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The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans.<br/><br/>

The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans.<br/><br/>

The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
Mani (c.216–276 CE), of Iranian origin, was the prophet and the founder of Manichaeism, a gnostic religion of Late Antiquity which was once widespread but is now extinct. Mani was born in or near Seleucia-Ctesiphon in Asuristan (Assyria), at the time still part of the Parthian Empire.<br/><br/>

Six of his major works were written in Syriac Aramaic and the seventh, dedicated to the king of the empire, Shapur I, was written in Middle Persian. He died in Gundeshapur, under the Sassanid Empire.
Xuanzang ( Wade–Giles: Hsüan-tsang, c. 602 – 664) was a famous Chinese Buddhist monk, scholar, traveler, and translator who described the interaction between China and India in the early Tang period. Born in Henan province of China in 602 or 603, from boyhood he took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, Xuanzang entered Buddhist monkhood at the age of thirteen.<br/><br/>

Due to the political and social unrest caused by the fall of the Sui dynasty, he went to Chengdu in Sichuan, where he was ordained at the age of twenty. From Xingdu, he travelled throughout China in search of sacred books of Buddhism. At length, he came to Chang'an, then under the peaceful rule of Emperor Taizong of Tang. Here Xuanzang developed the desire to visit India. He knew about Faxian's visit to India and, like him, was concerned about the incomplete and misinterpreted nature of the Buddhist scriptures that reached China. <br/><br/>

He became celebrated for his seventeen year overland journey to India, which is recorded in detail in his autobiography and a biography, and which provided the inspiration for the epic novel Journey to the West.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.<br/><br/>

The Turpan Oasis was a strategically significant centre on Xinjiang’s Northern Silk Route, site of the ancient cities of Yarkhoto (Jiaohe) and Karakhoja (Gaochang). Chinese armies first entered Turpan in the 2nd century BC, during the reign of Han Emperor Wu Di (141-87) when the oasis was a centre of Indo-European Tocharian culture.<br/><br/>

Turpan retained a distinctly Buddhist character until the time of the Chagatai Khanate in the 13th century, when Islam gradually became the dominant religion.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.
The Bactrian camel (Camelus bactrianus) is a large even-toed ungulate native to the steppes of central Asia. It is presently restricted in the wild to remote regions of the Gobi and Taklimakan Deserts of Mongolia and Xinjiang, China. The Bactrian camel has two humps on its back, in contrast to the single-humped Dromedary camel.<br/><br/>

The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.
The Bactrian camel (Camelus bactrianus) is a large even-toed ungulate native to the steppes of central Asia. It is presently restricted in the wild to remote regions of the Gobi and Taklimakan Deserts of Mongolia and Xinjiang, China. The Bactrian camel has two humps on its back, in contrast to the single-humped Dromedary camel.<br/><br/>

The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art
Albert von Le Coq was a German archaeologist and explorer of Central Asia. He was heir to a sizable fortune derived from breweries and wineries scattered throughout Central and Eastern Europe, thus allowing him the luxury of travel and study at the - no longer existing - Ethnology Museum (German: Museum für Völkerkunde) in Berlin. Serving as assistant to the head of the Museum, Professor Albert Grünwedel, Le Coq helped plan and organize expeditions into the regions of western Asia, specifically areas near the Silk Road such as Gaochang. When Grünwedel fell ill before the departure of the second expedition, Le Coq was assigned to lead it. His account of the second and third German Turpan expeditions was published in English in 1928 as 'Buried Treasures of Chinese Turkestan'. He is remembered by generations of Chinese archaeologists and historians as one of the 'looters' of that nation's history, especially at the Bezeklik Caves.
Mani (c.216–276 CE), of Iranian origin, was the prophet and the founder of Manichaeism, a gnostic religion of Late Antiquity which was once widespread but is now extinct. Mani was born in or near Seleucia-Ctesiphon in Asuristan (Assyria), at the time still part of the Parthian Empire.<br/><br/>

Six of his major works were written in Syriac Aramaic and the seventh, dedicated to the king of the empire, Shapur I, was written in Middle Persian. He died in Gundeshapur, under the Sassanid Empire.