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Theodosius II (401-450), also known as Theodosius the Younger and Theodosius the Calligrapher, was the son of Emperor Arcadius of the Eastern Roman Empire. He was proclaimed co-ruler and Augustus a year after his birth, becoming the youngest person to ever bear the title. He became emperor after his father's death in 408 CE, aged only seven.<br/><br/>

His older sister Pulcheria briefly assumed regency as Augusta until Theodosius was old enough in 416 CE. Theodosius was a devout Christian, waging wars against the Sassanids and others who persecuted Christianity. He also had to deal with the Huns under Attila, forced to constantly pay them off to maintain peace.<br/><br/>

Theodosius was also known for promulgating the Theodosian law code and for his founding of the University of Constantinople. Theodosius eventually died in 450 CE from a riding accident, leading to a power struggle between his sister Pulcheria and the eunuch Chrysaphius.
Theodosius II (401-450), also known as Theodosius the Younger and Theodosius the Calligrapher, was the son of Emperor Arcadius of the Eastern Roman Empire. He was proclaimed co-ruler and Augustus a year after his birth, becoming the youngest person to ever bear the title. He became emperor after his father's death in 408 CE, aged only seven.<br/><br/>

His older sister Pulcheria briefly assumed regency as Augusta until Theodosius was old enough in 416 CE. Theodosius was a devout Christian, waging wars against the Sassanids and others who persecuted Christianity. He also had to deal with the Huns under Attila, forced to constantly pay them off to maintain peace.<br/><br/>

Theodosius was also known for promulgating the Theodosian law code and for his founding of the University of Constantinople. Theodosius eventually died in 450 CE from a riding accident, leading to a power struggle between his sister Pulcheria and the eunuch Chrysaphius.
Theodosius II (401-450), also known as Theodosius the Younger and Theodosius the Calligrapher, was the son of Emperor Arcadius of the Eastern Roman Empire. He was proclaimed co-ruler and Augustus a year after his birth, becoming the youngest person to ever bear the title. He became emperor after his father's death in 408 CE, aged only seven.<br/><br/>

His older sister Pulcheria briefly assumed regency as Augusta until Theodosius was old enough in 416 CE. Theodosius was a devout Christian, waging wars against the Sassanids and others who persecuted Christianity. He also had to deal with the Huns under Attila, forced to constantly pay them off to maintain peace.<br/><br/>

Theodosius was also known for promulgating the Theodosian law code and for his founding of the University of Constantinople. Theodosius eventually died in 450 CE from a riding accident, leading to a power struggle between his sister Pulcheria and the eunuch Chrysaphius.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his <i>kyoka</i> poetry and <i>surimono</i> woodblock works.
Tachibana no Hayanari (c. 782 - September 24, 844 CE) was a Heian period Japanese government official, calligrapher, and member of the Tachibana family. He travelled to China in 804, returning in 806. His most famous surviving calligraphic work is the <i>Ito Naishin'no Ganmon</i>, now in the Imperial Household collection. He is honored as one of the group of three outstanding calligraphers called <i>Sanpitsu</i> ('Three Brushes').<br/><br/>

He is honored posthumously as a <i>kami</i> at Kami Goryo Shrine Kyoto.<br/><br/>

Totoya Hokkei was a Japanese printmaker and book illustrator. He initially studied painting with Kano Yosen (1735-1808), the head of the Kobikicho branch of the Kano School and <i>okaeshi</i> (official painter) to the Tokugawa shogunate.<br/><br/> 

Together with Teisai Hokuba (1771-1844), Hokkei was one of Katsushika Hokusai's best students.
Almost every town in Burma with a Panthay population has its 'Panthay Balee' or Chinese Muslim mosque. Some of the more important are in Rangoon, Taunggyi, Mogok, Myitkyina, and Lashio.
Gang Se-hwang was a high government official as well as a painter, calligrapher and art critic of the mid-Joseon period.<br/><br/>

He was born in Jinju, Gyeongsangnam-do, the son of Kang Hyeon. He entered royal service when more than sixty years old. Gang established and practised the 'munhwa' style of painting.
Gang Se-hwang was a high government official as well as a painter, calligrapher and art critic of the mid-Joseon period.<br/><br/>

He was born in Jinju, Gyeongsangnam-do, the son of Kang Hyeon. He entered royal service when more than sixty years old. Gang established and practised the 'munhwa' style of painting.
East Asian calligraphy is a form of calligraphy widely practised and revered in the Sinosphere. This most often includes China, Japan, Korea, and Vietnam. The East Asian calligraphic tradition originated and developed from China. There is a general standardization of the various styles of calligraphy in this tradition. East Asian calligraphy and ink and wash painting are closely related, since accomplished using similar tools and techniques.
East Asian calligraphy is a form of calligraphy widely practised and revered in the Sinosphere. This most often includes China, Japan, Korea, and Vietnam. The East Asian calligraphic tradition originated and developed from China. There is a general standardization of the various styles of calligraphy in this tradition. East Asian calligraphy and ink and wash painting are closely related, since accomplished using similar tools and techniques.
East Asian calligraphy is a form of calligraphy widely practised and revered in the Sinosphere. This most often includes China, Japan, Korea, and Vietnam. The East Asian calligraphic tradition originated and developed from China. There is a general standardization of the various styles of calligraphy in this tradition. East Asian calligraphy and ink and wash painting are closely related, since accomplished using similar tools and techniques.
East Asian calligraphy is a form of calligraphy widely practised and revered in the Sinosphere. This most often includes China, Japan, Korea, and Vietnam. The East Asian calligraphic tradition originated and developed from China. There is a general standardization of the various styles of calligraphy in this tradition. East Asian calligraphy and ink and wash painting are closely related, since accomplished using similar tools and techniques.
Gang Se-hwang (1713–1791) was not only a high government official but also a painter, calligrapher and art critic of the mid-Joseon period.<br/><br/> 

He was born in Jinju, Gyeongsangnam-do, the son of Kang Hyeon. He entered royal service when more than sixty years old. Gang established and practised the 'munhwa' style of painting.
Jia Dao was a Chinese poet active during the Tang Dynasty. He was born near modern Beijing; after a period as a Buddhist monk, he went to Chang'an. He became one of Han Yu's disciples, but failed the jinshi exam several times. He wrote both discursive gushi and lyric jintishi. His works were criticised as 'thin' by Su Shi, and some other commentators have considered them limited and artificial.
Muhaqqaq is a type of calligraphic script in Arabic derived from Thuluth by widening the horizontal sections of the letters in the Thuluth script. It was abandoned after the 16th century and only a very few examples survive.
Guo Moruo (Chinese: 郭沫若; pinyin: Guō Mòruò; Wade–Giles: Kuo Mo-jo; November 16, 1892 – June 12, 1978), courtesy name Dingtang (鼎堂), was a Chinese author, poet, historian, archaeologist, and government official from Sichuan, China.
Letter written on Cheng Xin Tang paper by the Chinese Song Dynasty calligrapher Cai Xiang sometime between the years 1021-1067. Cai Xiang had a reputation as the greatest calligrapher of the Song Dynasty.
Shang Yan-ying (商衍灜) or Shang Yanying was a Chinese visual artist who was born at Panyu, Guangzhou, in 1869.<br/><br/>

He was also known as a celebrated calligrapher.
The Heart Sutra is a member of the Perfection of Wisdom (Prajnaparamita) class of Mahayana Buddhist literature, and along with the Diamond Sutra, is the most prominent representative of the genre. The Essence of Wisdom Sutra (Heart Sūtra) is much shorter than the other Perfection of Wisdom sutras but it contains explicitly or implicitly the entire meaning of the longer Sutras. This sutra is classified by Edward Conze as belonging to the third of four periods in the development of the Perfection of Wisdom canon. Conze estimates the sutra's date of origin to be 350 CE. Recent scholarship is unable to verify any date earlier than the 7th century CE. The Chinese version is frequently chanted by the Chan (Zen/Seon/Thien) sects during ceremonies in China, Japan, Korea, and Vietnam respectively. It is also significant to the Shingon Buddhist school in Japan, whose founder Kūkai wrote a commentary on it, and to the various Tibetan Buddhist schools, where it is studied extensively.
1495 copy of the Koran by Seyh Hamdullah (1436–1520), or Sheikh Hamdullah, the most famous Ottoman calligrapher and developer of six major styles of Arabic calligraphy. He was born in Amasya, Turkey, and devoted his entire life to the art of calligraphy, producing 47 Mus'hafs, books of the Qur'an, and many other works.
The Heart Sutra is a member of the Perfection of Wisdom (Prajnaparamita) class of Mahayana Buddhist literature, and along with the Diamond Sutra, is the most prominent representative of the genre. The Essence of Wisdom Sutra (Heart Sūtra) is much shorter than the other Perfection of Wisdom sutras but it contains explicitly or implicitly the entire meaning of the longer Sutras. This sutra is classified by Edward Conze as belonging to the third of four periods in the development of the Perfection of Wisdom canon. Conze estimates the sutra's date of origin to be 350 CE. Recent scholarship is unable to verify any date earlier than the 7th century CE. The Chinese version is frequently chanted by the Chan (Zen/Seon/Thien) sects during ceremonies in China, Japan, Korea, and Vietnam respectively. It is also significant to the Shingon Buddhist school in Japan, whose founder Kūkai wrote a commentary on it, and to the various Tibetan Buddhist schools, where it is studied extensively.
Part of a four-volume work written in Kufic script, the remains of this manuscript are divided among Ardabil (a historical city in northern Iran), the Istanbul University Library and the Chester Beatty Library in Dublin.
Naskh script is considered one of the most renowned styles of Islamic calligraphy. Naskh emerged from changes in Kufic script. The widespread use of the style is due to its suitability for writing. Thuluth script, along with Naskh script, was applied to a great many texts. This particular style was mostly used for inscriptions in mosques, religious places and architectural monuments.
Deng Shirú (Teng Shih-ju, traditional: 鄧石如, simplified: 邓石如); ca. 1739/1743-1805 was a Chinese calligrapher during the Qing Dynasty (1644–1912).<br/><br/>

Deng was born in Huaining in the Anhui province. His style name was 'Wanbo' and his sobriquets were 'Wanbai shanren, Wan bai, Guhuan, Gu wanzi, Youji daoren, Fenshui yuzhang, and Longshan qiaozhang'. Deng studied at the Shen Chun Academy. He later learned the art of Seal cutting.
Cai Xiang 1012-1067. The greatest calligrapher of the Song Dynasty, he  wrote the Cha Lu Record of Tea in 1050.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/>

Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/>

During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Fenghuang is Chinese for Phoenix and refers to the mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) the Phoenicians.<br/><br/>

Legend suggests that two phoenixes on discovering the town hovered overhead for some considerable time before reluctantly flying away.<br/><br/>

Fenghuang town is a well-preserved ancient town supposedly dating back to 248 BC. It is home to the Miao and Tujia minorities. The distinctive architecture includes Ming and Qing styles.
Fenghuang is Chinese for Phoenix and refers to the mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) the Phoenicians.<br/><br/>

Legend suggests that two phoenixes on discovering the town hovered overhead for some considerable time before reluctantly flying away.<br/><br/>

Fenghuang town is a well-preserved ancient town supposedly dating back to 248 BC. It is home to the Miao and Tujia minorities. The distinctive architecture includes Ming and Qing styles.
Huang Tingjian (1045–1105) was a Chinese artist. He is predominantly known as a calligrapher, but was also admired for his painting and poetry. He was one of the Four masters of the Song Dynasty, and was a student of Su Shi at his school of literati painting.<br/><br/>

Du Fu (Dù Fǔ; Wade–Giles: Tu Fu, 712–770) was a prominent Chinese poet of the Tang Dynasty. Along with Li Bai (Li Bo), he is frequently called the greatest of the Chinese poets. In 759 Du Fu moved to Chengdu, built a thatched hut near the Flower Rinsing Creek and lived there for four years. The 'thatched hut' period was the peak of Du Fu's creativity. He wrote two hundred and forty poems, among them: 'My Thatched Hut was torn apart by Autumn Wind' and 'The Prime Minister of Shu'.<br/><br/>

Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the early 4th century BC, the 9th Kaiming king of the ancient Shu moved his capital to the city's current location from today's nearby Pixian.
Yi Gwang-sa was one of the leading calligraphers of the Joseon period. He created a calligraphy style, called the 'Wongyo style' after his pen name, in an effort to establish an independent Korean style.<br/><br/>

The colophon at top right reveals the portrait was painted in 1775, when Yi was 70 years old, by court painter Shin Han-pyeong, father of the famous genre painter Shin Yun-bok.