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Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
Italy: Metropolitan Cathedral of the Assumption of Virgin Mary (Palermo Cathedral), Palermo, Sicily. The church was erected in 1185 by Walter Ophamil (or Walter of the Mill), the Anglo-Norman archbishop of Palermo and King William II's minister, on the area of an earlier Byzantine basilica. The upper orders of the corner towers were built between the 14th and the 15th centuries, while in the early Renaissance period the southern porch was added. The present neoclassical appearance dates from the work carried out between 1781 and 1801.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy.<br/><br/> In 1231, under Doge Jacopo Tiepolo, the city donated land at this site to establish a monastery and church belonging to the Franciscan Order of Friars Minor. This edifice proved too small and a three nave church was begun in 1250, and not completed until 1338. Work almost immediately began on its much larger replacement, the current church, which took over a century to build.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy.<br/><br/> In 1231, under Doge Jacopo Tiepolo, the city donated land at this site to establish a monastery and church belonging to the Franciscan Order of Friars Minor. This edifice proved too small and a three nave church was begun in 1250, and not completed until 1338. Work almost immediately began on its much larger replacement, the current church, which took over a century to build.
Lake Bled is a lake in the Julian Alps of the Upper Carniolan region of northwestern Slovenia, where it adjoins the town of Bled.<br/><br/> The lake surrounds Bled Island. The island has several buildings, the main one being the pilgrimage church dedicated to the Assumption of Mary, built in its current form near the end of the 17th century, and decorated with Gothic frescos from around 1470 in the presbyterium.
According to local legend, Siena was founded by Senius and Aschius, two sons of Remus and thus nephews of Romulus, after whom Rome was named. Supposedly after their father's murder by Romulus, they fled Rome, taking with them the statue of the she-wolf suckling the infants (Capitoline Wolf), thus appropriating that symbol for the town.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
According to local legend, Siena was founded by Senius and Aschius, two sons of Remus and thus nephews of Romulus, after whom Rome was named. Supposedly after their father's murder by Romulus, they fled Rome, taking with them the statue of the she-wolf suckling the infants (Capitoline Wolf), thus appropriating that symbol for the town.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
Niccolò di Pietro Gerini (c. 1340 – 1414) was an Italian painter of the late Gothic period, active mainly in his native Florence although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions in which he placed his figures in a stiff and dramatic movement.
Christianity in Ethiopia dates to the 1st century AD, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church (in Amharic: የኢትዮጵያ ኦርቶዶክስ ተዋሕዶ ቤተክርስትያን Yäityop'ya ortodoks täwahedo bétäkrestyan) is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.<br/><br/> The only pre-colonial Christian church of Sub-Saharan Africa, the Ethiopian Orthodox church has a membership of slightly more than 32 million people in Ethiopia, and is thus the largest of all Oriental Orthodox churches. Next in size are the various Protestant congregations, who include 13.7 million Ethiopians. The largest Protestant group is the Ethiopian Evangelical Church Mekane Yesus, with about 5 million members. Roman Catholicism has been present in Ethiopia since the 16th century, and numbers 536,827 believers. In total, Christians make up about 60% of the total population of the country.
The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum – that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text.<br/><br/> Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured after printing.