Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
James Earl 'Jimmy' Carter Jr. (born October 1, 1924) is an American politician who served as the 39th President of the United States from 1977 to 1981. In 2002, he was awarded the Nobel Peace Prize for his work with the Carter Center.<br/><br/> Muhammad Anwar Al Sadat (25 December 1918 – 6 October 1981) was the third President of Egypt, serving from 15 October 1970 until his assassination by fundamentalist army officers on 6 October 1981. He led the War of 1973 against Israel, making him a hero in Egypt and, for a time, throughout the Arab World. Afterwards he engaged in negotiations with Israel, culminating in the Egypt-Israel Peace Treaty. This won him the Nobel Peace Prize but also made him unpopular among some Arabs, resulting in a temporary suspension of Egypt's membership in the Arab League, and eventually his assassination.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka, some of them from before 5500 BC. India's Buddhist literature is replete with examples of texts which describe palaces of kings and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.<br/><br/> Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. Mughal painting represented a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each developing a local style. Company paintings were made for British clients under the British raj, which from the 19th century also introduced art schools along Western lines, leading to modern Indian painting, which is increasingly returning to its Indian routes.<br/><br/> Indian paintings provide an aesthetic continuum that extends from the early civilization to the present day. From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Egyptian President Anwar Sadat and Israeli Prime Minister Menachem Begin acknowledge applause during a joint session of Congress in Washington, D.C., during which President Jimmy Carter announced the results of the Camp David Accords, 18 September 1978.
Muhammad Anwar Al Sadat (25 December 1918 – 6 October 1981) was the third President of Egypt, serving from 15 October 1970 until his assassination by fundamentalist army officers on 6 October 1981. He led the War of 1973 against Israel, making him a hero in Egypt and, for a time, throughout the Arab World. Afterwards he engaged in negotiations with Israel, culminating in the Egypt-Israel Peace Treaty. This won him the Nobel Peace Prize but also made him unpopular among some Arabs, resulting in a temporary suspension of Egypt's membership in the Arab League, and eventually his assassination.<br/><br/> Jimmy Carter was the 39th President of the United States of America (January 20, 1977 – January 20, 1981).