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Japan: 'A Foot Soldier of the Fujiwara Epoch'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Japan: 'One of the Bodyguard'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Charles V (24 February 1500 – 21 September 1558) was ruler of both the Holy Roman Empire from 1519 and the Spanish Empire (as Charles I of Spain) from 1516, as well as of the lands of the former Duchy of Burgundy from 1506. He stepped down from these and other positions by a series of abdications between 1554 and 1556.<br/><br/> Through inheritance, Charles brought together under his rule extensive territories in western, central, and southern Europe, and the Spanish viceroyalties in the Americas and Asia. As a result, his domains spanned nearly 4 million square kilometres (1.5 million square miles), and were the first to be described as 'the empire on which the sun never sets'.
Maximilian I (22 March 1459 – 12 January 1519), the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal, was King of the Romans (also known as King of the Germans) from 1486 and Holy Roman Emperor from 1508 until his death, though he was never in fact crowned by the Pope, the journey to Rome always being too risky.<br/><br/> He had ruled jointly with his father for the last ten years of his father's reign, from c. 1483. He expanded the influence of the House of Habsburg through war and his marriage in 1477 to Mary of Burgundy, the heiress to the Duchy of Burgundy, but he also lost the Austrian territories in today's Switzerland to the Swiss Confederacy.
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen.<br/><br/> Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. Yoshitsune's name in childhood was Ushiwakamaru (牛若丸). He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Isoda Koryūsai (礒田湖龍斎 1735–c.1790) was a Japanese printmaker and painter active from approximately 1764 to 1788.<br/><br/> The details of his life are under some dispute. He apparently came from a samurai background. One theory stated he became a rōnin and was forced to turn to art, but another says he voluntarily gave up the life of a samurai for art. In 1781 he received the title Hokkyo for his talent and accomplishments. That he was so honored is one of the rare statements that is generally agreed to. There are those who believe he was a pupil of Harunobu, but this is disputed. Although some of his prints survived few of his paintings did.<br/><br/> That said it is known that he was a prolific artist. His subjects ranged from Confucian virtues, to birds, to herblore, and also included hundreds of erotica prints.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Kusakabe Kimbei (日下部 金兵衛) (1841 — 1934) was a Japanese photographer. He usually went by his given name, Kimbei, because his clientele, mostly non-Japanese-speaking foreign residents and visitors, found it easier to pronounce than his family name.<br/><br/> Kusakabe Kimbei worked with Felice Beato and Baron Raimund von Stillfried as a photographic colourist and assistant before opening his own workshop in Yokohama in 1881 in the Benten-dōri quarter, and from 1889 operating in the Honmachi quarter. He also opened a branch in the Ginza quarter of Tokyo.<br/><br/> Around 1885, he acquired the negatives of Felice Beato and of Stillfried, as well as those of Uchida Kuichi. Kusakabe also acquired some of Ueno Hikoma's negatives of Nagasaki.
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
Mamluk (Arabic: مملوك mamluk (singular), مماليك mamālīk (plural)), 'owned'; also transliterated Mamlouk, Turkish: Memlük, also called Kölemen; , Mamluq, Mamluke, Mameluk, Mameluke, Mamaluke or Marmeluke.<br/><br/> A soldier of slave origin, predominantly Cuman or Kipchak and later Circassian and Georgian. The 'Mamluk phenomenon', as David Ayalon dubbed the creation of the specific warrior class, was of great political importance and was extraordinarily long-lived, lasting from the 9th to the 19th century CE. Over time, Mamluks became a powerful military caste in various Muslim societies. Particularly in Egypt, but also in the Levant, Iraq, and India, Mamluks held political and military power.<br/><br/> In some cases, they attained the rank of sultan, while in others they held regional power as amirs or beys. Most notably, Mamluk factions seized the sultanate for themselves in Egypt and Syria in a period known as the Mamluk Sultanate (1250–1517). The Mamluk Sultanate famously beat back the Mongols at the Battle of Ayn Jalut and fought the Crusaders effectively driving them out from the Levant by 1291 and officially in 1302 ending the era of the Crusades.<br/><br/> They were predominantly drawn from Turkic tribes, the Cumans and Kipchaks, depending on the period and region in question. While Mamluks were purchased, their status was above ordinary slaves, who were not allowed to carry weapons or perform certain tasks. In places such as Egypt from the Ayyubid dynasty to the time of Muhammad Ali of Egypt, mamluks were considered to be 'true lords', with social status above freeborn Muslims.
The Durrani Empire, also referred to as the Afghan Empire, was a monarchy centered in Afghanistan and included northeastern Iran, the modern state of Pakistan as well as the Punjab region of India.<br/><br/> It was established at Kandahar in 1747 by Ahmad Shah Durrani, an Afghan military commander under Nader Shah of Persia and chief of the Abdali tribe. After the death of Ahmad Shah in about 1773, the Emirship was passed onto his children followed by grandchildren and its capital was shifted to Kabul. With the support of tribal leaders, Ahmad Shah Durrani extended Afghan control from Meshed to Kashmir and Delhi, from the Amu Darya to the Arabian Sea.<br/><br/> Next to the Ottoman Empire, the Durrani was the greatest Muslim Empire in the second half of the 18th century. The Durrani Empire is considered the foundation of the current state of Afghanistan, with Ahmad Shah Durrani being considered the ‘Father’ of modern Afghanistan.
The revenge of the Forty-seven Ronin (四十七士 Shi-jū-shichi-shi), also known as the Forty-seven Samurai, the Akō vendetta, or the Genroku Akō incident (元禄赤穂事件 Genroku akō jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushidō.<br/><br/> The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira.<br/><br/> In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots.<br/><br/> Fictionalized accounts of these events are known as Chūshingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.
The alleged poisoning of the great warrior Kato Kiyomasa (1562-1611) was the subject of a kabuki play that premiered in 1807, but due to government censorship at the time, the main character's name was changed to Sato Masakiyo.<br/><br/> Toyohara Chikanobu (豊原周延) (1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/> In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced nishiki-e artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e.<br/><br/> Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the mie (formal pose) of kabuki productions.<br/><br/> Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
Mughal period miniature painting from an album featuring portraits of Timur the Great and his descendants, mid-17th century
In Greco-Roman mythology, Aeneas was a prince of Troy, the son of Anchises and the goddess Aphrodite, and the legendary founder of Rome. His voyages and heroism are recounted in Homer’s ‘The Iliad’ and Virgil's ‘Aeneid’.<br/><br/> In the ‘Aeneid’, the Trojan prince boosts his crew’s morale on the long voyage from Troy (modern-day Turkey) to Rome. He organizes ship races. Here he rewards the winner of a race with a magnificent suite of armour. Aeneas' fleet is anchored in the distance.<br/><br/> This oil on canvas was painted by Ferdinand Bol in c.1661-3.
Hishikawa Moronobu (Japanese: 菱川 師宣; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century.
Edwin Lord Weeks (1849 – 1903), American artist and Orientalist, was born at Boston, Massachusetts, in 1849. He was a pupil of Léon Bonnat and of Jean-Léon Gérôme, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes.<br/><br> Weeks' parents were affluent spice and tea merchants from Newton, a suburb of Boston and as such they were able to accept, probably encourage, and certainly finance their son's youthful interest in painting and travelling.<br/><br> As a young man Edwin Lord Weeks visited the Florida Keys to draw and also travelled to Surinam in South America. His earliest known paintings date from 1867 when Edwin Lord Weeks was eighteen years old. In 1895 he wrote and illustrated a book of travels, From the Black Sea through Persia and India.
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
The Hamzanama or Dastan-e-Amir Hamza (Adventures of Amir Hamza) narrates the mythical exploits of Amir Hamza, the uncle of the prophet of Islam. Most of the story is extremely fanciful, memorably described by the first Moghul Emperor Babur as: 'one long far-fetched lie, opposed to sense and nature'. Yet the Hamzanama proved enduringly popular with Babur's grandson, the third Mughal Emperor Akbar, who commissioned a magnificent illustrated version of the epic in c.1562, from which this miniature is taken. The text augmented the story, as traditionally told in dastan performances. This romance originated more than 1,000 years ago, probably in Persia, and subsequently spread throughout the Islamic world in oral and written forms. The Dastan (story telling tradition) about Amir Hamza persists far and wide up to Bengal and Arakan (Burma) due to Hamza's supposedly widespread travelling in Persia, eastern India, the Himalayas, Bengal, Manipur, Burma and perhaps Malaysia in his youth, or before he embraced Islam in 616.
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history. The Japanese were successful, in part because the Mongols lost up to 75% of their troops and supplies as a result of major storms at sea. These were named 'kamikaze' or divine winds by the Japanese.
Subutai (Subetei, Subetai, Subotai 1176–1248) was the primary military strategist and general of Genghis Khan and Ogedei Khan. He directed more than twenty campaigns in which he conquered thirty-two nations and won sixty-five pitched battles, during which he conquered or overran more territory than any other commander in history. He gained victory by means of imaginative and sophisticated strategies and routinely coordinated movements of armies that were hundreds of kilometers away from each other. He is also remembered for devising the campaign that destroyed the armies of Hungary and Poland within two days of each other, by forces over five hundred kilometers apart. Subutai is regarded in history as one of Genghis Khan's and the Mongol Empire's most prominent generals in terms of ability and tactics helping with the military campaigns in Asia and Eastern Europe. He commanded many successful attacks and invasions during his time and was rarely defeated.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Ogawa Kazumasa (September 29, 1860 - September 6, 1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
Samurai (侍), usually referred to in Japanese as bushi (武士) or buke (武家), were the military nobility of medieval and early-modern Japan.<br/><br/> By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class. The samurai followed a set of rules that came to be known as bushidō.<br/><br/> While the samurai numbered less than 10% of Japan's population, their teachings can still be found today in both everyday life and in modern Japanese martial arts.
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/> The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/> U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
Qianlong (25 September 1711 – 7 February 1799) was the sixth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1736 to 8 February 1796. On 8 February, he abdicated in favor of his son, Jiaqing, a filial act in order not to reign longer than his grandfather, the illustrious Kangxi Emperor. Despite his retirement, however, he retained ultimate power until his death in 1799. Although his early years saw the continuity of an era of prosperity in China, he held an unrelentingly conservative attitude. As a result, the Qing Dynasty's decline began later in his reign.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class. The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.
Azes II (reigned circa 35-12 BCE), may have been the last Indo-Scythian king in northern India. After the death of Azes II, the rule of the Indo-Scythians in northwestern India finally crumbled with the conquest of the Kushans, one of the five tribes of the Yuezhi who had lived in Bactria for more than a century, and who were then expanding into India to create a Kushan Empire. Image released into the Public Domain by World Imaging.
Samurai (侍), usually referred to in Japanese as bushi (武士) or buke (武家), were the military nobility of medieval and early-modern Japan.<br/><br/> By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class. The samurai followed a set of rules that came to be known as bushidō.<br/><br/> While the samurai numbered less than 10% of Japan's population, their teachings can still be found today in both everyday life and in modern Japanese martial arts.