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Consort Yang Yuhuan (1 June 719 — 15 July 756 CE), often known as Yang Guifei (Guifei being the highest rank for imperial consorts during her time), known briefly by the Taoist nun name Taizhen, is famous as one of the Four Beauties of ancient China.<br/><br/> She was the beloved consort of Emperor Xuanzong of Tang during his later years. During the Anshi Rebellion, as Emperor Xuanzong was fleeing from the capital Chang'an to Chengdu, she was killed because his guards blamed the rebellion on her powerful cousin Yang Guozhong and the rest of her family.<br/><br/> The story of Yang Guifei and the poem also became highly popular in Japan and served as sources of inspiration for the classical novel 'The Tale of Genji' which begins with the doomed love between an emperor and a consort, Kiritsubo, who is likened to Consort Yang.<br/><br/> A Japanese rumour states that Lady Yang was rescued, escaped to Japan and lived her remaining life there. In Japanese, she is known as Yokihi.
Chobunsai Eishi (1756–1829) was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were mostly bijin-ga portraits of beautiful women in a style akin to Kiyonaga and Utamaro.<br/><br/> He was a prolific painter, and from 1801 gave up print designing to devote himself to painting.
Chobunsai Eishi (1756-1829) was a Japanese <i>ukiyo-e</i> artist. Born Hosoda Tokitomi to a well-off samurai family from the prestigious Fujiwara clan, Eishi became family head when his father died in 1772, and from there he held a position in the palace of Shogun Tokugawa Ieharu.<br/><br/> Eishi appeared to have studied art under Kano Michinobu of the Kano school, and he left the official service of the Shogun in 1784 to pursue his artistic talents, giving up his samurai rank. His earliest works were <i>nishki-e</i> prints of literary fare such as 'The Tale of Genji', but he soon went to specialise in <i>bijinga</i> portraits of women. Eishi also occasionally illustrated books of <i>shunga</i> erotica. He abandoned woodblock printing for painting sometime after 1801.