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The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
The 15th century Holy Trinity Church was built by the Neuhaus family and was consecrated in 1475. The church stands behind a wall that the local population built to protect itself from Turkish attacks in the 16th century.<br/><br/> The interior is decorated with Gothic frescoes by the artist John of Kastav (Johannes de Castua), the most famous being <i>Danse Macabre</i> (Dance of Death), and completed in 1490.
Toyohara Chikanobu (1838-1912), often known by his contemporaries as Yoshu Chikanobu, was a prolific woodblock artist active during the Meiji Era of Japan. He served as a soldier for the Tokugawa loyalists at first, but following the Shogitai's surrender, he was remanded to the Takada domain, and in 1875 CE, he decided to become an artist.<br/><br/> He soon become renowned as a highly skilled ukiyo-e artist, with his works ranging from Japanese mythology to depictions of the battlefields from the wars of his time to women's fashions and <i>shunga</i> (erotic art). He produced a great many war prints in triptych format, documenting the Satsuma Rebellion, the First Sino-Japanese War and the First Russo-Japanese War, among other conflicts and events.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
<i>Hikifuda</i> are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper.<br/><br/> While<i>hikifuda</i> began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
<i>Hikifuda</i> are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper.<br/><br/> While <i>hikifuda</i> began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
Totoya Hokkei was a Japanese printmaker and book illustrator. He initially studied painting with Kano Yosen (1735-1808), the head of the Kobikicho branch of the Kano School and <i>okaeshi</i> (official painter) to the Tokugawa shogunate.<br/><br/> Together with Teisai Hokuba (1771-1844), Hokkei was one of Katsushika Hokusai's best students.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Baron Roman Nikolai Maximilian von Ungern-Sternberg (December 29, 1885 – September 15, 1921) was a Baltic Swedish-Russian Yesaul (Cossack Captain), a Russian hero of World War I and Lieutenant-general at the time of civil war in Russia and Mongolia, who 'liberated' Mongolia from Chinese rule in February - March 1921. In June he invaded Southern Siberia trying to raise an anti-communist rebellion, but was defeated by the Red Army in August 1921.<br/><br/> An independent and brutal warlord in pursuit of pan-monarchist goals in Mongolia and territories east of Lake Baikal during the Russian Civil War that followed the Bolshevik Revolution of 1917, Ungern von-Sternberg's goals included restoring the Russian monarchy under Michael Alexandrovich Romanov and the Great Mongol Empire, with Outer Mongolia under Bogd Khan as part of it. His opponents were mainly Communists.<br/><br/> Ungern-Sternberg often persecuted those who were helping his foes: all Reds and especially Jews. Following his Asiatic Cavalry Division collapse in Mongolia, Ungern-Sternberg was left by his Russian officers and taken prisoner by the Bolshevik's Red Army. He was tried and executed for his counter-revolutionary involvement in Novosibirsk.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Foot binding, although notionally banned after the fall of the Qing Empire in 1911, continued in some remote areas for quite a few years under the Chinese Republic (1911-1949).<br/><br/> Not so in Shanghai, always the arbiter of modern tastes and fashion.<br/><br/> As a consequence, by the mid-1930s, Shanghai’s Zhejiang Road, Fujian Road and Nanjing Road had over one hundred shoe stores between them, with highly skilled shoemakers copying western styles, the most popular among these being high heels and open toe leather shoes.<br/><br/> A Shanghainese woman, dressed in <i>qipao</i> and walking in high heels, became the iconic look of the age, and these two kinds of footwear continued to be changed and innovated upon, becoming staples of the Shanghai fashion world.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements.<br/><br/> In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Osaka Mercantile Steamship poster featuring a kimono-clad young woman and the company flag.
Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ukiyo-e artist who specialised in bijinga (pictures of beautiful women). His best works, including his ōkubi-e ('large head pictures'), are considered to be masterpieces of the 'decadent' Bunsei Era (1818–1830). He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements.<br/><br/> In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
The Tai Dam or Black Tai are an ethnic group found in parts of Laos, Vietnam, China, and Thailand. Tai Dam speakers in China are classified as part of the Dai nationality along with almost all the other Tai peoples. But in Vietnam they are given their own nationality (with the White Tai) where they are classified as the Thái nationality (meaning Tai people). The Tai Dam originate from the vicinity of Dien Bien Phu in Vietnam.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
An illustration depicting an ancient Mexican calendar. The Maya and Aztec calendars are the most familiar of the Mexican calendars, but similar ones were used by other cultures.<br/><br/> Common to all Mesoamerican cultures was the 260-day ritual calendar that had no confirmed correlation to astronomical or agricultural cycles.<br/><br/> These were used in combination with a separate 365-day calendar to create a 52-year cycle known as a calendar round.
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.