancient world, and was increasingly frequented by merchant ships from the Middle East, Persia, Burma, Thailand, Malaysia, Indonesia and other parts of Southeast Asia. The islands were known to the first European explorers of South Asia and settled by many groups of Arab and Malay merchants.<br/><br/> A Portuguese colonial mission arrived on the island in 1505 headed by Lourenço de Almeida, the son of Francisco de Almeida. At that point the island consisted of three kingdoms, namely Kandy in the central hills, Kotte at the Western coast, and Yarlpanam (Anglicised Jaffna) in the north. The Dutch arrived in the 17th century. The British East India Company took over the coastal regions controlled by the Dutch in 1796, and in 1802 these provinces were declared a crown colony under direct rule of the British government, therefore the island was not part of the British Raj. The annexation of the Kingdom of Kandy in 1815 by the Kandyan convention, unified the island under British rule.<br/><br/> European colonists established a series of cinnamon, sugar, coffee, indigo cultivation followed by tea and rubber plantations and graphite mining. The British also brought a large number of indentured workers from Tamil Nadu to work in the plantation economy. The city of Colombo was developed as the administrative centre and commercial heart with its harbor, and the British established modern schools, colleges, roads and churches that introduced Western-style education and culture to the Ceylonese.<br/><br/> On 4 February 1948 the country gained its independence as the Dominion of Ceylon. It changed its name to Sri Lanka in 1972.
In 1918, the last year of the war, Liman von Sanders took over command of the Ottoman army during the Sinai and Palestine Campaign, replacing the German General Erich von Falkenhayn who had been defeated by British General Allenby at the end of 1917.<br/><br/> Liman was hampered by the significant decline in power of the Ottoman army. His forces were unable to do anything more than occupy defensive positions and wait for the British attack. The attack was a long time in coming, but when General Allenby finally unleashed his army, the entire Ottoman army was destroyed in a week of fighting at the Battle of Megiddo. In the rout, Liman was nearly captured by British soldiers.<br/><br/> After the war ended he was arrested in Malta in February 1919 on charges of having committed war crimes, but he was released six months later. He retired from the German army that year.
Amanullah Khan (June 1, 1892 – April 25, 1960) was the ruler of Afghanistan from 1919 to 1929, first as Amir and after 1926 as Shah. He led Afghanistan to independence over its foreign affairs from the United Kingdom, and his rule was marked by dramatic political and social change.
The pictorial 'Shanghai Manhua' (Shanghai Sketch), published between April 21, 1928 and June 7, 1930, was a mixture of drawings, photographs and images ranging from advertisements to social criticism and political caricatures.<br/><br/> Shanghai Manhua was an outlet for professional cartoonists and sketch masters, generally of an avant garde or progressive nature. Many of the images printed in 'Shanghai Manhua' are observations of urban life in contemporaneous Shanghai, as well as often critical comment on the social mores of the time.
Located in the northeast of the country, Shan State covers one-quarter of Burma’s land mass. It was traditionally separated into principalities and is mostly comprised of ethnic Shan, Burman Pa-O, Intha, Taungyo, Danu, Palaung and Kachin peoples.
In 1918, the last year of the war, Liman von Sanders took over command of the Ottoman army during the Sinai and Palestine Campaign, replacing the German General Erich von Falkenhayn who had been defeated by British General Allenby at the end of 1917.<br/><br/> Liman was hampered by the significant decline in power of the Ottoman army. His forces were unable to do anything more than occupy defensive positions and wait for the British attack. The attack was a long time in coming, but when General Allenby finally unleashed his army, the entire Ottoman army was destroyed in a week of fighting at the Battle of Megiddo. In the rout, Liman was nearly captured by British soldiers.<br/><br/> After the war ended he was arrested in Malta in February 1919 on charges of having committed war crimes, but he was released six months later. He retired from the German army that year.
The Ottoman Empire's power and prestige peaked in the 16th and 17th centuries, particularly during the reign of Suleiman the Magnificent. The empire was often at odds with the Holy Roman Empire in its steady advance towards Central Europe through the Balkans and the southern part of the Polish-Lithuanian Commonwealth.<br/><br/> At sea, the empire contended with the Holy Leagues, composed of Habsburg Spain, the Republic of Venice and the Knights of St. John, for control of the Mediterranean. In the Indian Ocean, the Ottoman navy frequently confronted Portuguese fleets in order to defend its traditional monopoly over the maritime trade routes between East Asia and Western Europe; these routes faced new competition with the Portuguese discovery of the Cape of Good Hope in 1488.<br/><br/> In addition, the Ottomans were occasionally at war with Persia over territorial disputes or caused by religious differences between 16th and 18th centuries. During nearly two centuries of decline, the Ottoman Empire gradually shrank in size, military power, and wealth. It entered World War I on the side of the Central Powers and was ultimately defeated.
An untitled cover from 'Shanghai Manhua' (Shanghai Sketch) shows a naked young woman in flames surrounded by demons about to devour her. Later social critics have interpreted this as a portrayal of Old Shanghai as an urban dystopia.<br/><br/> The pictorial 'Shanghai Manhua' (Shanghai Sketch), published between April 21, 1928 and June 7, 1930, was a mixture of drawings, photographs and images ranging from advertisements to social criticism and political caricatures.<br/><br/> Shanghai Manhua was an outlet for professional cartoonists and sketch masters, generally of an avant garde or progressive nature. Many of the images printed in 'Shanghai Manhua' are observations of urban life in contemporaneous Shanghai, as well as often critical comment on the social mores of the time.
Mohammed Nadir Shah (born Mohammed Nadir; April 9, 1883 - November 8, 1933), was king of the Kingdom of Afghanistan from October 15, 1929 until his assassination in 1933. He and his son Mohammed Zahir Shah, who succeeded him, are sometimes referred to as the Musahiban.
Mehmed II (March 30, 1432 – May 3, 1481) or, in modern Turkish, Fatih Sultan Mehmet; known as Mahomet or Mohammed II in early modern Europe) was Sultan of the Ottoman Empire from 1444 to September 1446, and later from February 1451 to 1481. At the age of 21, he conquered Constantinople, now Istanbul, bringing an end to the Byzantine Empire.
Khmer classical dance is a traditional form of dance in Cambodia which shares many similarities with classical dances of Thailand and Laos. The Cambodian form is known by various names in English, such as Khmer Royal Ballet and Cambodian Court Dance. Being a highly stylized art form performed primarily by females, Khmer classical dance, during the French protectorate era, was largely confined to the courts of royal palaces, performed by the consorts, concubines, relatives, and attendants of the palace.
A female brothel keeper butchers young women and sells the body parts to passing men. Social comment on the prevalence of prostitution in Old Shanghai.<br/><br/> The pictorial 'Shanghai Manhua' (Shanghai Sketch), published between April 21, 1928 and June 7, 1930, was a mixture of drawings, photographs and images ranging from advertisements to social criticism and political caricatures.<br/><br/> Shanghai Manhua was an outlet for professional cartoonists and sketch masters, generally of an avant garde or progressive nature. Many of the images printed in 'Shanghai Manhua' are observations of urban life in contemporaneous Shanghai, as well as often critical comment on the social mores of the time.
The Bund (Chinese: Wàitān) is an area of Huangpu District in central Shanghai. The area centres on a section of Zhongshan Road (East-1 Zhongshan Road) within the former Shanghai International Settlement, which runs along the western bank of the Huangpu River, facing Pudong, in the eastern part of Huangpu District.<br/><br/> The Bund usually refers to the buildings and wharves on this section of the road, as well as some adjacent areas.
Choibalsan originally trained as a Lamaist monk. He made contact with Russian revolutionaries when he traveled to Siberia. He founded his first revolutionary organization in 1919 and in 1921 joined with Damdin Sukhbaatar to form the Mongolian People's Revolutionary Party. After the Mongolian and Soviet Red Army forces entered Urga in 1921 and established a pro-Soviet government, Choibalsan became deputy war minister. Over the following years Choibalsan came to dominate his country's leadership and by about 1940 his position was unrivaled in his own country. He served both as head of state (Chairman of the Presidium of the State Little Hural, 1929–1930) and head of government (Chairman of the Council of People's Commissars, 1939–1952). He is sometimes accorded the military rank of Marshal. Choibalsan was a close follower of the Soviet leader Joseph Stalin and emulated his policies in many ways including the ruthless elimination of rivals for power and harsh treatment of landowners.
Choibalsan originally trained as a Lamaist monk. He made contact with Russian revolutionaries when he traveled to Siberia. He founded his first revolutionary organization in 1919 and in 1921 joined with Damdin Sukhbaatar to form the Mongolian People's Revolutionary Party. After the Mongolian and Soviet Red Army forces entered Urga in 1921 and established a pro-Soviet government, Choibalsan became deputy war minister. Over the following years Choibalsan came to dominate his country's leadership and by about 1940 his position was unrivaled in his own country. He served both as head of state (Chairman of the Presidium of the State Little Hural, 1929–1930) and head of government (Chairman of the Council of People's Commissars, 1939–1952). He is sometimes accorded the military rank of Marshal. Choibalsan was a close follower of the Soviet leader Joseph Stalin and emulated his policies in many ways including the ruthless elimination of rivals for power and harsh treatment of landowners.
Choibalsan originally trained as a Lamaist monk. He made contact with Russian revolutionaries when he traveled to Siberia. He founded his first revolutionary organization in 1919 and in 1921 joined with Damdin Sukhbaatar to form the Mongolian People's Revolutionary Party. After the Mongolian and Soviet Red Army forces entered Urga in 1921 and established a pro-Soviet government, Choibalsan became deputy war minister. Over the following years Choibalsan came to dominate his country's leadership and by about 1940 his position was unrivaled in his own country. He served both as head of state (Chairman of the Presidium of the State Little Hural, 1929–1930) and head of government (Chairman of the Council of People's Commissars, 1939–1952). He is sometimes accorded the military rank of Marshal. Choibalsan was a close follower of the Soviet leader Joseph Stalin and emulated his policies in many ways including the ruthless elimination of rivals for power and harsh treatment of landowners.
Choibalsan originally trained as a Lamaist monk. He made contact with Russian revolutionaries when he traveled to Siberia. He founded his first revolutionary organization in 1919 and in 1921 joined with Damdin Sukhbaatar to form the Mongolian People's Revolutionary Party. After the Mongolian and Soviet Red Army forces entered Urga in 1921 and established a pro-Soviet government, Choibalsan became deputy war minister. Over the following years Choibalsan came to dominate his country's leadership and by about 1940 his position was unrivaled in his own country. He served both as head of state (Chairman of the Presidium of the State Little Hural, 1929–1930) and head of government (Chairman of the Council of People's Commissars, 1939–1952). He is sometimes accorded the military rank of Marshal. Choibalsan was a close follower of the Soviet leader Joseph Stalin and emulated his policies in many ways including the ruthless elimination of rivals for power and harsh treatment of landowners.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Japan: 'A Warrior with Shield'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Scene at a Buddhist temple in Sri Lanka, 1929. Black-and-white drawing by T.F. Simon (1929).
During late 1920s and 1930s Japan, a new poster style developed that reflected the growing influence of the masses in Japanese society. These art posters were strongly influenced by the emerging political forces of Communism and Fascism in Europe and the Soviet Union, adopting a style that incorporated bold slogans with artistic themes ranging from Leftist socialist realism through Stateism and state-directed public welfare, to Militarism and Imperialist expansionism.<br/><br/> Though diverse in their messages, all bear the stamp of the ovebearing proletarian art of the time, reflecting shades of Nazi Germany, Socialist Russia and Fascist Italy in the Far East.
During late 1920s and 1930s Japan, a new poster style developed that reflected the growing influence of the masses in Japanese society. These art posters were strongly influenced by the emerging political forces of Communism and Fascism in Europe and the Soviet Union, adopting a style that incorporated bold slogans with artistic themes ranging from Leftist socialist realism through Stateism and state-directed public welfare, to Militarism and Imperialist expansionism.<br/><br/> Though diverse in their messages, all bear the stamp of the ovebearing proletarian art of the time, reflecting shades of Nazi Germany, Socialist Russia and Fascist Italy in the Far East.
During late 1920s and 1930s Japan, a new poster style developed that reflected the growing influence of the masses in Japanese society. These art posters were strongly influenced by the emerging political forces of Communism and Fascism in Europe and the Soviet Union, adopting a style that incorporated bold slogans with artistic themes ranging from Leftist socialist realism through Stateism and state-directed public welfare, to Militarism and Imperialist expansionism.<br/><br/> Though diverse in their messages, all bear the stamp of the ovebearing proletarian art of the time, reflecting shades of Nazi Germany, Socialist Russia and Fascist Italy in the Far East.
George Bernard Shaw (26 July 1856 – 2 November 1950) was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays.<br/><br/> Shaw was also an essayist, novelist and short story writer. Nearly all his writings address prevailing social problems with a vein of comedy which makes their stark themes more palatable. Issues which engaged Shaw's attention included education, marriage, religion, government, health care, and class privilege.<br/><br/> He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his play of the same name), respectively. Shaw refused all other awards and honours, including the offer of a knighthood.
Herbert Clark Hoover (August 10, 1874 – October 20, 1964) was an American politician who served as the 31st President of the United States from 1929 to 1933. A Republican, as Secretary of Commerce in the 1920s he introduced Progressive Era themes of efficiency in the business community and provided government support for standardization, efficiency and international trade.<br/><br/> As president from 1929 to 1933, his ambitious programs were overwhelmed by the Great Depression, that seemed to get worse every year despite the increasingly large-scale interventions he made in the economy.<br/><br/> He was defeated in a landslide in 1932 by Democrat Franklin D. Roosevelt, and spent the rest of his life as a conservative denouncing big government, liberalism and federal intervention in economic affairs
John Calvin Coolidge Jr. (July 4, 1872 – January 5, 1933) was the 30th President of the United States (1923–29). A Republican lawyer from Vermont, Coolidge worked his way up the ladder of Massachusetts state politics, eventually becoming governor of that state.<br/><br/> He was elected as the 29th vice president in 1920 and succeeded to the presidency upon the sudden death of Warren G. Harding in 1923. Elected in his own right in 1924, he gained a reputation as a small-government conservative.<br/><br/> Coolidge's retirement was relatively short, as he died at the age of 60 in January 1933, less than two months before his direct successor, Herbert Hoover, left office.