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The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors.<br/><br/> The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace from which the Medici princes could watch ceremonies in the piazza.
The Tashrih al-aqvam ('An Account of Origins and Occupations of Some of the Sects, Castes, and Tribes of India') was completed in 1825. The text, a summary of the Vedas and Shastras, translated into Persian by Colonel James Skinner (1778–1841), is a survey of both Hindu and Muslim occupational groups and religious mendicants in the Delhi region and begins with an account of the house of Timur down to Akbar II (r. 1806–37).<br/><br/> Skinner commissioned Delhi artists to illustrate the album, the chief of them being Ghulam Ali Khan. The artist accompanied Skinner on his travels, and the watercolor portraits are probably all studies from life.
Asia's smallest and least-known nation, the Republic of Maldives, lies scattered from north to south across a 750-kilometre sweep of the Indian Ocean 500 kilometres south-west of Sri Lanka. More than 1000 islands, together with innumerable banks and reefs, are grouped in a chain of nineteen atolls which extends from a point due west of Colombo to just south of the equator.<br/><br/> The atolls, formed of great rings of coral based on the submarine Laccadive-Chagos ridge, vary greatly in size. Some are only a few kilometres square, but in the far south the great atoll of Suvadiva is sixty-five kilometres across, and has a central lagoon of more than 2000 square kilometres. The northern and central atolls are separated from each other by comparatively narrow channels of deep water, but in the south Suvadiva is cut off by the eighty-kilometre-wide One-and-a-half-Degree Channel. Addu Atoll is still more isolated, being separated from the atoll of Suvadiva by the seventy-kilometre-wide Equatorial Channel.
Seoul is the capital and largest metropolis of South Korea. A megacity with a population of more than 10 million, it is the largest city proper in the developed world. The Seoul Capital Area, which includes the surrounding Incheon metropolis and Gyeonggi province, is the world's second largest metropolitan area with over 25.6 million people, home to over half of South Koreans along with 632,000 international residents.<br/><br/>During the Korean War, Seoul changed hands between the Chinese-backed North Korean forces and the UN-backed South Korean forces several times, leaving the city heavily damaged after the war. One estimate of the extensive damage states that after the war, at least 191,000 buildings, 55,000 houses, and 1,000 factories lay in ruins. In addition, a flood of refugees had entered Seoul during the war, swelling the population of Seoul and its metropolitan area to an estimated 2.5 million, more than half of them homeless.
Torii Kiyomitsu (1735 – May 11, 1785) was a painter and printmaker of the Torii school of Japanese ukiyo-e art; the son of Torii Kiyonobu II or Torii Kiyomasu II, he was the third head of the school, and was originally called Kamejirō before taking the gō Kiyomitsu.<br/><br/> Dividing his work between actor prints and bijinga (pictures of beautiful women), he primarily used the benizuri-e technique prolific at the time, which involved using one or two colors of ink on the woodblocks rather than hand-coloring; full-color prints would be introduced later in Kiyomitsu's career, in 1765.<br/><br/> Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a <i>tomoe</i> symbol drawn on the drums.
Seated to the right of the chessboard, Persian court adviser Buzurgmihr beats a dejected Indian envoy at chess while the Shah looks on. This 14th-century illustration depicts a chess match first recorded three centuries earlier by Persian poet Abu’l-Qasim Firdawsi (Hakim Abu'l-Qasim Firdawsi Tusi), the author of the ‘Shahnameh’, the national epic of the Persian people.
The Qing Dynasty (1644–1911) was founded after the Manchus defeated the Ming, the last Han Chinese dynasty. The Manchus introduced a 'queue order', forcing the Han Chinese to adopt the Manchu queue hairstyle and Manchu-style clothing.<br/><br/> The Qing consolidated control of some areas originally under the Ming, including Yunnan. They also stretched their sphere of influence over Xinjiang, Tibet and Mongolia. But during the 19th century, Qing control weakened. Britain's desire to continue its opium trade with China collided with imperial edicts prohibiting the addictive drug, and the First Opium War erupted in 1840. Hong Kong was ceded to Britain in 1842 under the Treaty of Nanking.<br/><br/> At the start of the 20th century, the Boxer Rebellion threatened northern China. This was a conservative anti-imperialist movement that sought to return China to old ways. The Empress Dowager, probably seeking to ensure her continued grip on power, sided with the Boxers when they advanced on Beijing. But an Eight-Nation Alliance of foreign powers defeated the Boxers and demanded further concessions from the Qing government. A revolutionary military uprising, the Wuchang Uprising, began on October 10, 1911 in Wuhan against the Qing Dynasty. The provisional government of the Republic of China was formed in Nanjing on March 12, 1912, with Sun Yat-sen as President.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
The old silversmiths’ quarter centred on Baan Wua Lai (Spotted Cow Village) stretches along both sides of Wua Lai Road, to the south of Chiang Mai's old city. This long-established, prosperous community of artisans maintains a tradition that stretches back more than two centuries, to the time of Chao Kawila’s re-establishment of Chiang Mai in the years after 1797.<br/><br/> Silversmiths have long been valued and held in high esteem by Southeast Asian royal courts from Burma to Java, and in times past the Lan Na Kingdom was no exception.
The old silversmiths’ quarter centred on Baan Wua Lai (Spotted Cow Village) stretches along both sides of Wua Lai Road, to the south of Chiang Mai's old city. This long-established, prosperous community of artisans maintains a tradition that stretches back more than two centuries, to the time of Chao Kawila’s re-establishment of Chiang Mai in the years after 1797.<br/><br/> Silversmiths have long been valued and held in high esteem by Southeast Asian royal courts from Burma to Java, and in times past the Lan Na Kingdom was no exception.
The old silversmiths’ quarter centred on Baan Wua Lai (Spotted Cow Village) stretches along both sides of Wua Lai Road, to the south of Chiang Mai's old city. This long-established, prosperous community of artisans maintains a tradition that stretches back more than two centuries, to the time of Chao Kawila’s re-establishment of Chiang Mai in the years after 1797.<br/><br/> Silversmiths have long been valued and held in high esteem by Southeast Asian royal courts from Burma to Java, and in times past the Lan Na Kingdom was no exception.