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Cambodia: Boy begging in traffic, Phnom Penh, Cambodia. Clutching small bills and a feather duster to clean windscreens, a boy begs for money from a passenger in traffic, Phnom Penh, Cambodia.
The Republic of China governed the present-day territories of China, Mongolia and Taiwan at differing times between 1912 and 1949.<br/><br/> As an era of Chinese history, the Republic of China's rule on mainland China was preceded by the last imperial dynasty of China, the Qing dynasty and its end was marked after the Nationalists lost the Chinese Civil War against the Communist Party of China (CPC), when the Nationalists retreated to Taiwan while the CPC proclaimed the People's Republic of China on mainland China.
Song Wan (right), Japanese name Unrikongo Soman, disguised as a rice merchant, with Kong Liang (left), Japanese name Dokukasei Koryo, disguised as a beggar, outside the walls of Peking.<br/><br/> The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu, 水滸傳), known as Suikoden in Japanese, as well as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang in English, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature.<br/><br/> Attributed to Shi Nai'an and written in vernacular Chinese, the story, set in the Song Dynasty, tells of how a group of 108 outlaws gathered at Mount Liang (or Liangshan Marsh) to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces.<br/><br/> In 1827, Japanese publisher Kagaya Kichibei commissioned Utagawa Kuniyoshi to produce a series of woodblock prints illustrating the 108 heroes of the Suikoden. The 1827-1830 series, called '108 Heroes of the Water Margin' or 'Tsuzoku Suikoden goketsu hyakuhachinin no hitori', made Utagawa Kuniyoshi's famous.
A Happy Worker in Sovdepia (a derogatory name for the Soviet state). A White Russian paper poster published in Odessa, satirizing hyperinflation in Soviet-held territories (the worker is shown begging while sitting on a heap of devalued and worthless banknotes).
An image from the book 'Maskee' by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
An image from the book 'Maskee' by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Tavik Frantisek Simon (1877–1942), was a Czech painter, etcher, and woodcut artist. Although based mainly in Europe, his extensive travels took him to Morocco, Ceylon (now Sri Lanka), India, and Japan, images of all of which appear in his artistic work. He died in Prague in 1942. Largely ignored during the Communist era in Czechoslovakia, his work has received greater attention in recent years.
Labrang Monastery is one of the six great monasteries of the Gelug (Yellow Hat) school of Tibetan Buddhism. Its formal name is Gandan Shaydrup Dargay Tashi Gyaysu Khyilway Ling, commonly known as Labrang Tashi Khyil, or simply Labrang. The monastery was founded in 1709 by the first Jamyang Zhaypa, Ngawang Tsondru. It is Tibetan Buddhism's most important monastery town outside the Tibetan Autonomous Region.
Edwin Lord Weeks (1849 – 1903), American artist and Orientalist, was born at Boston, Massachusetts, in 1849. He was a pupil of Léon Bonnat and of Jean-Léon Gérôme, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes.<br/><br> Weeks' parents were affluent spice and tea merchants from Newton, a suburb of Boston and as such they were able to accept, probably encourage, and certainly finance their son's youthful interest in painting and travelling.<br/><br> As a young man Edwin Lord Weeks visited the Florida Keys to draw and also travelled to Surinam in South America. His earliest known paintings date from 1867 when Edwin Lord Weeks was eighteen years old. In 1895 he wrote and illustrated a book of travels, From the Black Sea through Persia and India.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.