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Germany: Portrait medallions of Leopold I (1640-1705), 37th Holy Roman emperor, his wife Eleonore Magdalene and his son King Joseph I, over a view of Augsburg. Copper engraving, c. 1689. Leopold I was the second son of Emperor Ferdinand III, and became heir apparent after the death of his older brother, Ferdinand IV. He was elected Holy Roman Emperor in 1658 after his father's death, and by then had also already become Archduke of Austria and claimed the crowns of Germany, Croatia, Bohemia and Hungary.
Germany: 'Entry of Emperor Leopold I, his Wife Eleonore Magdalene and King Joseph I to the Augsburg Cathedral', copper engraving, c. 1689. Leopold I (1640-1705) was the second son of Emperor Ferdinand III, and became heir apparent after the death of his older brother, Ferdinand IV. He was elected Holy Roman Emperor in 1658 after his father's death, and by then had also already become Archduke of Austria and claimed the crowns of Germany, Croatia, Bohemia and Hungary.
The Black Death was one of the most devastating pandemics in human history, peaking in Europe between 1348 and 1350. Of several competing theories, the dominant explanation for the Black Death is the plague theory, which attributes the outbreak to the bacterium Yersinia pestis.<br/><br/> Thought to have started in China, it travelled along the Silk Road and reached the Crimea by 1346. From there, probably carried by Oriental rat fleas living on the black rats that were regular passengers on merchant ships, it spread throughout the Mediterranean and Europe.<br/><br/> The Black Death is estimated to have killed 30–60 percent of Europe's population, reducing the world's population from an estimated 450 million to between 350 and 375 million in the 14th century.<br/><br/> The aftermath of the plague created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe's population to recover. The plague returned at various times, killing more people, until it died out in Europe in the 19th century.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.
The Tensho embassy, named after the Tensho Era (1573-1592) in which the embassy took place, was an embassy sent by the Japanese Christian Lord Otomo Sorin to the Pope and the kings of Europe in 1582.<br/><br/> The embassy was led by Mancio Ito (Ito Mansho, 1570–1612), a Japanese nobleman, who was the first official Japanese emissary to Europe.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.
This is one of a celebrated series of small woodcuts that Holbein designed on the theme of Death. In the words of Christian Rümelin: 'Death is depicted in several guises in these illustrations, ranging from the murderous agent (of the monk, merchant, chandler, rich man, knight, earl and nobleman) to the warning commentator (of the pope, emperor, cardinal, judge, alderman, lawyer, and preacher)'.<br/><br/> Members of society are mostly portrayed in a situation designed to criticise a specific type of behaviour 'such as the corruption of the judge, the vanity of the canon, the acquisitiveness of the rich man and the merchant'. The series adapts the tradition of the medieval Danse Macabre (Dance of Death) as the basis for a new and original sequence. It also relates to the imagery of French illuminated Books of Hours and poetical traditions. 'The scenes are the customary illustrations in which Death appears in the form of a skeleton'.