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The most revered Hindu site in Nepal is the extensive Pashupatinath Temple complex, five kilometres east of central Kathmandu. The focus of devotion here is a large silver Shivalingam with four faces of Shiva carved on its sides, making it a 'Chaturmukhi-Linga', or four-faced Shivalingam. Pashupati is one of Shiva’s 1,008 names, his manifestation as 'Lord of all Beasts' (pashu means 'beasts', pati means 'lord'); he is considered the guardian deity of Nepal.<br/><br/> The main temple building around the Shivalingam was built under King Birpalendra Malla in 1696, however the temple is said to have already existed before 533 CE. In 733 CE, King Jayadeva II erected in its precincts a stone tablet which chronicled all the kings of Nepal, beginning with the sun god. During the Muslim raids of 1349 the temple was largely destroyed, but in 1381 Jayasinharama Varddhana of Banepa restored it. Further renovations were conducted towards the end of the Malla period, and the latest extensive improvements were made in 1967.<br/><br/> Since the temple's inception, all the rulers of Nepal have taken great pains to pay their respects to it, to make donations, and to finance extensions.
Sultan-ul-Hind, Moinuddin Chishti (Urdu/Persian: معین الدین چشتی‎) was born in 1141 and died in 1230 CE. Also known as Gharīb Nawāz 'Benefactor of the Poor' (غریب نواز), he is the most famous Sufi saint of the Chishti Order of the Indian Subcontinent. He introduced and established the order in South Asia.<br/><br/> Ajmer (Sanskrit Ajayameru) was founded in the late 7th century CE by Dushyant Chauhan. The Chauhan dynasty ruled Ajmer in spite of repeated invasions by Turkic marauders from Central Asia across the north of India. Ajmer was conquered by Muhammad of Ghor, founder of the Delhi Sultanate, in 1193. However, the Chauhan rulers were allowed autonomy upon the payment of a heavy tribute to the conquerors. Ajmer remained subject to Delhi until 1365 when it was captured by the ruler of Mewar. In 1509, control of Ajmer was disputed between the Maharajas of Mewar and Marwar unitil it was conquered by the Marwar in 1532. The city was conquered by the Mughal emperor Akbar in 1559. In the 18th century, control passed to the Marathas.<br/><br/> In 1818 the British forced the Marathas to cede the city for 50,000 rupees whereupon it became part of the province of Ajmer-Merwara, which consisted of the districts of Ajmer and Merwara and were physically separated by the territory of the Rajputana Agency. Ajmer-Merwara was directly administered by the British Raj, by a commissioner who was subordinate to the Governor-General's agent for Rajputana. Ajmer-Merwara remained a province of India until 1950, when it became the Ajmer State.<br/><br/> Ajmer state became part of Rajasthan state on 1 November 1956.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Mohenjo-daro (lit. Mound of the Dead), situated in the province of Sindh, Pakistan, was one of the largest settlements of the ancient Indus Valley Civilization. Built around 2600 BC, it was one of the world's earliest major urban settlements, existing at the same time as the civilizations of ancient Egypt, Mesopotamia, and Crete. The archaeological ruins of the city are designated a UNESCO World Heritage Site.<br/><br/> A bronze statuette dubbed the 'Dancing Girl', 10.8 cm high and some 4,500 years old, was found in Mohenjo-daro in 1926. In 1973, British archaeologist Mortimer Wheeler described the item as his favorite statuette:<br/><br/> 'There is her little Balochi-style face with pouting lips and insolent look in the eyes. She's about fifteen years old I should think, not more, but she stands there with bangles all the way up her arm and nothing else on. A girl perfectly, for the moment, perfectly confident of herself and the world. There's nothing like her, I think, in the world'.<br/><br/> John Marshall, another archeologist at Mohenjo-daro, described the figure as 'a young girl, her hand on her hip in a half-impudent posture, and legs slightly forward as she beats time to the music with her legs and feet'.<br/><br/> The archaeologist Gregory Possehl said of the statuette, 'We may not be certain that she was a dancer, but she was good at what she did and she knew it'.
Mohenjo-daro (lit. Mound of the Dead), situated in the province of Sindh, Pakistan, was one of the largest settlements of the ancient Indus Valley Civilization. Built around 2600 BC, it was one of the world's earliest major urban settlements, existing at the same time as the civilizations of ancient Egypt, Mesopotamia, and Crete. The archaeological ruins of the city are designated a UNESCO World Heritage Site.<br/><br/> A bronze statuette dubbed the 'Dancing Girl', 10.8 cm high and some 4,500 years old, was found in Mohenjo-daro in 1926. In 1973, British archaeologist Mortimer Wheeler described the item as his favorite statuette:<br/><br/> 'There is her little Balochi-style face with pouting lips and insolent look in the eyes. She's about fifteen years old I should think, not more, but she stands there with bangles all the way up her arm and nothing else on. A girl perfectly, for the moment, perfectly confident of herself and the world. There's nothing like her, I think, in the world'.<br/><br/> John Marshall, another archeologist at Mohenjo-daro, described the figure as 'a young girl, her hand on her hip in a half-impudent posture, and legs slightly forward as she beats time to the music with her legs and feet'.<br/><br/> The archaeologist Gregory Possehl said of the statuette, 'We may not be certain that she was a dancer, but she was good at what she did and she knew it'.