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Abū ʿAlī al-Ḥasan ibn al-Ḥasan ibn al-Haytham (Arabic: أبو علي، الحسن بن الحسن بن الهيثم‎), frequently referred to as Ibn al-Haytham (Arabic: ابن الهيثم, Latinized as Alhazenor Alhacen; c. 965 – c. 1040), was an Arab Muslim polymath and philosopher who made significant contributions to the principles of optics, astronomy, mathematics, meteorology, visual perception and the scientific method.<br/><br/> In medieval Europe, he was honored as Ptolemaeus Secundus ('Ptolemy the Second') or simply called 'The Physicist'. He is also sometimes called al-Basri (Arabic: البصري) after Basra, his birthplace. He spent most of his life close to the court of the Caliphate in Cairo and earned his life authoring various treatises and tutoring members of the nobilities.
Felix Bonfils (8 March 1831 – 1885) was a French photographer and writer who was active in the Middle East.<br/><br/> He was born in Saint-Hippolyte-du-Fort and died in Ales. Felix worked as a bookbinder but in 1860 he joined General d'Hautpoul's expedition to the Levant. Soon after returning from Lebanon he became a photographer. The family moved to Beirut in 1867 where they opened a photographic studio called 'Maison Bonfils'.<br/><br/> Maison Bonfils produced thousands of photographs of the Middle East. They photographed posed scenes, dressed up in Middle Eastern regalia, and also stories from the Bible. Bonfils took photographs in Lebanon, Egypt, Palestine, Syria, Greece and Istanbul.
Al-Mubashshir ibn Fātik was a scholar and patron of the Fatimid court in Cairo in the middle of the eleventh century. He studied medicine, astronomy, and history, and composed a lost History of the Fatimid Caliph al-Mustanṣir (r. 1036–1094). His only book to have survived, The Choicest Maxims and Best Sayings (Kitāb mukhtār al-ḥikam wa-maḥasin al-kalim or al-kilam), gives 20 biographies of some of the main Semitic, Greek, and Egyptian figures of wisdom and prophecy.<br/><br/> An important part of the biographical and gnomological materials may be compared with similar fragments attested in Greek literature. The Choicest Maxims was a medieval success, translated in at least four European languages from the thirteenth to the fifteenth centuries.
Al-Mubashshir ibn Fatik was a scholar and patron of the Fatimid court in Cairo in the middle of the eleventh century. He studied medicine, astronomy, and history, and composed a lost <i>History of the Fatimid Caliph al-Mustanṣir</i> (r. 1036–1094). His only book to have survived, <i>The Choicest Maxims and Best Sayings</i>, gives 20 biographies of some of the main Semitic, Greek, and Egyptian figures of wisdom and prophecy.<br/><br/> An important part of the biographical and gnomological materials may be compared with similar fragments attested in Greek literature. The Choicest Maxims was a medieval success, translated in at least four European languages from the thirteenth to the fifteenth centuries.
The Fatimid Caliphate was an Ismaili Shia Islamic caliphate that spanned a large area of North Africa, from the Red Sea in the east to the Atlantic Ocean in the west. The dynasty ruled across the Mediterranean coast of Africa and ultimately made Egypt the centre of the caliphate.<br/><br/> At its height the caliphate included in addition to Egypt varying areas of the Maghreb, Sudan, Sicily, the Levant, and Hijaz.
The Mamluk Sultanate was a medieval realm spanning Egypt, the Levant, and Hejaz. It lasted from the overthrow of the Ayyubid Dynasty until the Ottoman conquest of Egypt in 1517. Historians have traditionally broken the era of Mamluk rule into two period, one covering 1250–1382, the other, 1382–1517.<br/><br/> Western historians call the former the 'Bahri' period and the latter the 'Burji' due to the political dominance of the regimes known by these names during the respective eras. Contemporary Muslim historians refer to the same divisions as the 'Turkish' and 'Circassian' periods in order to emphasize the change in ethnic origin of the Mamluk rulers.
Cecil John Rhodes (5 July 1853 – 26 March 1902) was an English-born South African businessman, mining magnate, and politician. He was the founder of the diamond company De Beers, which today markets 40% of the world's rough diamonds and at one time marketed 90%.<br/><br/> An ardent believer in British colonialism, he was the founder of the state of Rhodesia, which was named after him. In 1964, Northern Rhodesia became the independent state of Zambia and Southern Rhodesia was thereafter known simply as Rhodesia. In 1980, Rhodesia, which had been de-facto independent since 1965, became independent from Britain and was renamed Zimbabwe.<br/><br/> Rhodes represents the high water mark of British colonialism and the 'Scramble for Africa'.
Salt, the son of a physician, was born in Lichfield. He trained as a portrait painter, first in Lichfield and then in London under Joseph Farington and John Hoppner. In 1802 he was appointed secretary and draughtsman to George Annesley, Viscount Valentia. They started on an eastern tour, traveling to India via the Cape. Salt explored the Red Sea area, and in 1805 visited the Ethiopian highlands. He returned to England in 1806. Salt's paintings from the trip were used to the Lord Valentia's Voyages and Travels to India, published in 1809.<br/><br/> Salt returned to Ethiopia in 1809 on a government mission to explore trade and diplomatic links with the Tigrayan warlord Ras Wolde Selassie. On his return he published A voyage to Abyssinia, and travels into the interior of that country, executed under the orders of the British government in the years 1809 & 1810, and a collection of drawings entitled Twenty-four Views Taken in St Helena, The Cape, India, Ceylon, Abyssinia and Egypt.
Egyptian culture has six thousand years of recorded history. Ancient Egypt was among the earliest civilizations and for millennia, Egypt maintained a strikingly complex and stable culture that influenced later cultures of Europe, the Middle East and other African countries. After the Pharaonic era, Egypt itself came under the influence of Hellenism, Christianity, and Islamic culture. Today, many aspects of Egypt's ancient culture exist in interaction with newer elements, including the influence of modern Western culture, itself with roots in ancient Egypt.
Egyptian culture has six thousand years of recorded history. Ancient Egypt was among the earliest civilizations and for millennia, Egypt maintained a strikingly complex and stable culture that influenced later cultures of Europe, the Middle East and other African countries. After the Pharaonic era, Egypt itself came under the influence of Hellenism, Christianity, and Islamic culture. Today, many aspects of Egypt's ancient culture exist in interaction with newer elements, including the influence of modern Western culture, itself with roots in ancient Egypt.
Egyptian culture has six thousand years of recorded history. Ancient Egypt was among the earliest civilizations and for millennia, Egypt maintained a strikingly complex and stable culture that influenced later cultures of Europe, the Middle East and other African countries. After the Pharaonic era, Egypt itself came under the influence of Hellenism, Christianity, and Islamic culture. Today, many aspects of Egypt's ancient culture exist in interaction with newer elements, including the influence of modern Western culture, itself with roots in ancient Egypt.
'Almeh' or 'Alma' is a term applied in Egyptian Arabic to female entertainers or dancing girls, also sometimes as professional mourners.
Egyptian culture has six thousand years of recorded history. Ancient Egypt was among the earliest civilizations and for millennia, Egypt maintained a strikingly complex and stable culture that influenced later cultures of Europe, the Middle East and other African countries. After the Pharaonic era, Egypt itself came under the influence of Hellenism, Christianity, and Islamic culture. Today, many aspects of Egypt's ancient culture exist in interaction with newer elements, including the influence of modern Western culture, itself with roots in ancient Egypt.
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.<br/><br/> By definition - Oriental rugs are rugs that come from the orient. The simple definition of the term would be - rugs that come from (were made in) an Asian Country such as: China and Vietnam in the east to Turkey, Maghreb countries, Cyprus and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs. Oriental rugs are organized by origin: Persian rugs, Arab rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian (Turkmen, Turkoman) rugs, Chinese rugs, Tibetan rugs and Indian rugs.
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.<br/><br/> By definition - Oriental rugs are rugs that come from the orient. The simple definition of the term would be - rugs that come from (were made in) an Asian Country such as: China and Vietnam in the east to Turkey, Maghreb countries, Cyprus and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs. Oriental rugs are organized by origin: Persian rugs, Arab rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian (Turkmen, Turkoman) rugs, Chinese rugs, Tibetan rugs and Indian rugs.
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.<br/><br/> By definition - Oriental rugs are rugs that come from the orient. The simple definition of the term would be - rugs that come from (were made in) an Asian Country such as: China and Vietnam in the east to Turkey, Maghreb countries, Cyprus and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs. Oriental rugs are organized by origin: Persian rugs, Arab rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian (Turkmen, Turkoman) rugs, Chinese rugs, Tibetan rugs and Indian rugs.
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.<br/><br/> By definition - Oriental rugs are rugs that come from the orient. The simple definition of the term would be - rugs that come from (were made in) an Asian Country such as: China and Vietnam in the east to Turkey, Maghreb countries, Cyprus and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs. Oriental rugs are organized by origin: Persian rugs, Arab rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian (Turkmen, Turkoman) rugs, Chinese rugs, Tibetan rugs and Indian rugs.
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.<br/><br/> By definition - Oriental rugs are rugs that come from the orient. The simple definition of the term would be - rugs that come from (were made in) an Asian Country such as: China and Vietnam in the east to Turkey, Maghreb countries, Cyprus and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs. Oriental rugs are organized by origin: Persian rugs, Arab rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian (Turkmen, Turkoman) rugs, Chinese rugs, Tibetan rugs and Indian rugs.
Francis Frith (also spelled Frances Frith) (October 31, 1822 – February 25, 1898) was an English photographer of the Middle East and many towns in the United Kingdom. Frith was born in Chesterfield, Derbyshire, attending the Quaker schools at Ackworth and Quaker Camp Hill in Birmingham (ca. 1828–1838), before he started in the cutlery business. Leaving in 1850 to start a photographic studio known as Frith & Hayward in Liverpool. A successful grocer, and later, printer, Frith fostered an interest in photography, becoming a founding member of the Liverpool Photographic Society in 1853. Frith sold his companies in 1855 in order to dedicate himself entirely to photography. He journeyed to the Middle East on three occasions, the first of which was a trip to Egypt in 1856 with very large cameras (16&quot; x 20&quot;). He used the collodion process, a major technical achievement in hot and dusty conditions.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
The Mosque-Madrassa of Sultan Hassan is a massive Mamluk era mosque and madrassa located near the Citadel in Cairo. Its construction began 757 AH/1356 CE with work ending three years later.<br/><br/> At the time of construction the mosque was considered remarkable for its fantastic size and innovative architectural components. Commissioned by a sultan of a short and relatively unimpressive profile, al-Maqrizi noted that within the mosque were several 'wonders of construction'. The mosque was, for example, designed to include schools for all four of the Sunni schools of thought: Shafi'i, Maliki, Hanafi and Hanbali.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
The Mosque-Madrassa of Sultan Hassan is a massive Mamluk era mosque and madrassa located near the Citadel in Cairo. Its construction began 757 AH/1356 CE with work ending three years later.<br/><br/> At the time of construction the mosque was considered remarkable for its fantastic size and innovative architectural components. Commissioned by a sultan of a short and relatively unimpressive profile, al-Maqrizi noted that within the mosque were several 'wonders of construction'. The mosque was, for example, designed to include schools for all four of the Sunni schools of thought: Shafi'i, Maliki, Hanafi and Hanbali.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
The Mosque of Sultan al-Zahir Barquq includes a madrasa or Islamic seminary and a Sufi khanqah within its precincts. It was built between 1384 and 1386 CE. The architect Shihab al Din Ahmad ibn Muhammad al Tuluni, who belonged to a family of court architects and surveyors, was in charge of part of the construction. The name of Jarkas al Khalili, the master of Barquq's horse and the founder of the famous Khan al Khalili, appears in the inauguration inscription on the facade and in the courtyard.<br/><br/> Its founder was Sultan Barquq, who was of Circassian origin, recruited under the Turkish Bahri Mamluks. The Circassians were subjects of the Tatar Golden Horde and were first imported to Egypt as slave troops by Qalawun in the thirteenth century. Barquq was freed in 1363 AD he established his dominance in the Mamluk government in 1382 when he seized power through a series of intrigues and assassinations. Since he also began recruiting Circassian Mamluks from Caucasus, Egyptian history references the following era as the Circassian Mamluk period with Sultan Barquq as its founder.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
The Mosque of Ahmad Ibn Ţūlūn (Arabic: مسجد أحمد بن طولون‎) is located in Cairo, Egypt. It is arguably the oldest mosque in the city surviving in its original form, and is the largest mosque in Cairo in terms of land area.There is significant controversy over the date of construction of the minaret, which features a helical outer staircase similar to that of the famous minaret in Samarra. Legend has it that ibn Ţūlūn himself was accidentally responsible for the design of the structure: supposedly while sitting with his officials, he absentmindedly wound a piece of parchment around his finger. When someone asked him what he was doing, he responded, embarrassed, that he was designing a minaret.<br/><br/> The mosque was commissioned by Ahmad ibn Ţūlūn, the Abbassid governor of Egypt from 868–884 whose rule was characterized by de facto independence. The historian al-Maqrizi lists the mosque's construction start date as 876 AD, and the mosque's original inscription slab identifies the date of completion as 265 AH, or 879 AD.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
The Mosque of Amr ibn al-As (Arabic: جامع عمرو بن العاص‎), also called the Mosque of Amr, was originally built in 642 AD, as the center of the newly-founded capital of Egypt, Fustat. The original structure was the first mosque ever built in Egypt, and by extension, the first mosque on the continent of Africa.<br/><br/> The location for the mosque was the site of the tent of the commander of the conquering army, general Amr ibn al-As. One corner of the mosque contains the tomb of his son, Abdullah. Due to extensive reconstruction over the centuries, nothing of the original building remains, but the rebuilt mosque is a prominent landmark, and can be seen in what today is known as Old Cairo. It is an active mosque with a devout congregation, and when prayers are not taking place, it is also open to visitors and tourists.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Edward William Lane (1801-76) was a British Orientalist, translator and Arabic scholar who lived in Ottoman Cairo from 1825-28. So fascinated was he with Egypt, he dressed as an Ottoman Turk and spent much time sketching the backstreets of Cairo. Upon his return to England he translated the novel ‘Arabian Nights’ [‘1001 nights’] and ‘Selections from the Qur’an’.
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.<br/><br/> By definition - Oriental rugs are rugs that come from the orient. The simple definition of the term would be - rugs that come from (were made in) an Asian Country such as: China and Vietnam in the east to Turkey, Maghreb countries, Cyprus and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs. Oriental rugs are organized by origin: Persian rugs, Arab rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian (Turkmen, Turkoman) rugs, Chinese rugs, Tibetan rugs and Indian rugs.
The Mosque complex of Sultan Qala'un was built along the Shari' el-Muizz in 1284 by Sultan el-Mansur Qala'um. It comprises a mosque, madrasa, a mausoleum and a muristan (which was replaced by a modern hospital in the 1920s). The complex is the earliest example of a new Syrian style of those times, and displays typical Mameluke architecture.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Muhammad Ali Pasha al-Mas'ud ibn Agha (March 1769 – 2 August 1849) was an Albanian commander in the Ottoman army, who became Wāli (governor), and self-declared Khedive of Egypt and Sudan. Though not a modern nationalist, he is regarded as the founder of modern Egypt because of the dramatic reforms in the military, economic and cultural spheres that he instituted.<br/><br/> During the infighting in Egypt between the Ottomans and Mamluks between 1801 and 1805, Muhammad Ali had carefully acted to gain the support of the general public. The Mamluks still posed the greatest threat to Muhammad Ali. They had controlled Egypt for more than 600 years, and over that time they had extended their rule extensively throughout Egypt.<br/><br/> Muhammad Ali’s approach was to eliminate the Mamluk leadership, then move against the rank and file. On March 1, 1811, Muhammad Ali invited the Mamluk leaders to a celebration held at the Cairo Citadel in honor of his son, Tusun, who was being appointed to lead a military expedition into Arabia. When the Mamluks arrived, they were trapped and killed. After the leaders were killed, Muhammad Ali dispatched his army throughout Egypt to rout the remainder of the Mamluk forces. Mohammad Ali came to rule Levantine territories outside Egypt. The Alawiyya dynasty that he established would rule Egypt and Sudan until the Egyptian Revolution of 1952.
Edward William Lane (1801-76) was a British Orientalist, translator and Arabic scholar who lived in Ottoman Cairo from 1825-28. So fascinated was he with Egypt, he dressed as an Ottoman Turk and spent much time sketching the backstreets of Cairo. Upon his return to England he translated the novel ‘Arabian Nights’ [‘1001 nights’] and ‘Selections from the Qur’an’.
Murad Bey (c. 1750 – 1801) was an Egyptian Mamluk chieftain (Bey), cavalry commander and joint ruler of Egypt with Ibrahim Bey. He was of Georgian origin having been born inTbilisi. Following his defeat at the hands of Napoleon's armies at the Battle of the Pyramids, Murad fled to Upper Egypt, mounting a brief guerrilla campaign that staved off Desaix for a year. In 1800, Murad made peace with Jean Baptiste Kléber, and agreed to garrison Cairo, but died of bubonic plague on his journey there.
The Cairo Conference of November 22–26, 1943, held in Cairo, Egypt, outlined the Allied position against Japan during World War II and made decisions about postwar Asia. The meeting was attended by President of the United States Franklin Roosevelt, Prime Minister of the United Kingdom Winston Churchill, and Generalissimo Chiang Kai-shek of the Republic of China.<br/><br/> The Cairo Declaration was issued on 27 November 1943 and released in a Cairo Communiqué through radio on 1 December 1943, stating the Allies' intentions to continue deploying military force until Japan's unconditional surrender.
Edward William Lane (1801-76) was a British Orientalist, translator and Arabic scholar who lived in Ottoman Cairo from 1825-28. So fascinated was he with Egypt, he dressed as an Ottoman Turk and spent much time sketching the backstreets of Cairo. Upon his return to England he translated the novel ‘Arabian Nights’ [‘1001 nights’] and ‘Selections from the Qur’an’.
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax.
The Cairo Conference of November 22–26, 1943, held in Cairo, Egypt, outlined the Allied position against Japan during World War II and made decisions about postwar Asia. The meeting was attended by President of the United States Franklin Roosevelt, Prime Minister of the United Kingdom Winston Churchill, and Generalissimo Chiang Kai-shek of the Republic of China.<br/><br/> The Cairo Declaration was issued on 27 November 1943 and released in a Cairo Communiqué through radio on 1 December 1943, stating the Allies' intentions to continue deploying military force until Japan's unconditional surrender.
The Mosque of Sultan al-Zahir Barquq includes a madrasa or Islamic seminary and a Sufi khanqah within its precincts. It was built between 1384 and 1386 CE. The architect Shihab al Din Ahmad ibn Muhammad al Tuluni, who belonged to a family of court architects and surveyors, was in charge of part of the construction. The name of Jarkas al Khalili, the master of Barquq's horse and the founder of the famous Khan al Khalili, appears in the inauguration inscription on the facade and in the courtyard.<br/><br/> Its founder was Sultan Barquq, who was of Circassian origin, recruited under the Turkish Bahri Mamluks. The Circassians were subjects of the Tatar Golden Horde and were first imported to Egypt as slave troops by Qalawun in the thirteenth century. Barquq was freed in 1363 AD he established his dominance in the Mamluk government in 1382 when he seized power through a series of intrigues and assassinations. Since he also began recruiting Circassian Mamluks from Caucasus, Egyptian history references the following era as the Circassian Mamluk period with Sultan Barquq as its founder.<br/><br/> Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817.<br/><br/> In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the École des Beaux-Arts in Paris, thanks to the links he had kept up with Penchaud. He remained in this post until 1861, when he was one of the founder members of the intellectual centre known as the Athénée.<br/><br/> In parallel with these activities he travelled around France and to Germany, Belgium and Tunisia and produced several authoritative works on architecture - his Architecture arabe (1827) earned him a place on the French king's embassy to the Shah of Iran. In Iran Coste and the painter Eugène Flandin were authorised to visit the ruins of Ecbatana, Bishtun, Taq-e Bostan, Sarpol-e Zahab, Pasargadae and Persepolis, where he made many sketches. On his return via Baghdad, he saw the ruins of Seleucia, Ctesiphon and Babylon. He continued via Nineveh, to which the archaeologist Paul Émile Botta was also travelling to begin his excavations.
Edward William Lane (1801-76) was a British Orientalist, translator and Arabic scholar who lived in Ottoman Cairo from 1825-28. So fascinated was he with Egypt, he dressed as an Ottoman Turk and spent much time sketching the backstreets of Cairo. Upon his return to England he translated the novel ‘Arabian Nights’ [‘1001 nights’] and ‘Selections from the Qur’an’.
Edward William Lane (1801-76) was a British Orientalist, translator and Arabic scholar who lived in Ottoman Cairo from 1825-28. So fascinated was he with Egypt, he dressed as an Ottoman Turk and spent much time sketching the backstreets of Cairo. Upon his return to England he translated the novel ‘Arabian Nights’ [‘1001 nights’] and ‘Selections from the Qur’an’.
The Cairo Geniza is an accumulation of almost 280,000 Jewish manuscript fragments that were found in the ‘genizah’, or store room, of the Ben Ezra Synagogue in Fustat, presently Old Cairo. The documents were written from about 870 CE to as late as 1880.
The Saladin Citadel of Cairo is a medieval Islamic fortification in Cairo, Egypt. The location, part of the Muqattam hill near the center of Cairo, was once famous for its fresh breeze and grand views of the city. It is now a preserved historic site, with mosques and museums.<br/><br/> The Citadel was fortified by the Ayyubid ruler Salah al-Din (Saladin) between 1176 and 1183 CE, to protect it from the Crusaders. Only a few years after defeating the Fatimid Caliphate, Saladin set out to build a wall that would surround both Cairo and Fustat. The Citadel would be the centerpiece of the wall. Built on a promontory beneath the Muqattam Hills, a setting that made it difficult to attack, the efficacy of the Citadel's location is further demonstrated by the fact that it remained the heart of Egyptian government until the 19th century.
The Saladin Citadel of Cairo is a medieval Islamic fortification in Cairo, Egypt. The location, part of the Muqattam hill near the center of Cairo, was once famous for its fresh breeze and grand views of the city. It is now a preserved historic site, with mosques and museums.<br/><br/> The Citadel was fortified by the Ayyubid ruler Salah al-Din (Saladin) between 1176 and 1183 CE, to protect it from the Crusaders. Only a few years after defeating the Fatimid Caliphate, Saladin set out to build a wall that would surround both Cairo and Fustat. The Citadel would be the centerpiece of the wall. Built on a promontory beneath the Muqattam Hills, a setting that made it difficult to attack, the efficacy of the Citadel's location is further demonstrated by the fact that it remained the heart of Egyptian government until the 19th century.
Translation: 'Under the power of the Eternal Heaven. Under the majesty of the Khan (Kublai Khan). Arghun our word. To the Rey da France (King of France). Last year you sent your ambassadors led by Mar Bar Sawma telling us: "if the soldiers of the Il-Khan ride in the direction of Misir (Egypt) we ourselves will ride from here and join you", which words we have approved and said (in reply) "praying to Tengri (Heaven) we will ride on the last month of winter on the year of the tiger and descend on Dimisq (Damascus) on the 15th of the first month of spring." Now, if, being true to your words, you send your soldiers at the appointed time and, worshipping Heaven, we conquer those citizens (of Damascus together), we will give you Orislim (Jerusalem). How can it be appropriate if you were to start amassing your soldiers later than the appointed time and appointment? What would be the use of regretting afterwards? Also, if, adding any additional messages, you let your ambassadors fly (to us) on wings, sending us luxuries, falcons, whatever precious articles and beasts there are from the land of the Franks, the Power of Tengri and the Majesty of the Khan only knows how we will treat you favorably. With these words we have send Muskeril (Buscarello) the Khorchi. Our writing was written while we were at Khondlon on the sixth khuuchid of the first month of summer on the year of the cow'.
Kamal al-Din Hasan ibn Ali ibn Hasan al-Farisi or Abu Hasan Muhammad ibn Hasan (1267– 12 January 1319 (Persian: كمال‌الدين فارسی‎) was a prominent Persian born in Tabriz, Iran. He made two major contributions to science, one on optics, the other on number theory. Farisi was a pupil of the great astronomer and mathematician Qutb al-Din al-Shirazi, who in turn was a pupil of Nasir al-Din Tusi.<br/><br/> His work on optics was prompted by a question put to him concerning the refraction of light. Shirazi advised him to consult 'The Book of Optics' of Ibn al-Haytham (Alhacen), and Farisi made such a deep study of this treatise that Shirazi suggested that he write what is essentially a revision of that major work, which came to be called the Tanqih.