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Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Displaying various auspicious symbols and including a Svastika or Swastika which means 'auspicious' in the Sanskrit language. It is called <i>yungdrung</i> in the ancient Zhangzhung language of Western Tibet and means 'everlasting'.<br/><br/> The left turning Svastika is the principal religious symbol of the Yungdrung Bön tradition.
Bon or Bon Po (Bonpo) is a sect of Tibetan Buddhism. It developed in the eleventh century onward and established its scriptures mainly from <i>terma</i> (hidden treasures) and visions by tertons (discoverers of ancient texts) such as Loden Nyingpo.
Wuwei has a population of around 500,000, mainly Han Chinese, but with visible numbers of Hui as well as Mongols and Tibetans. In earlier times it was called Liangzhou. Dominating the eastern end of the Hexi Corridor, it has long played a significant role on this major trade route.<br/><br/> Wuwei’s most famous historic artefact, the celebrated Han Dynasty (206 BCE - 220 CE) bronze horse known as the Flying Horse of Gansu, was discovered here in a tomb beneath Leitai Temple (Leitai Si) in the north part of town. Although the original is now on display in the Gansu Provincial Museum at Lanzhou, the horse’s likeness – depicted at an elegant, flying gallop, with one hoof briefly resting on the head of a flying swallow – is everywhere to be seen, most notably at the centre of Wuwei’s downtown Wenhua Square.
Wuwei has a population of around 500,000, mainly Han Chinese, but with visible numbers of Hui as well as Mongols and Tibetans. In earlier times it was called Liangzhou. Dominating the eastern end of the Hexi Corridor, it has long played a significant role on this major trade route.<br/><br/> Wuwei’s most famous historic artefact, the celebrated Han Dynasty (206 BCE - 220 CE) bronze horse known as the Flying Horse of Gansu, was discovered here in a tomb beneath Leitai Temple (Leitai Si) in the north part of town. Although the original is now on display in the Gansu Provincial Museum at Lanzhou, the horse’s likeness – depicted at an elegant, flying gallop, with one hoof briefly resting on the head of a flying swallow – is everywhere to be seen, most notably at the centre of Wuwei’s downtown Wenhua Square.
Wuwei has a population of around 500,000, mainly Han Chinese, but with visible numbers of Hui as well as Mongols and Tibetans. In earlier times it was called Liangzhou. Dominating the eastern end of the Hexi Corridor, it has long played a significant role on this major trade route.<br/><br/> Wuwei’s most famous historic artefact, the celebrated Han Dynasty (206 BCE - 220 CE) bronze horse known as the Flying Horse of Gansu, was discovered here in a tomb beneath Leitai Temple (Leitai Si) in the north part of town. Although the original is now on display in the Gansu Provincial Museum at Lanzhou, the horse’s likeness – depicted at an elegant, flying gallop, with one hoof briefly resting on the head of a flying swallow – is everywhere to be seen, most notably at the centre of Wuwei’s downtown Wenhua Square.
Shantou is a port city that was opened to foreign trade after the Second Anglo-Chinese War, also known as the Opium War (1856 - 1860 CE). The town became a British treaty port in 1858.<br/><br/> The first treaty ports in China were British and were established at the conclusion of the First Opium War by the Treaty of Nanking in 1842. As well as ceding the island of Hong Kong to the United Kingdom in perpetuity, the treaty also established five treaty ports at Shanghai, Canton, Ningpo, Fuchow, and Amoy. French and American concessions followed soon afterwards.<br/><br/> The second group of British treaty ports was set up following the end of the Arrow War in 1860 and eventually more than 80 treaty ports were established in China alone, involving many foreign powers.
The Boxer Rebellion, also known as Boxer Uprising or Yihetuan Movement, was a proto-nationalist movement by the Righteous Harmony Society in China between 1898 and 1901, opposing foreign imperialism and Christianity.<br/><br/> The uprising took place in response to foreign spheres of influence in China, with grievances ranging from opium traders, political invasion, economic manipulation, to missionary evangelism. In China, popular sentiment remained resistant to foreign influences, and anger rose over the 'unequal treaties', which the weak Qing state could not resist.<br/><br/> Concerns grew that missionaries and Chinese Christians could use this decline to their advantage, appropriating lands and property of unwilling Chinese peasants to give to the church. This sentiment resulted in violent revolts against foreign interests.
Thailand: Mongkut (18 October 1804 - 1 October 1868), fourth King of Siam. Visit Card by Charles Jacotin (fl. 1863-1895), c. 1863-1868.<br/><br/> Mongkut, also known as Rama IV and full name Phra Bat Somdet Phra Menthora Ramathibodi Sri Sinthara Mahamakut Phra Mongkut Phra Siam Deva Mahamakut Wittaya Maharaj, was the fourth king of Siam of the House of Chakri. Ruling from 1851 till his death in 1868, he is best known internationally as the king in the 1951 musical 'The King and I', based on the 1944 novel about Anna Leonowens' years at his court.
China Burma India Theater (CBI) was the name used by the United States Army for its forces operating in conjunction with British and Chinese Allied air and land forces in China, Burma, and India during World War II. Well-known US units in this theater included the Flying Tigers, transport and bomber units flying the Hump, the 1st Air Commando Group, the engineers who built Ledo Road, and the 5307th Composite Unit (Provisional), otherwise known as Merrill's Marauders.
China Burma India Theater (CBI) was the name used by the United States Army for its forces operating in conjunction with British and Chinese Allied air and land forces in China, Burma, and India during World War II. Well-known US units in this theater included the Flying Tigers, transport and bomber units flying the Hump, the 1st Air Commando Group, the engineers who built Ledo Road, and the 5307th Composite Unit (Provisional), otherwise known as Merrill's Marauders.
China Burma India Theater (CBI) was the name used by the United States Army for its forces operating in conjunction with British and Chinese Allied air and land forces in China, Burma, and India during World War II. Well-known US units in this theater included the Flying Tigers, transport and bomber units flying the Hump, the 1st Air Commando Group, the engineers who built Ledo Road, and the 5307th Composite Unit (Provisional), otherwise known as Merrill's Marauders.
China Burma India Theater (CBI) was the name used by the United States Army for its forces operating in conjunction with British and Chinese Allied air and land forces in China, Burma, and India during World War II. Well-known US units in this theater included the Flying Tigers, transport and bomber units flying the Hump, the 1st Air Commando Group, the engineers who built Ledo Road, and the 5307th Composite Unit (Provisional), otherwise known as Merrill's Marauders.
The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India. The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
Hell bank notes are a form of joss paper printed to resemble modern bank notes. Hell bank notes are not an official currency or legal tender anywhere in this world. They are intended to be burnt in Chinese ancestor veneration. Hell bank notes are known for their large denominations, ranging from $10,000 to several billions, and usually bear an image of the Jade Emperor, the presiding monarch of heaven in Daoism, with his signature (romanized as Yu Wong, or Yuk Wong) and the signature of Yanluo, King of Hell. There is usually an image of the Bank of Hell on the back of the bill.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size and in the number of players depicted.<br/><br/> Cézanne also completed numerous drawings and studies in preparation for The Card Players series. One version of The Card Players was sold in 2011 to the Royal Family of Qatar for a price variously estimated at between $250 million and $300 million, making it the most expensive work of art ever sold.
The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India. The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India. The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
Isaiah (Hebrew: יְשַׁעְיָהוּ, Greek: Ἠσαΐας, Ēsaïās) was a prophet in the 8th-century BC Kingdom of Judah. Jews and Christians consider the Book of Isaiah a part of their Biblical canon; he is the first listed (although not the earliest) of the neviim akharonim, the later prophets. Many of the New Testament teachings of Jesus refer to the book of Isaiah.
Cochinchina, uniquely in French Indochina, was considered a colony by the French, unlike the dependencies of Annam and Tonkin.
The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India. The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
Hell bank notes are a form of joss paper printed to resemble modern bank notes. Hell bank notes are not an official currency or legal tender anywhere in this world. They are intended to be burnt in Chinese ancestor veneration. Hell bank notes are known for their large denominations, ranging from $10,000 to several billions, and usually bear an image of the Jade Emperor, the presiding monarch of heaven in Daoism, with his signature (romanized as Yu Wong, or Yuk Wong) and the signature of Yanluo, King of Hell. There is usually an image of the Bank of Hell on the back of the bill.
The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India. The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
Hell bank notes are a form of joss paper printed to resemble modern bank notes. Hell bank notes are not an official currency or legal tender anywhere in this world. They are intended to be burnt in Chinese ancestor veneration. Hell bank notes are known for their large denominations, ranging from $10,000 to several billions, and usually bear an image of the Jade Emperor, the presiding monarch of heaven in Daoism, with his signature (romanized as Yu Wong, or Yuk Wong) and the signature of Yanluo, King of Hell. There is usually an image of the Bank of Hell on the back of the bill.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size and in the number of players depicted.<br/><br/> Cézanne also completed numerous drawings and studies in preparation for The Card Players series. One version of The Card Players was sold in 2011 to the Royal Family of Qatar for a price variously estimated at between $250 million and $300 million, making it the most expensive work of art ever sold.
The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India.<br/><br/> The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
The Shanghai ghetto (上海隔都 Shànghǎi gédōu), formally known as the Restricted Sector for Stateless Refugees (無国籍難民限定地区 Wú guójí nànmín xiàndìng dìqū), was an area of approximately one square mile in the Hongkou District of Japanese-occupied Shanghai, to which about 20,000 Jewish refugees were relocated by the Japanese-issued Proclamation Concerning Restriction of Residence and Business of Stateless Refugees after having fled from German-occupied Europe before and during World War II.<br/><br/> The refugees were settled in the poorest and most crowded area of the city. Local Jewish families and American Jewish charities aided them with shelter, food and clothing. The Japanese authorities increasingly stepped up restrictions, but the ghetto was not walled, and the local Chinese residents, whose living conditions were often as bad or worse, did not leave.