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Asia's smallest and least-known nation, the Republic of Maldives, lies scattered from north to south across a 750-kilometre sweep of the Indian Ocean 500 kilometres south-west of Sri Lanka. More than 1000 islands, together with innumerable banks and reefs, are grouped in a chain of nineteen atolls which extends from a point due west of Colombo to just south of the equator.<br/><br/> The atolls, formed of great rings of coral based on the submarine Laccadive-Chagos ridge, vary greatly in size. Some are only a few kilometres square, but in the far south the great atoll of Suvadiva is sixty-five kilometres across, and has a central lagoon of more than 2000 square kilometres. The northern and central atolls are separated from each other by comparatively narrow channels of deep water, but in the south Suvadiva is cut off by the eighty-kilometre-wide One-and-a-half-Degree Channel. Addu Atoll is still more isolated, being separated from the atoll of Suvadiva by the seventy-kilometre-wide Equatorial Channel.
Afonso de Albuquerque (1453—1515) was a Portuguese admiral whose military and administrative accomplishments as second governor of Portuguese India established the Portuguese colonial empire in the Indian Ocean. He is generally considered a military genius.<br/><br/> Albuquerque attempted to close all Indian Ocean naval routes to the Atlantic, Red Sea, Persian Gulf, and to the Pacific, and was responsible for building numerous fortresses to defend key strategic positions and establishing a net of diplomatic relations.<br/><br/> Shortly before his death he was awarded viceroy and 'Duke of Goa' by king Manuel I of Portugal, becoming the first Portuguese duke not from the royal family, and the first Portuguese title landed overseas. He was known as ‘The Terrible’, ‘The Great’, ‘The Caesar of the East’, ‘Lion of the Seas’ and ‘The Portuguese Mars’.<br/><br/> There is no doubting Albuquerque’s ruthless ambition. He suggested diverting the course of the Nile River to render Egypt barren. And he even planned to steal the body of the Prophet Muhammad, and hold it for ransom until all Muslims had left the Holy Land.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Kiyomasa was born in Owari Province to Katō Kiyotada. He fought in Hideyoshi's army at the Battle of Yamazaki, and later, at the Battle of Shizugatake. Owing to his distinguished conduct in that battle, he became known as one of the Seven Spears of Shizugatake. Hideyoshi rewarded Kiyomasa with an increased revenue of 3000 koku. In 1586, after Higo Province was confiscated from Sassa Narimasa, he was granted 250,000 koku of land in Higo (roughly half of the province), and given Kumamoto Castle as his provincial residence.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.