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The Second Sino-Japanese War (July 7, 1937 – September 9, 1945) was a military conflict fought primarily between the Republic of China and the Empire of Japan. After the Japanese attack on Pearl Harbor, the war merged into the greater conflict of World War II as a major front of what is broadly known as the Pacific War.<br/><br/> Although the two countries had fought intermittently since 1931, total war started in earnest in 1937 and ended only with the surrender of Japan in 1945. The war was the result of a decades-long Japanese imperialist policy aiming to dominate China politically and militarily and to secure its vast raw material reserves and other economic resources, particularly food and labour. Before 1937, China and Japan fought in small, localized engagements.<br/><br/> Yet the two sides, for a variety of reasons, refrained from fighting a total war. In 1931, the Japanese invasion of Manchuria by Japan's Kwantung Army followed the Mukden Incident. The last of these incidents was the Marco Polo Bridge Incident of 1937, marking the beginning of total war between the two countries.
Advertisement characteristic of 'Old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements.<br/><br/> In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
The <i>cheongsam</i> is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the <i>qipao</i>, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting <i>cheongsam</i> or <i>qipao</i> (<i>chipao</i>) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
'Portrait of a Woman'. Oil on canvas painting by Okada Saburosuke (1869-1939), 1936.<br/><br/> Okada Saburosuke (12 January 1869 - 23 September, 1939) was a Japanese yōga (Western-style) painter. He was influenced by great yōga painters such as Kuroda Seiki and Kume Keiichiro, and became one of the founding members of Hakuba-kai (White Horse Society), an artists' association. He was awarded the Order of Culture in 1937, the highest honour in the Japanese cultural world.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
International attention to Shanghai grew in the 19th century due to its economic and trade potential at the Yangtze River. During the First Opium War (1839–1842), British forces temporarily held the city. The war ended with the 1842 Treaty of Nanjing, opening Shanghai and other ports to international trade. In 1863, the British settlement, located to the south of Suzhou creek (Huangpu district), and the American settlement, to the north of Suzhou creek (Hongkou district), joined in order to form the International Settlement.<br/><br/>The French opted out of the Shanghai Municipal Council, and maintained its own French Concession. Citizens of many countries and all continents came to Shanghai to live and work during the ensuing decades; those who stayed for long periods called themselves 'Shanghailanders'. In the 1920s and 30s, some 20,000 so-called White Russians and Russian Jews fled the newly established Soviet Union and took up residence in Shanghai. By 1932, Shanghai had become the world's fifth largest city and home to 70,000 foreigners.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Book cover by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Book cover by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
The Arc-en-Ciel was arguably Saigon's top night spot during the 1940s and 1950s. Located in Saigon's twin city of Cholon on Jaccareo Avenue - today's Tan Da - it features prominently in Graham Greene's 'The Quiet American' as the taxi dance venue where Thomas Fowler met and wooed Phuong.
The Arc-en-Ciel was arguably Saigon's top night spot during the 1940s and 1950s. Located in Saigon's twin city of Cholon on Jaccareo Avenue - today's Tan Da - it features prominently in Graham Greene's 'The Quiet American' as the taxi dance venue where Thomas Fowler met and wooed Phuong.
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. Many of his images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
An image from the book 'Maskee' by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
From a series of drawings entitled 'Scenes from Shanghai Nightlife' portraying the the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
An image from the book 'Maskee' by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
An image by the Austrian artist Friedrich Schiff; who lived in Shanghai during the 1930s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress. One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly three miles long, with three women committing suicide during the event.
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress.<br/><br/> One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly three miles long, with three women committing suicide during the event.
Coloured drawing of Old Shanghai, vintage cartoon by Friedrich Schiff, an Austrian Jew who lived in Shanghai during the 1930s and 40s. In 1930 Schiff visited Shanghai and ended up living there until 1947 when he moved to Buenos Aires.
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
From a series of drawings entitled 'Scenes from Shanghai Nightlife' portraying the the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
An image from the book 'Maskee' by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
From a series of drawings entitled 'Scenes from Shanghai Nightlife' portraying the the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Shanghai (Chinese: 上 海; Pinyin Shànghǎi) is one of the largest cities by population in the People's Republic of China, and the world. The city is located in eastern China, at the middle portion of the Chinese coast, and sits at the mouth of the Yangtze River. Due to its rapid growth over the last two decades it has again become a global city, exerting influence over finance, commerce, fashion, technology and culture.<br/><br/> Once a fishing and textiles town, Shanghai grew in importance in the 19th century due to its favourable port location and was one of the cities opened to foreign trade by the 1842 Treaty of Nanking. The city then flourished as a centre of commerce between east and west, and became a multinational hub of finance and business in the 1930s. However, with the Communist Party takeover of the mainland in 1949, the city's international influence declined.<br/><br/> In 1990, the economic reforms introduced by Deng Xiaoping resulted in an intense re-development of the city, aiding the return of finance and foreign investment to the city. Shanghai is now aiming to be an international shipping centre in the future, and is one of the world's major financial centres.<br/><br/> Shanghai is also a popular tourist destination renowned for its historical landmarks such as The Bund, City God Temple and Yuyuan Garden, as well as the extensive and growing Pudong skyline. It is described as the 'showpiece' of the booming economy of mainland China.<br/><br/>
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress. One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly five kilometres (three miles) long, with three women committing suicide during the event.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements. In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
Illustration by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
A drawing by the Austrian artist Friedrich Schiff, who lived in Shanghai during the 1930s and 1940s. His images exemplify the 'anything goes' atmosphere and indulgence amidst poverty that characterised Old Shanghai and which would soon be brought to an abrupt end by Japanese invasion (1937) and Communist revolution (1949).
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
International attention to Shanghai grew in the 19th century due to its economic and trade potential at the Yangtze River. During the First Opium War (1839–1842), British forces temporarily held the city. The war ended with the 1842 Treaty of Nanjing, opening Shanghai and other ports to international trade. In 1863, the British settlement, located to the south of Suzhou creek (Huangpu district), and the American settlement, to the north of Suzhou creek (Hongkou district), joined in order to form the International Settlement. The French opted out of the Shanghai Municipal Council, and maintained its own French Concession.<br/><br/> Citizens of many countries and all continents came to Shanghai to live and work during the ensuing decades; those who stayed for long periods called themselves 'Shanghailanders'. In the 1920s and 30s, some 20,000 so-called White Russians and Russian Jews fled the newly established Soviet Union and took up residence in Shanghai. By 1932, Shanghai had become the world's fifth largest city and home to 70,000 foreigners.
International attention to Shanghai grew in the 19th century due to its economic and trade potential at the Yangtze River. During the First Opium War (1839–1842), British forces temporarily held the city. The war ended with the 1842 Treaty of Nanjing, opening Shanghai and other ports to international trade. In 1863, the British settlement, located to the south of Suzhou creek (Huangpu district), and the American settlement, to the north of Suzhou creek (Hongkou district), joined in order to form the International Settlement. The French opted out of the Shanghai Municipal Council, and maintained its own French Concession.<br/><br/> Citizens of many countries and all continents came to Shanghai to live and work during the ensuing decades; those who stayed for long periods called themselves 'Shanghailanders'. In the 1920s and 30s, some 20,000 so-called White Russians and Russian Jews fled the newly established Soviet Union and took up residence in Shanghai. By 1932, Shanghai had become the world's fifth largest city and home to 70,000 foreigners.
International attention to Shanghai grew in the 19th century due to its economic and trade potential at the Yangtze River. During the First Opium War (1839–1842), British forces temporarily held the city. The war ended with the 1842 Treaty of Nanjing, opening Shanghai and other ports to international trade. In 1863, the British settlement, located to the south of Suzhou creek (Huangpu district), and the American settlement, to the north of Suzhou creek (Hongkou district), joined in order to form the International Settlement. The French opted out of the Shanghai Municipal Council, and maintained its own French Concession.<br/><br/> Citizens of many countries and all continents came to Shanghai to live and work during the ensuing decades; those who stayed for long periods called themselves 'Shanghailanders'. In the 1920s and 30s, some 20,000 so-called White Russians and Russian Jews fled the newly established Soviet Union and took up residence in Shanghai. By 1932, Shanghai had become the world's fifth largest city and home to 70,000 foreigners.
Four Chinese female musicians playing from left to right; a sanxian, a pipa, an erxian and an erhu
The cheongsam is a body-hugging one-piece Chinese dress for women. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao, and is also known in English as a mandarin gown.<br/><br/> The stylish and often tight-fitting cheongsam or qipao (chipao) that is most often associated with today was created in the 1920s in Shanghai and was made fashionable by socialites and upperclass women.
Advertisement characteristic of 'old Shanghai' in the 1920-1940s, a trend started by American newspaperman Carl Crow who lived in Shanghai between 1911 and 1937, starting the first Western advertising agency in the city and creating much of what is thought of today as the 'sexy China Girl' poster and calendar advertisements.<br/><br/> In today's more liberal China, these are making a comeback and are widely considered minor works of art characteristic of 'Old Shanghai'.