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The Aberdeen Bestiary (Aberdeen University Library, Univ Lib. MS 24) is a 12th-century English illuminated manuscript bestiary that was first listed in 1542 in the inventory of the Old Royal Library at the Palace of Westminster.<br/><br/> Information about its origins and patron are circumstantial. It probably comes from the 12th century and was owned by a wealthy ecclesiastical patron.
The 'Bern Physiologus' is a 9th century illuminated copy of the Latin translation of the Physiologus. It was probably produced at Reims in France about 825-850. It is believed to be a copy of a 5th century manuscript. Many of its miniatures are set, unframed, into the text block, which was a characteristic of late-antique manuscripts. It is one of the oldest extant illustrated copies of the Physiologus.<br/><br/> The Physiologus is a didactic text written or compiled in Greek by an unknown author, in Alexandria; its composition has been traditionally dated to the 2nd century CE by readers who saw parallels with writings of Clement of Alexandria, who is asserted to have known the text. The Physiologus consists of descriptions of animals, birds, and fantastic creatures, sometimes stones and plants, provided with moral content. Each animal is described, and an anecdote follows, from which the moral and symbolic qualities of the animal are derived. Manuscripts are often, but not always, given illustrations, often lavish.<br/><br/> The book was translated into Latin in about 700, and into Ethiopic and Syriac, then into many European and Middle-Eastern languages, and many illuminated manuscript copies such as the Bern Physiologus survive. It retained its influence over ideas of the 'meaning' of animals in Europe for over a thousand years. It was a predecessor of bestiaries (books of beasts). Medieval poetical literature is full of allusions that can be traced to the Physiologus tradition; the text also exerted great influence on the symbolism of medieval ecclesiastical art: symbols like those of the phoenix rising from its ashes and the pelican feeding her young with her own blood are still well-known.
Miniature of a whale and a sailing boat, from a Bestiary, England, 13th century, British Library, Harley MS 4751, fol. 69r.
A bestiary, or Bestiarum vocabulum is a compendium of beasts. Originating in the Ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals, birds and even rocks.<br/><br/> The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God, and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. The bestiary is also a reference to the symbolic language of animals in Western Christian art and literature.
The Aberdeen Bestiary (Aberdeen University Library, Univ. Lib. MS 24) is a 12th century English illuminated manuscript bestiary that was first listed in 1542 in the inventory of the Old Royal Library at the Palace of Westminster. Information about its origins and patron are circumstantial. It probably comes from the 12th century and was owned by an ecclesiastical patron of the north or south province. The Aberdeen Bestiary is related to other bestiaries of the Middle Ages and especially the Ashmole Bestiary.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.