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Hang Trong painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống and Hàng Nón streets in Old Hanoi's 36 Streets District.<br/><br/> In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It irepresents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series continues with summer (夏の部). Summer amusements of the Fourth, Fifth, and Sixth Months are represented in numbers 43 through 72. Evening outings in pleasure boats on the Sumida River were taken along the many famous bridges of Edo, where endless varieties of entertainment were offered.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Before the 16th century the Taitung plain was settled by the agriculturalist Puyuma and Amis tribes. Under the Dutch and during the Qing Dynasty, a large part of east Taiwan, including today's Taitung Prefecture, was called Beinan.<br/><br/>In the late 19th century, when Liu Mingchuan was the Qing Governor of Taiwan, Han Chinese settlers moved into the Taitung region and established a settlement, Taitung State.<br/><br/>In the time Taiwan was under Japanese rule the central settlement was called Nankyou Village. After World War II it became Taitung Town and in 1976 it was promoted to Taitung City.
Before the 16th century the Taitung plain was settled by the agriculturalist Puyuma and Amis tribes. Under the Dutch and during the Qing Dynasty, a large part of east Taiwan, including today's Taitung Prefecture, was called Beinan.<br/><br/>In the late 19th century, when Liu Mingchuan was the Qing Governor of Taiwan, Han Chinese settlers moved into the Taitung region and established a settlement, Taitung State.<br/><br/>In the time Taiwan was under Japanese rule the central settlement was called Nankyou Village. After World War II it became Taitung Town and in 1976 it was promoted to Taitung City.
Before the 16th century the Taitung plain was settled by the agriculturalist Puyuma and Amis tribes. Under the Dutch and during the Qing Dynasty, a large part of east Taiwan, including today's Taitung Prefecture, was called Beinan.<br/><br/>In the late 19th century, when Liu Mingchuan was the Qing Governor of Taiwan, Han Chinese settlers moved into the Taitung region and established a settlement, Taitung State.<br/><br/>In the time Taiwan was under Japanese rule the central settlement was called Nankyou Village. After World War II it became Taitung Town and in 1976 it was promoted to Taitung City.
Before the 16th century the Taitung plain was settled by the agriculturalist Puyuma and Amis tribes. Under the Dutch and during the Qing Dynasty, a large part of east Taiwan, including today's Taitung Prefecture, was called Beinan.<br/><br/>In the late 19th century, when Liu Mingchuan was the Qing Governor of Taiwan, Han Chinese settlers moved into the Taitung region and established a settlement, Taitung State.<br/><br/>In the time Taiwan was under Japanese rule the central settlement was called Nankyou Village. After World War II it became Taitung Town and in 1976 it was promoted to Taitung City.
Oiran (花魁) were the courtesans of Edo period Japan. The oiran were considered a type of yūjo (遊女) 'woman of pleasure' or prostitute. However, they were distinguished from the yūjo in that they were entertainers, and many became celebrities of their times outside the pleasure districts. Their art and fashions often set trends among the wealthy and, because of this, cultural aspects of oiran traditions continue to be preserved to this day.<br/><br/> The oiran arose in the Edo period (1600–1868). At this time, laws were passed restricting brothels to walled districts set some distance from the city center. In the major cities these were the Shimabara in Kyoto, the Shinmachi in Osaka, and the Yoshiwara in Edo (present-day Tokyo).<br/><br/> These rapidly grew into large, self-contained 'pleasure quarters' offering all manner of entertainments. Within, a courtesan’s birth rank held no distinction, which was fortunate considering many of the courtesans originated as the daughters of impoverished families who were sold into this lifestyle as indentured servants. Instead, they were categorized based on their beauty, character, education, and artistic ability.<br/><br/> Among the oiran, the tayū (太夫) was considered the highest rank of courtesan and were considered suitable for the daimyo or feudal lords. In the mid-1700s courtesan rankings began to disappear and courtesans of all classes were collectively known simply as 'oiran'.<br/><br/> The word oiran comes from the Japanese phrase oira no tokoro no nēsan (おいらの所の姉さ) which translates as 'my elder sister'. When written in Japanese, it consists of two kanji, 花 meaning 'flower', and 魁 sansmeaning 'leader' or 'first', hence 'Leading Flower' or 'First Flower'.
Hang Trong painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống and Hàng Nón streets in Old Hanoi's 36 Streets District.<br/><br/> In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.
Hang Trong painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống and Hàng Nón streets in Old Hanoi's 36 Streets District.<br/><br/> In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.
Namtok Phlio National Park was designated a national park in 1975 and originally called Khao Sa Bap National Park. It covers an area of 135-sq km (52-sq miles) and contains some of Thailand's lushest rainforest. Wildlife within the park includes 32 species of mammals and 156 species of birds. Barking deer, tiger, leopard and Asiatic black bear are among its larger inhabitants.
Namtok Phlio National Park was designated a national park in 1975 and originally called Khao Sa Bap National Park. It covers an area of 135-sq km (52-sq miles) and contains some of Thailand's lushest rainforest. Wildlife within the park includes 32 species of mammals and 156 species of birds. Barking deer, tiger, leopard and Asiatic black bear are among its larger inhabitants.
Namtok Phlio National Park was designated a national park in 1975 and originally called Khao Sa Bap National Park. It covers an area of 135-sq km (52-sq miles) and contains some of Thailand's lushest rainforest. Wildlife within the park includes 32 species of mammals and 156 species of birds. Barking deer, tiger, leopard and Asiatic black bear are among its larger inhabitants.
Namtok Phlio National Park was designated a national park in 1975 and originally called Khao Sa Bap National Park. It covers an area of 135-sq km (52-sq miles) and contains some of Thailand's lushest rainforest. Wildlife within the park includes 32 species of mammals and 156 species of birds. Barking deer, tiger, leopard and Asiatic black bear are among its larger inhabitants.