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John Harrison (1693– 1776) was a self-educated English carpenter and clockmaker. He invented the marine chronometer, a long-sought after device for solving the problem of establishing the East-West position or longitude of a ship at sea, thus revolutionising and extending the possibility of safe long-distance sea travel in the Age of Sail. The problem was considered so important, that the British Parliament offered financial rewards of up to £20,000 (£2.75 million) under the 1714 Longitude Act.
John Harrison (1693– 1776) was a self-educated English carpenter and clockmaker. He invented the marine chronometer, a long-sought after device for solving the problem of establishing the East-West position or longitude of a ship at sea, thus revolutionising and extending the possibility of safe long-distance sea travel in the Age of Sail. The problem was considered so important, that the British Parliament offered financial rewards of up to £20,000 (£2.75 million) under the 1714 Longitude Act.
The Tashrih al-aqvam ('An Account of Origins and Occupations of Some of the Sects, Castes, and Tribes of India') was completed in 1825. The text, a summary of the Vedas and Shastras, translated into Persian by Colonel James Skinner (1778–1841), is a survey of both Hindu and Muslim occupational groups and religious mendicants in the Delhi region and begins with an account of the house of Timur down to Akbar II (r. 1806–37).<br/><br/> Skinner commissioned Delhi artists to illustrate the album, the chief of them being Ghulam Ali Khan. The artist accompanied Skinner on his travels, and the watercolor portraits are probably all studies from life.
The studio of the artist Tingqua was perhaps the most prolific source of Chinese export painting during the nineteenth century. Located at 16 China Street, Guangzhou, the school specialized in gouache and watercolor paintings influenced by Western artistic traditions. These works became known in America primarily through the American China trader Augustine Heard, who brought a substantial collection of Tingqua paintings back to the United States in ca. 1855. These are now located at the Peabody Museum in Salem, Massachusetts.<br/><br/> Tingqua was from a family of Chinese artists, each of whom were recognized for there skills in painting scenes suitable for the export market. His father, Guan Zuolin, often known by his western name, Spoilum, was the first identifiable artist of the Cantonese export school.<br/><br/> Tingqua's work is perhaps most recognized for its exquisite characterization of daily life and for its exceptional detail. The precision of the brushwork and concentration upon light effects is superb, and in each scene the importance of world trade with China is beautifully displayed.
The important oasis of Yarkand (Shache) was once the seat of an ancient Buddhist Kingdom and an important caravanserai on the Southern Silk Road. Today it is a predominantly Uighur city with a population of 375,000 producing cotton, wheat, corn and fruit (notably pomegranates, pears and grapes) as well as oil and natural gas.<br/><br/>In times past Yarkand was of particular importance as the northern terminus for the strategically significant trade route to Leh, capital of Ladakh in Indian-administered Kashmir, across the Karakoram Pass (5,575m., 18,286 ft).
The important oasis of Yarkand (Shache) was once the seat of an ancient Buddhist Kingdom and an important caravanserai on the Southern Silk Road. Today it is a predominantly Uighur city with a population of 375,000 producing cotton, wheat, corn and fruit (notably pomegranates, pears and grapes) as well as oil and natural gas.<br/><br/>In times past Yarkand was of particular importance as the northern terminus for the strategically significant trade route to Leh, capital of Ladakh in Indian-administered Kashmir, across the Karakoram Pass (5,575m., 18,286 ft).
The important oasis of Yarkand (Shache) was once the seat of an ancient Buddhist Kingdom and an important caravanserai on the Southern Silk Road. Today it is a predominantly Uighur city with a population of 375,000 producing cotton, wheat, corn and fruit (notably pomegranates, pears and grapes) as well as oil and natural gas.<br/><br/>In times past Yarkand was of particular importance as the northern terminus for the strategically significant trade route to Leh, capital of Ladakh in Indian-administered Kashmir, across the Karakoram Pass (5,575m., 18,286 ft).
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
Hand-coloured illustration from a Japanese miscellany on traditional trades, crafts and customs in mid-18th century Japan, dated Meiwa Era (1764-1772) Year 6 (c. 1770 CE).
Palestine (Arabic: فلسطين‎ Filasṭīn, Falasṭīn, Filisṭīn; Greek: Παλαιστίνη, Palaistinē; Latin: Palaestina; Hebrew: פלשתינה Palestina) is a name given to the geographic region between the Mediterranean Sea and the Jordan River. The region is also known as the Land of Israel (Hebrew: ארץ־ישראל Eretz-Yisra'el), the Holy Land and the Southern Levant.<br/><br/> In 1832 Palestine was conquered by Muhammad Ali's Egypt, but in 1840 Britain intervened and returned control of the Levant to the Ottomans in return for further capitulations. The end of the 19th century saw the beginning of Zionist immigration and the Revival of the Hebrew language. The movement was publicly supported by Great Britain during World War I with the Balfour Declaration of 1917. The British captured Jerusalem a month later, and were formally awarded a mandate in 1922.<br/><br/> In 1947, following World War II and the Holocaust, the British Government announced their desire to terminate the Mandate, and the United Nations General Assembly voted to partition the territory into a Jewish state and an Arab state. The Jewish leadership accepted the proposal but the Arab Higher Committee rejected it; a civil war began immediately, and the State of Israel was declared in 1948.<br/><br/> The 1948 Palestinian exodus, known in Arabic as the Nakba (Arabic: النكبة‎, an-Nakbah, 'The Catastrophe') occurred when approximately 711,000 to 725,000 Palestinian Arabs fled or were expelled from their homes, during the 1948 Arab-Israeli War during which Israel captured and incorporated a further 26% of Palestinian territory.<br/><br/> In the course of the Six Day War in June 1967, Israel captured the remainder of historic Palestine and began a continuing policy of Israeli settlement and annexation.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
‘Thirty-six Views of Mount Fuji’ is an ‘ukiyo-e’ series of large, color woodblock prints by the Japanese artist Katsushika Hokusai (1760–1849). The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication.<br/><br/> Mount Fuji is the highest mountain in Japan at 3,776 m (12,389 ft). An active stratovolcano that last erupted in 1707–08, Mount Fuji lies about 100 km southwest of Tokyo. Mount Fuji's exceptionally symmetrical cone is a well-known symbol and icon of Japan and is frequently depicted in art and photographs. It is one of Japan's ‘Three Holy Mountains’ along with Mount Tate and Mount Haku.<br/><br/> Fuji is nowadays frequently visited by sightseers and climbers. It is thought that the first ascent was in 663 CE by an anonymous monk. The summit has been thought of as sacred since ancient times and was forbidden to women until the Meiji Era. Ancient samurai used the base of the mountain as a remote training area, near the present-day town of Gotemba.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to Southeast Asia between 1769 and 1781. He published this two-volume account of his voyage of 1774-81 in 1782.<br/><br/> Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular.<br/><br/> Volume 2 covers Sonnerat’s travels to China, Burma, Madagascar, the Maldives, Mauritius, Ceylon (present-day Sri Lanka), Indonesia, and the Philippines. The book is illustrated with engravings based on Sonnerat’s drawings. Among the most interesting illustrations are Sonnerat’s pictures of various Hindu deities. Sonnerat was also a dedicated ornithologist and bird collector, and the book describes and depicts a number of species that he was the first to identify.
Pierre Sonnerat (1748-1814) was a French naturalist and explorer who made several voyages to Southeast Asia between 1769 and 1781. He published this two-volume account of his voyage of 1774-81 in 1782.<br/><br/> Volume 1 deals exclusively with India, whose culture Sonnerat very much admired, and is especially noteworthy for its extended discussion of religion in India, Hinduism in particular.<br/><br/> Volume 2 covers Sonnerat’s travels to China, Burma, Madagascar, the Maldives, Mauritius, Ceylon (present-day Sri Lanka), Indonesia, and the Philippines. The book is illustrated with engravings based on Sonnerat’s drawings. Among the most interesting illustrations are Sonnerat’s pictures of various Hindu deities. Sonnerat was also a dedicated ornithologist and bird collector, and the book describes and depicts a number of species that he was the first to identify.