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Yufuin is a hot-spring spa town located beneath the spectacular Mount Yufu or Yufu-dake (1,583 m), on the southern Japanese island of Kyushu.
Yufuin is a hot-spring spa town located beneath the spectacular Mount Yufu or Yufu-dake (1,583 m), on the southern Japanese island of Kyushu.
During the Roman Period, Christianity spread to Treviso. Tradition records that St. Prosdocimus, a Greek who had been ordained bishop by St. Peter, brought the Catholic faith to Treviso and surrounding areas. By the 4th century, the Christian population grew sufficient to merit a resident bishop. The first documented bishop was John the Pious who began his epsicopacy in 396 CE.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Chang'e or Chang-o, originally known as Heng'e, is the Chinese goddess of the moon. There are many tales and legends about her in Chinese mythology and folk religion, usually involving her husband Houyi, the elixir of life and the moon, and representing the origin of the Mid-Autumn Moon Festival.<br/><br/> The general tale goes that in the distant past, ten suns had risen up into the sky to scorch the earth and cause great calamity for the people. The suns were, in some versions of the story, the children of the Jade Emperor, and so he sent the immortal archer Hou Yi to stop their mischief. Hou Yi instead shot down nine of them, leaivng only one in the sky, and therefore was punished by being made mortal and sent down to the earth, where he lived with his wife, Chang'e. In other versions of the tale, he was mortal at first, and freely given the elixir of immortality as a reward for his efforts.<br/><br/> Whatever version of the story, he ends up with the elixir of immortality in his care, but does not consume it right away, wishing to share it with Chang'e. However, while Hou Yi was away, his apprentice Fengmeng, broke into the house and attempted to forcefuly steal the elixir. Chang'e escaped his wrath by consuming the elixir herself, becoming immortal and flying up towards the heavens, eventually landing on the moon. Hou Yi became greatly saddened at what had occurred, and gave sacrifices of fruits and cakes to her memory, and thus the Mid-Autumn Moon Festival came to be, a celebration that still occurs on the full moon night of the eighth lunar month.
Chang'e or Chang-o, originally known as Heng'e, is the Chinese goddess of the moon. There are many tales and legends about her in Chinese mythology and folk religion, usually involving her husband Houyi, the elixir of life and the moon, and representing the origin of the Mid-Autumn Moon Festival.<br/><br/> The general tale goes that in the distant past, ten suns had risen up into the sky to scorch the earth and cause great calamity for the people. The suns were, in some versions of the story, the children of the Jade Emperor, and so he sent the immortal archer Hou Yi to stop their mischief. Hou Yi instead shot down nine of them, leaivng only one in the sky, and therefore was punished by being made mortal and sent down to the earth, where he lived with his wife, Chang'e. In other versions of the tale, he was mortal at first, and freely given the elixir of immortality as a reward for his efforts.<br/><br/> Whatever version of the story, he ends up with the elixir of immortality in his care, but does not consume it right away, wishing to share it with Chang'e. However, while Hou Yi was away, his apprentice Fengmeng, broke into the house and attempted to forcefuly steal the elixir. Chang'e escaped his wrath by consuming the elixir herself, becoming immortal and flying up towards the heavens, eventually landing on the moon. Hou Yi became greatly saddened at what had occurred, and gave sacrifices of fruits and cakes to her memory, and thus the Mid-Autumn Moon Festival came to be, a celebration that still occurs on the full moon night of the eighth lunar month.
Tan Ting-pho (Chen Chengbo; Peh-oe-ji: Tan Teng-pho; February 2, 1895 – March 25, 1947), was a well-known Taiwanese painter. In 1926, his oil painting <i>Street of Chiayi</i> was featured in the seventh Empire Art Exhibition in Japan, which was the first time a Taiwanese artist's work was displayed at the exhibition.<br/><br/> Tan devoted his life to education and creation, and was greatly concerned about the development of humanist culture in Taiwan. He was not only devoted to the improvement of his own painting, but also to the promotion of the aesthetic education of the Taiwanese people. He was murdered as a result of the February 28 Incident, a 1947 popular uprising in Taiwan which was brutally repressed by the Kuomintang (KMT).
Fujin or Futen is the Japanese god of the wind and one of the eldest Shinto gods. He is generally depicted as a terrifying wizard-like demon carrying a large bag of winds on his shoulders.<br/><br/> In Japanese art, the deity is often depicted together with Raijin, the god of lightning, thunder and storms.
Ngo was born in Hanoi in 1931. Her father was a successful businessman who owned the largest glass factory in French Indochina. She later stated that she grew eager to learn English because of her desire to watch her favorite films such as Gone with the Wind without subtitles. Her family provided her with private lessons in English. In 1955, when she was 25 years old, she joined the Voice of Vietnam radio station and was chosen to read the English language newscast aimed at listeners in Asia’s English-speaking countries.<br/><br/> During the Vietnam War, Ngo became notorious among US soldiers for her propaganda broadcasts on Radio Hanoi. Her scripts were written by the North Vietnamese Army and were intended to frighten and shame the soldiers into leaving their posts. She made three broadcasts a day, reading a list of newly killed or imprisoned Americans, and playing popular US anti-war songs in an effort to incite feelings of nostalgia and homesickness, attempting to persuade US GIs that the US involvement in the Vietnam War was unjust and immoral.<br/><br/> In 1975, after the war, Ngo moved to Saigon with her husband. She was offered a position on HCMC Television, but she chose to stay at home and take care of her husband, who had suffered a stroke. She died in Ho Chi Minh City on 30 September 2016 at the age of 87.
Huang Shen was a Chinese painter during the Qing Dynasty. Huang was born in Ninghua, Fujian province, to a poor family.<br/><br/> He began his training under the painter Shangguan Zhou. In the earliest part of his career he excelled at cursive calligraphy and favored a meticulous style modelled after Ni Zan. He became better known as an artistic innovator who was one of the Eight Eccentrics of Yangzhou. When it came to paintings of people he favored images of religious, historic, and common people. His more famous works include The Drunk Monk and Shepherd Su Wu.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Kulaks were a category of relatively affluent farmers in the later Russian Empire, Soviet Russia, and early Soviet Union. The word kulak originally referred to independent farmers in the Russian Empire who emerged from the peasantry and became wealthy following the Stolypin reform, which began in 1906. The label of kulak was broadened in 1918 to include any peasant who resisted handing over their grain to detachments from Moscow.<br/><br/> According to the political theory of Marxism–Leninism of the early 20th century, the kulaks were class enemies of the poorer peasants. Vladimir Ilyich Lenin described them as 'bloodsuckers, vampires, plunderers of the people and profiteers, who fatten on famine'. Marxism–Leninism had intended a revolution to liberate poor peasants and farm laborers alongside the proletariat. In addition, the planned economy of Soviet Bolshevism required the collectivisation of farms and land to allow industrialisation or conversion to large-scale agricultural production. In practice, government officials violently seized kulak farms and murdered resisters; others were deported to labor camps.
Ngo was born in Hanoi in 1931. Her father was a successful businessman who owned the largest glass factory in French Indochina. She later stated that she grew eager to learn English because of her desire to watch her favorite films such as Gone with the Wind without subtitles. Her family provided her with private lessons in English. In 1955, when she was 25 years old, she joined the Voice of Vietnam radio station and was chosen to read the English language newscast aimed at listeners in Asia’s English-speaking countries.<br/><br/> During the Vietnam War, Ngo became notorious among US soldiers for her propaganda broadcasts on Radio Hanoi. Her scripts were written by the North Vietnamese Army and were intended to frighten and shame the soldiers into leaving their posts. She made three broadcasts a day, reading a list of newly killed or imprisoned Americans, and playing popular US anti-war songs in an effort to incite feelings of nostalgia and homesickness, attempting to persuade US GIs that the US involvement in the Vietnam War was unjust and immoral.<br/><br/> In 1975, after the war, Ngo moved to Saigon with her husband. She was offered a position on HCMC Television, but she chose to stay at home and take care of her husband, who had suffered a stroke. She died in Ho Chi Minh City on 30 September 2016 at the age of 87.
Nagoya (名古屋市 Nagoya-shi?) is the largest city in the Chūbu region of Japan. It is the third-largest incorporated city and the fourth most populous urban area in Japan.<br/><br/> Located on the Pacific coast on central Honshu, it is the capital of Aichi Prefecture and is one of Japan's major ports along with those of Tokyo, Osaka, Kobe, Yokohama, Chiba, and Kitakyushu. It is also the center of Japan's third largest metropolitan region, known as the Chūkyō Metropolitan Area.<br/><br/> As of 2000, Chūkyō Metropolitan Area has 8.74 million people, of which 2.27 million live in the city of Nagoya.
Manzanar is most widely known as the site of one of ten camps where over 110,000 Japanese Americans were incarcerated during World War II. Located at the foot of the Sierra Nevada in California's Owens Valley between the towns of Lone Pine to the south and Independence to the north, it is approximately 230 miles (370 km) northeast of Los Angeles.<br/><br/> Long before the first incarcerees arrived in March 1942, Manzanar was home to Native Americans, who mostly lived in villages near several creeks in the area. Ranchers and miners formally established the town of Manzanar in 1910, but abandoned the town by 1929 after the City of Los Angeles purchased the water rights to virtually the entire area.<br/><br/> Since the last incarcerees left in 1945, former incarcerees and others have worked to protect Manzanar and to establish it as a National Historic Site to ensure that the history of the site, along with the stories of those who were unjustly incarcerated there, are remembered by current and future generations.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
The Dian Kingdom (Chinese: 滇國 or 滇王國) was established by the Dian people, who lived around Lake Dian in northern Yunnan, China from the late Spring and Autumn Period (771 - 476 BCE) until the Eastern Han Dynasty (25 - 220 CE).<br/><br/> The Dian were first mentioned historically in Sima Qian's Shiji and according to Chinese sources, the Chinese Chu general Zhuang Qiao was the founder of the Dian Kingdom. Chinese soldiers who accompanied him married the local people. Zhuang was engaged in a war to conquer the 'barbarian' peoples of the area, but he and his army were prevented from going back to Chu by enemy armies, so he settled down and became King of the new Dian Kingdom.<br/><br/> The Classical Chinese character for money (貝) originated as a stylized drawing of a cowrie shell. Words and characters concerning money, property or wealth usually have this as a radical.<br/><br/>Đông Sơn was a prehistoric Bronze Age culture in Vietnam centered on the Red River Valley of northern Vietnam. At this time the first Vietnamese kingdoms of Văn Lang and Âu Lạc appeared. Its influence flourished in other neighbouring parts of Southeast Asia from about 500 BCE to 100 CE.
The Dian Kingdom (Chinese: 滇國 or 滇王國) was established by the Dian people, who lived around Lake Dian in northern Yunnan, China from the late Spring and Autumn Period (771 - 476 BCE) until the Eastern Han Dynasty (25 - 220 CE).<br/><br/> The Dian were first mentioned historically in Sima Qian's Shiji and according to Chinese sources, the Chinese Chu general Zhuang Qiao was the founder of the Dian Kingdom. Chinese soldiers who accompanied him married the local people. Zhuang was engaged in a war to conquer the 'barbarian' peoples of the area, but he and his army were prevented from going back to Chu by enemy armies, so he settled down and became King of the new Dian Kingdom.
The Dian Kingdom (Chinese: 滇國 or 滇王國) was established by the Dian people, who lived around Lake Dian in northern Yunnan, China from the late Spring and Autumn Period (771 - 476 BCE) until the Eastern Han Dynasty (25 - 220 CE).<br/><br/> The Dian were first mentioned historically in Sima Qian's Shiji and according to Chinese sources, the Chinese Chu general Zhuang Qiao was the founder of the Dian Kingdom. Chinese soldiers who accompanied him married the local people. Zhuang was engaged in a war to conquer the 'barbarian' peoples of the area, but he and his army were prevented from going back to Chu by enemy armies, so he settled down and became King of the new Dian Kingdom.<br/><br/> The Classical Chinese character for money (貝) originated as a stylized drawing of a cowrie shell. Words and characters concerning money, property or wealth usually have this as a radical.<br/><br/>Đông Sơn was a prehistoric Bronze Age culture in Vietnam centered on the Red River Valley of northern Vietnam. At this time the first Vietnamese kingdoms of Văn Lang and Âu Lạc appeared. Its influence flourished in other neighbouring parts of Southeast Asia from about 500 BCE to 100 CE.
The Dian Kingdom (Chinese: 滇國 or 滇王國) was established by the Dian people, who lived around Lake Dian in northern Yunnan, China from the late Spring and Autumn Period (771 - 476 BCE) until the Eastern Han Dynasty (25 - 220 CE).<br/><br/> The Dian were first mentioned historically in Sima Qian's Shiji and according to Chinese sources, the Chinese Chu general Zhuang Qiao was the founder of the Dian Kingdom. Chinese soldiers who accompanied him married the local people. Zhuang was engaged in a war to conquer the 'barbarian' peoples of the area, but he and his army were prevented from going back to Chu by enemy armies, so he settled down and became King of the new Dian Kingdom.<br/><br/> The Classical Chinese character for money (貝) originated as a stylized drawing of a cowrie shell. Words and characters concerning money, property or wealth usually have this as a radical.
The zun is an ancient type of Chinese bronze or ceramic wine vessel with a round or square vase-like form, and sometimes in the shape of an animal.<br/><br/> The Zhou had long been vassals of the Shang, but eventually grew strong enough to defeat them in warfare in the 11th century BCE. They continued to hold sway until the 5th century BCE. Chinese boundaries were expanded, land reform was instituted and towns were built. Also, the declining years of the Zhou era produced two of China’s most influential thinkers, Kongfuzi (Confucius) and Laozi (Lao Tzu).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The people of Edo marked the autumn season (秋の部) with excursions to scenic attractions and harvest festivals, and viewing fall foliage at its peak. The prints numbered 73 through 98 suggest the activities of this season in Japan, the Seventh, Eighth, and Ninth Months.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Guanshiyin or Avalokitesvara is the bodhisattva associated with compassion as venerated by East Asian Buddhists, usually as a female. The name Guanyin is short for Guanshiyin which means 'Observing the Sounds (or Cries) of the World'. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus then sent home to the western pure land of Sukhāvatī. It is generally accepted (in the Chinese community) that Guanyin originated as the Sanskrit Avalokiteśvara, which is her male form. Commonly known in English as the Goddess of Mercy, Guanyin is also revered in Daoism as an Immortal. In Japan, Guanyin is called Kannon.<br/><br/> Lotus Pond or Lotus Lake (Chinese: 蓮池潭; pinyin: Liánchí Tán; Pe̍h-ōe-jī: Liân-tî-thâm) opened in 1951, and is famous for the lotus plants on the lake and the numerous temples around the lake, including the Spring and Autumn Pavilions (春秋閣), the Dragon and Tiger Pagodas (龍虎塔), and the Confucian Temple (孔廟).
Guanshiyin or Avalokitesvara is the bodhisattva associated with compassion as venerated by East Asian Buddhists, usually as a female. The name Guanyin is short for Guanshiyin which means 'Observing the Sounds (or Cries) of the World'. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus then sent home to the western pure land of Sukhāvatī. It is generally accepted (in the Chinese community) that Guanyin originated as the Sanskrit Avalokiteśvara, which is her male form. Commonly known in English as the Goddess of Mercy, Guanyin is also revered in Daoism as an Immortal. In Japan, Guanyin is called Kannon.<br/><br/> Lotus Pond or Lotus Lake (Chinese: 蓮池潭; pinyin: Liánchí Tán; Pe̍h-ōe-jī: Liân-tî-thâm) opened in 1951, and is famous for the lotus plants on the lake and the numerous temples around the lake, including the Spring and Autumn Pavilions (春秋閣), the Dragon and Tiger Pagodas (龍虎塔), and the Confucian Temple (孔廟).
Guanshiyin or Avalokitesvara is the bodhisattva associated with compassion as venerated by East Asian Buddhists, usually as a female. The name Guanyin is short for Guanshiyin which means 'Observing the Sounds (or Cries) of the World'. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus then sent home to the western pure land of Sukhāvatī. It is generally accepted (in the Chinese community) that Guanyin originated as the Sanskrit Avalokiteśvara, which is her male form. Commonly known in English as the Goddess of Mercy, Guanyin is also revered in Daoism as an Immortal. In Japan, Guanyin is called Kannon.<br/><br/> Lotus Pond or Lotus Lake (Chinese: 蓮池潭; pinyin: Liánchí Tán; Pe̍h-ōe-jī: Liân-tî-thâm) opened in 1951, and is famous for the lotus plants on the lake and the numerous temples around the lake, including the Spring and Autumn Pavilions (春秋閣), the Dragon and Tiger Pagodas (龍虎塔), and the Confucian Temple (孔廟).
Guanshiyin or Avalokitesvara is the bodhisattva associated with compassion as venerated by East Asian Buddhists, usually as a female. The name Guanyin is short for Guanshiyin which means 'Observing the Sounds (or Cries) of the World'. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus then sent home to the western pure land of Sukhāvatī. It is generally accepted (in the Chinese community) that Guanyin originated as the Sanskrit Avalokiteśvara, which is her male form. Commonly known in English as the Goddess of Mercy, Guanyin is also revered in Daoism as an Immortal. In Japan, Guanyin is called Kannon.<br/><br/> Lotus Pond or Lotus Lake (Chinese: 蓮池潭; pinyin: Liánchí Tán; Pe̍h-ōe-jī: Liân-tî-thâm) opened in 1951, and is famous for the lotus plants on the lake and the numerous temples around the lake, including the Spring and Autumn Pavilions (春秋閣), the Dragon and Tiger Pagodas (龍虎塔), and the Confucian Temple (孔廟).
Lotus Pond or Lotus Lake (Chinese: 蓮池潭; pinyin: Liánchí Tán; Pe̍h-ōe-jī: Liân-tî-thâm) opened in 1951, and is famous for the lotus plants on the lake and the numerous temples around the lake, including the Spring and Autumn Pavilions (春秋閣), the Dragon and Tiger Pagodas (龍虎塔), and the Confucian Temple (孔廟).
Lotus Pond or Lotus Lake (Chinese: 蓮池潭; pinyin: Liánchí Tán; Pe̍h-ōe-jī: Liân-tî-thâm) opened in 1951, and is famous for the lotus plants on the lake and the numerous temples around the lake, including the Spring and Autumn Pavilions (春秋閣), the Dragon and Tiger Pagodas (龍虎塔), and the Confucian Temple (孔廟).
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
The Tacuinum (sometimes Taccuinum) Sanitatis is a medieval handbook on health and wellbeing, based on the Taqwim al‑sihha تقويم الصحة ('Maintenance of Health'), an eleventh-century Arab medical treatise by Ibn Butlan of Baghdad.<br/><br/> Ibn Butlân was a Christian physician born in Baghdad and who died in 1068. He sets forth the six elements necessary to maintain daily health: food and drink, air and the environment, activity and rest, sleep and wakefulness, secretions and excretions of humours, changes or states of mind (happiness, anger, shame, etc). According to Ibn Butlân, illnesses are the result of changes in the balance of some of these elements, therefore he recommended a life in harmony with nature in order to maintain or recover one’s health.<br/><br/> Ibn Butlân also teaches us to enjoy each season of the year, the consequences of each type of climate, wind and snow. He points out the importance of spiritual wellbeing and mentions, for example, the benefits of listening to music, dancing or having a pleasant conversation.<br/><br/> Aimed at a cultured lay audience, the text exists in several variant Latin versions, the manuscripts of which are characteristically profusely illustrated. The short paragraphs of the treatise were freely translated into Latin in mid-thirteenth-century Palermo or Naples, continuing an Italo-Norman tradition as one of the prime sites for peaceable inter-cultural contact between the Islamic and European worlds.<br/><br/> Four handsomely illustrated complete late fourteenth-century manuscripts of the Taccuinum, all produced in Lombardy, survive, in Vienna, Paris, Liège and Rome, as well as scattered illustrations from others, as well as fifteenth-century codices.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
Utagawa Kunisada (1786 – January 12, 1865) (Japanese: 歌川 国貞, also known as Utagawa Toyokuni III 三代歌川豊国 ) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan.<br/><br/>In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.
Khotan traces its history back at least as far as the 3rd century BCE, when the eldest son of the Indian emperor Asoka is said to have settled here. It was of great importance on the Silk Road, and is claimed to have been the first place outside China to have cultivated silk.<br/><br/>It sits astride the Karakash or ‘Black Jade’ and Yurungkash or ‘White Jade’ Rivers, which here conjoin to form the Khotan Darya, and has been famous for its jade for well over two millennia.<br/><br/>In times past trade routes crossed the desert to the north all the way to Kuqa, and as recently as 2007 this link has been re-established for the first time in centuries with the opening of a second Desert Highway leading to Aksu, distant some 424km to the north.<br/><br/>In 1006 Khotan was conquered by Uighur Muslims from Kashgar, and since that time the city remains a very Uighur place.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
The philosophy of Confucius emphasises personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China during the Han Dynasty (206 BCE – 220 CE).<br/><br/> Confucius' thoughts have been developed into a system of philosophy known as Confucianism. It was introduced to Europe by the Italian Jesuit Matteo Ricci, who was the first to Latinise the name as 'Confucius'.<br/><br/> His teachings may be found in the Analects of Confucius, a collection of brief aphoristic fragments, which was compiled many years after his death.
Sadanobu's small landscapes of Kyoto and Osaka were produced very much with the Edo artist Hiroshige in mind. Indeed, he also did miniature copies of some of Hiroshige's most famous designs.<br/><br/> Kyoto was the capital of Japan from 1180 to 1868, when the capital was moved to Tokyo (previously Edo) at the beginning of the Meiji Era in 1868. Sadanobu's woodblock prints of 'Famous Places in the Capital' was thus produced towards the very end of Kyoto's position as the Japanese capital, and possibly continued into the first year or two of the Meiji Period.
Sadanobu's small landscapes of Kyoto and Osaka were produced very much with the Edo artist Hiroshige in mind. Indeed, he also did miniature copies of some of Hiroshige's most famous designs.<br/><br/> Kyoto was the capital of Japan from 1180 to 1868, when the capital was moved to Tokyo (previously Edo) at the beginning of the Meiji Era in 1868. Sadanobu's woodblock prints of 'Famous Places in the Capital' was thus produced towards the very end of Kyoto's position as the Japanese capital, and possibly continued into the first year or two of the Meiji Period.