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The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The city of Bamiyan was part of the Buddhist Kushan Empire in the early centuries of the Christian era. After the Kushan Empire fell to the Sassanids, Bamiyan became part of the Kushansha, vassals to the Sassanids. The Hephthalites conquered Bamiyan in the 5th century.<br/><br/> After their Khanate was destroyed by the Sassanids and Turks in 565, Bamiyan became the capital of the small Kushano-Hephthalite kingdom until 870, when it was conquered by the Saffarids. The area was conquered by the Ghaznavids in the 11th century. In 1221 the city and its population were completely wiped out by Genghis Khan. The first European to see Bamiyan was William Moorcroft (explorer) about 1824.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Yamamoto Kansuke (山本 勘助, 1501 – October 18, 1561) was a Japanese samurai of the Sengoku period. He was known as one of the 'Twenty-Four Generals of Takeda Shingen'.<br/><br/> Also known by his formal name, Haruyuki (晴幸), he was a brilliant strategist, and is particularly known for his plan which led to victory in the fourth battle of Kawanakajima (September 10, 1561) against Uesugi Kenshin. However, Kansuke never lived to see his plan succeed; thinking it to have failed, he charged headlong into the enemy ranks, dying in battle.
The Bayon was originally the official state temple of the Mahayana Buddhist King Jayavarman VII. The Bayon, at the centre of Angkor Thom (Great City), was established in the 12th century by King Jayavarman VII.<br/><br/> Angkor Thom, meaning ‘The Great City’, is located one mile north of Angkor Wat. It was built in the late 12th century CE by King Jayavarman VII, and covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. It is believed to have sustained a population of 80,000-150,000 people.<br/><br/> At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north.<br/><br/> Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.<br/><br/> Angkor Thom seems not to be the first Khmer capital on the site, however, as Yasodharapura, dating from three centuries earlier, was centred slightly further northwest.<br/><br/> The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609.
Varahi (Sanskrit: वाराही, Vārāhī) is one of the Matrikas, a group of seven or eight mother goddesses in the Hindu religion. With the head of a sow, Varahi is the shakti (feminine energy, or sometimes, consort) of Varaha, the boar Avatar of the god Vishnu. In Nepal, she is called Barahi.<br/><br/> Varahi is worshipped by all the three major schools of Hinduism: Shaktism (goddess worship); Shaivism (followers of the god Shiva); and Vaishnavism (devotion to Vishnu). She is usually worshipped at night, and according to secretive Vamamarga Tantric practices. The Buddhist goddesses Vajravarahi and Marichi are believed to have their origins in the Hindu goddess Varahi.
Varahi (Sanskrit: वाराही, Vārāhī) is one of the Matrikas, a group of seven or eight mother goddesses in the Hindu religion. With the head of a sow, Varahi is the shakti (feminine energy, or sometimes, consort) of Varaha, the boar Avatar of the god Vishnu. In Nepal, she is called Barahi.<br/><br/> Varahi is worshipped by all the three major schools of Hinduism: Shaktism (goddess worship); Shaivism (followers of the god Shiva); and Vaishnavism (devotion to Vishnu). She is usually worshipped at night, and according to secretive Vamamarga Tantric practices. The Buddhist goddesses Vajravarahi and Marichi are believed to have their origins in the Hindu goddess Varahi.
The Tacuinum (sometimes Taccuinum) Sanitatis is a medieval handbook on health and wellbeing, based on the Taqwim al‑sihha تقويم الصحة ('Maintenance of Health'), an eleventh-century Arab medical treatise by Ibn Butlan of Baghdad.<br/><br/> Ibn Butlân was a Christian physician born in Baghdad and who died in 1068. He sets forth the six elements necessary to maintain daily health: food and drink, air and the environment, activity and rest, sleep and wakefulness, secretions and excretions of humours, changes or states of mind (happiness, anger, shame, etc). According to Ibn Butlân, illnesses are the result of changes in the balance of some of these elements, therefore he recommended a life in harmony with nature in order to maintain or recover one’s health.<br/><br/> Ibn Butlân also teaches us to enjoy each season of the year, the consequences of each type of climate, wind and snow. He points out the importance of spiritual wellbeing and mentions, for example, the benefits of listening to music, dancing or having a pleasant conversation.<br/><br/> Aimed at a cultured lay audience, the text exists in several variant Latin versions, the manuscripts of which are characteristically profusely illustrated. The short paragraphs of the treatise were freely translated into Latin in mid-thirteenth-century Palermo or Naples, continuing an Italo-Norman tradition as one of the prime sites for peaceable inter-cultural contact between the Islamic and European worlds.<br/><br/> Four handsomely illustrated complete late fourteenth-century manuscripts of the Taccuinum, all produced in Lombardy, survive, in Vienna, Paris, Liège and Rome, as well as scattered illustrations from others, as well as fifteenth-century codices.
The Tacuinum (sometimes Taccuinum) Sanitatis is a medieval handbook on health and wellbeing, based on the Taqwim al‑sihha تقويم الصحة ('Maintenance of Health'), an eleventh-century Arab medical treatise by Ibn Butlan of Baghdad.<br/><br/> Ibn Butlân was a Christian physician born in Baghdad and who died in 1068. He sets forth the six elements necessary to maintain daily health: food and drink, air and the environment, activity and rest, sleep and wakefulness, secretions and excretions of humours, changes or states of mind (happiness, anger, shame, etc). According to Ibn Butlân, illnesses are the result of changes in the balance of some of these elements, therefore he recommended a life in harmony with nature in order to maintain or recover one’s health.<br/><br/> Ibn Butlân also teaches us to enjoy each season of the year, the consequences of each type of climate, wind and snow. He points out the importance of spiritual wellbeing and mentions, for example, the benefits of listening to music, dancing or having a pleasant conversation.<br/><br/> Aimed at a cultured lay audience, the text exists in several variant Latin versions, the manuscripts of which are characteristically profusely illustrated. The short paragraphs of the treatise were freely translated into Latin in mid-thirteenth-century Palermo or Naples, continuing an Italo-Norman tradition as one of the prime sites for peaceable inter-cultural contact between the Islamic and European worlds.<br/><br/> Four handsomely illustrated complete late fourteenth-century manuscripts of the Taccuinum, all produced in Lombardy, survive, in Vienna, Paris, Liège and Rome, as well as scattered illustrations from others, as well as fifteenth-century codices.
During the Edo period (1603 - 1868), the Japanese clock was divided into twelve units of time, or ‘hours’, with each one named after one of the zodiacal symbols of the lunar calendar, and with the day being divided up into six daytime hours and six night-time hours.<br/><br/> This woodblock print is taken from Kitagawa Utamaro's 1794-1795 <i>ukiyo-e</i> series 'Twelve Hours of the Green Rooms', sometimes styled 'Twelve Hours of the Yoshiwara', featuring everyday events in the lives of courtesans in Edo's Yoshiwara pleasure district.<br/><br/> It is the Hour of the Boar, around ten o’clock in the evening. This scene takes place in a banquet room of the house. The courtesan, very dignified, holds out ceremoniously a cup of sake to a customer. In striking contrast her young assistant, leaning on the sake kettle, can no longer resist her fatigue at this late hour and falls asleep.
Emperor Yūryaku (雄略天皇 Yūryaku-tennō) was the 21st emperor of Japan, according to the traditional order of succession. Yūryaku is remembered as a patron of sericulture.<br/><br/> No firm dates can be assigned to this emperor's life or reign, but he is notionally considered to have reigned from 456–479.
During the Edo period (1603 - 1868), the Japanese clock was divided into twelve units of time, or ‘hours’, with each one named after one of the zodiacal symbols of the lunar calendar, and with the day being divided up into six daytime hours and six night-time hours.<br/><br/> This woodblock print is taken from Kitagawa Utamaro's 1794-1795 <i>ukiyo-e</i> series 'Twelve Hours of the Green Rooms', sometimes styled 'Twelve Hours of the Yoshiwara', featuring everyday events in the lives of courtesans in Edo's Yoshiwara pleasure district.<br/><br/> It is the Hour of the Boar, around ten o’clock in the evening. This scene takes place in a banquet room of the house. The courtesan, very dignified, holds out ceremoniously a cup of sake to a customer. In striking contrast her young assistant, leaning on the sake kettle, can no longer resist her fatigue at this late hour and falls asleep.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.
Emperor Yūryaku (雄略天皇 Yūryaku-tennō) was the 21st emperor of Japan, according to the traditional order of succession. Yūryaku is remembered as a patron of sericulture.<br/><br/> No firm dates can be assigned to this emperor's life or reign, but he is notionally considered to have reigned from 456–479.
Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to southeast Asia between 1769 and 1781. He published this two-volume account of his voyage of 1774-81 in 1782. <br/><br/> Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular. The book is illustrated with engravings based on Sonnerat’s drawings. Among the most interesting illustrations are Sonnerat’s pictures of various Hindu deities.
The Bayon was originally the official state temple of the Mahayana Buddhist King Jayavarman VII. The Bayon, at the centre of Angkor Thom (Great City), was established in the 12th century by King Jayavarman VII.<br/><br/> Angkor Thom, meaning ‘The Great City’, is located one mile north of Angkor Wat. It was built in the late 12th century CE by King Jayavarman VII, and covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. It is believed to have sustained a population of 80,000-150,000 people.<br/><br/> At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north.<br/><br/> Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.<br/><br/> Angkor Thom seems not to be the first Khmer capital on the site, however, as Yasodharapura, dating from three centuries earlier, was centred slightly further northwest.<br/><br/> The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609.
"Jehan de Mandeville", translated as "Sir John Mandeville", is the name claimed by the compiler of a singular book of supposed travels, written in Anglo-Norman French, and published between 1357 and 1371. By aid of translations into many other languages it acquired extraordinary popularity. Despite the extremely unreliable and often fantastical nature of the travels it describes, it was used as a work of reference — Christopher Columbus, for example, was heavily influenced by both this work and Marco Polo's Il Milione.