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Palmanova is a town and municipality in northeastern Italy. It is an excellent example of a bastion / star fort of the design favoured in the Late Renaissance era. First built by the Venetians in 1593, the fort-town was designed by Vincenzo Scamozzi. A second phase of construction occurred between 1658 and 1690, with final fortifications completed under the Napoleonic domination of 1806-1813.
The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the <i>kaname-ishi</i> rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.<br/><br/> The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (<i>yonaoshi daimyojin</i>), sent by the gods to correct some of the imbalances in the world.<br/><br/> Catfish woodblock prints known as <i>namazu-e</i> became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.
The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the <i>kaname-ishi</i> rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.<br/><br/> The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (<i>yonaoshi daimyojin</i>), sent by the gods to correct some of the imbalances in the world.<br/><br/> Catfish woodblock prints known as <i>namazu-e</i> became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.
The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the <i>kaname-ishi</i> rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.<br/><br/> The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This lead to the Namazu being worshipped as a god of world rectification (<i>yonaoshi daimyojin</i>), sent by the gods to correct some of the imbalances in the world.<br/><br/> Catfish woodblock prints known as <i>namazu-e</i> became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.
The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the <i>kaname-ishi</i> rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.<br/><br/> The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This lead to the Namazu being worshipped as a god of world rectification (<i>yonaoshi daimyojin</i>), sent by the gods to correct some of the imbalances in the world.<br/><br/> Catfish woodblock prints known as <i>namazu-e</i> became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. They were quickly squashed by the Tokugawa Shogunate, the prints censored and destroyed, with only a handful surviving to this day.
The Communist Party of Germany (German: Kommunistische Partei Deutschlands, KPD) was a major political party in Germany between 1918 and 1933, and a minor party in West Germany in the postwar period until it was banned in 1956. In the 1920s it was called the 'Spartacists', since it was formed from the Spartacus League.<br/><br/> The poster art of the KPD differs from and in some ways predates Soviet-style Socialist Realism, exhibiting more expressionist and constructivist influences in its simplicity.
The Descours & Cabaud company was founded in Lyon in 1782 by César Dufournel. In 1884, a subsidiary was opened in Argentina and, in 1898, the company expanded into French Indochina.<br/><br/> As of 2015, Descours & Cabaud remains a leader in the marketing of supplies for industry and construction (Iron products, special products and wire construction, hardware, tools, industrial supplies, equipment personal protection, heating, sanitary, plumbing, water business, industrial components). The group released a turnover of 3.04 billion Euros in 2012 with 12,100 employees in Europe and the USA.
The Battle off Samar was the centermost action of the Battle of Leyte Gulf, one of the largest naval battles in history, which took place in the Philippine Sea off Samar Island, in the Philippines on October 25, 1944. As the only major action in the larger battle where the Americans were largely unprepared against the opposing forces, it has been cited by historians as one of the greatest military mismatches in naval history.<br/><br/> In the combined Battle of Leyte Gulf, 10,000 Japanese sailors and 3,000 Americans died. Although the battleship Yamato and the remaining force returned to Japan, the battles marked the final defeat of the Japanese Navy, as the ships remained in port for most of the rest of the war and ceased to be an effective naval force.
Tian Chi or ‘Heaven Lake’ is 110km east of Urumqi. The long, blue lake is at an altitude of 2,000m and lies in the lee of permanently snow-capped Bogda Feng, ‘The Peak of God’, at 5,445m the highest mountain in the eastern Tian Shan.<br/><br/> During the summer months Kazakh yurts cluster by the lake shore. In winter even the hardy Kazakhs move down to lower pastures.
The Han River is a major river in South Korea and the fourth longest river on the Korean peninsula after the Amnok, Duman, and Nakdong rivers. Along the banks of the river, especially in Seoul, pedestrian walkways and bicycle paths are available on both sides of the river.<br/><br/>The Han River and its surrounding area played an important role in Korean history. The Three Kingdoms of Korea strove to take control of this land, where the river was used as a trade route to China (via the Yellow Sea). However, the river is no longer actively used for navigation, because its estuary is located at the borders of the two Koreas, barred for entrance by any civilian.<br/><br/>During the Korean war, in an attempt to slow the North Korean approach, the South Korean military destroyed the Han Bridge, along with the hopes of thousands of citizens of escape.
Bamboo – more properly, bamboos, because the botanical subfamily Bambusoideae is divided by scientists into more than 75 genera and over a thousand species – are giant, fast-growing grasses that have woody stems. Indigenous to much of the world, from tropical and sub-tropical to mild temperate regions, there are species native to the Americas, to Europe and to Africa. But the greatest concentration and most spectacular flowering of bamboos by far is to be found in the Far East and Southeast Asia.
Bamboo – more properly, bamboos, because the botanical subfamily Bambusoideae is divided by scientists into more than 75 genera and over a thousand species – are giant, fast-growing grasses that have woody stems. Indigenous to much of the world, from tropical and sub-tropical to mild temperate regions, there are species native to the Americas, to Europe and to Africa. But the greatest concentration and most spectacular flowering of bamboos by far is to be found in the Far East and Southeast Asia.
Tian Chi or ‘Heaven Lake’ is 110km east of Urumqi. The long, blue lake is at an altitude of 2,000m and lies in the lee of permanently snow-capped Bogda Feng, ‘The Peak of God’, at 5,445m the highest mountain in the eastern Tian Shan.<br/><br/> During the summer months Kazakh yurts cluster by the lake shore. In winter even the hardy Kazakhs move down to lower pastures.
Noah (or Noe, Noach; Hebrew: נֹחַ, נוֹחַ, Modern Noaẖ Tiberian Nōăḥ; Arabic: نُوح Nūḥ; Greek: Νωέ; Macedonian: Ноа) was, according to the Hebrew Bible, the tenth and last of the antediluvian Patriarchs.<br/><br/> The biblical story of Noah is contained in chapters 6–9 of the book of Genesis, where he saves his family and representatives of all animals from the flood by constructing an ark. He is also mentioned as the 'first husbandman' and in the story of the Curse of Ham.<br/><br/> Noah is the subject of much elaboration in later Abrahamic traditions. Noah is also mentioned several times in the Qur'an.
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/> The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/> U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
Socialist realism is a style of realistic art which was developed in the Soviet Union and became a dominant style in other communist countries. Socialist realism is a teleologically-oriented style having its purpose the furtherance of the goals of socialism and communism. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern. Unlike social realism, socialist realism often glorifies the roles of the poor.
Socialist realism is a style of realistic art which was developed in the Soviet Union and became a dominant style in other communist countries. Socialist realism is a teleologically-oriented style having its purpose the furtherance of the goals of socialism and communism. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern. Unlike social realism, socialist realism often glorifies the roles of the poor.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Wat Buak Khrok Luang, located in Ban Buak Khrok Luang Moo 1, Chiang Mai – Sankamphaeng Road, Chiang Mai, is a small and typically northern Thai Buddhist temple. It is believed to have been founded in the 15th century during the time of the independent Lan Na Kingdom (1292-1558), and was extensively restored during the reign of Chao Kaew Naowarat (r.1911-1939), the last King of Chiang Mai.<br/><br/> The temple is chiefly noteworthy for its main viharn, which is purely Lan Na in inspiration, with a four-tiered roof and elegant naga balustrade entrance. The most remarkable aspect of the viharn is its extensive mural paintings, dating from around 1835 during the reign of Chao Phuttawong (r.1826-1846), the fourth ruler of the Chiang Mai Thipchang Dynasty. The murals, which are northern Thai in style with clear elements of Shan State and Konbaung Dynasty Burmese influence, are among the best in northern Thailand. They feature the jataka stories, past lives of the Buddha, and are interspersed with vernacular scenes from everyday early 19th century northern Thai life.
International attention to Shanghai grew in the 19th century due to its economic and trade potential at the Yangtze River. During the First Opium War (1839–1842), British forces temporarily held the city. The war ended with the 1842 Treaty of Nanjing, opening Shanghai and other ports to international trade. In 1863, the British settlement, located to the south of Suzhou creek (Huangpu district), and the American settlement, to the north of Suzhou creek (Hongkou district), joined in order to form the International Settlement.<br/><br/>The French opted out of the Shanghai Municipal Council, and maintained its own French Concession. Citizens of many countries and all continents came to Shanghai to live and work during the ensuing decades; those who stayed for long periods called themselves 'Shanghailanders'. In the 1920s and 30s, some 20,000 so-called White Russians and Russian Jews fled the newly established Soviet Union and took up residence in Shanghai. By 1932, Shanghai had become the world's fifth largest city and home to 70,000 foreigners.
Hagia Sophia (from the Greek 'Holy Wisdom'; Latin: Sancta Sophia or Sancta Sapientia; Turkish: Aya Sofya) is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as the cathedral of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Patriarch of Constantinople of the Western Crusader established Latin Empire. The building was a mosque from 29 May 1453 until 1934, when it was secularized. It was opened as a museum on 1 February 1935.
The term Samsui women broadly refers to a group of Chinese immigrants who came to Singapore between the 1920s and the 1940s in search of construction and industrial jobs. Their hard work contributed to Singapore's development, both as a colony and as a nation. The Samsui women came from Sanshui of Guangdong (Canton) Province in China, in addition to Shunde and Dongguan. Most Samsui women are Cantonese (90%) but there are Hakka (10%) as well. In Chinese, these women are referred to as 'Hong Toujin' , which translates as 'red bandana', a reference to the trademark red cloth hats that they wore.
The Han River is a major river in South Korea and the fourth longest river on the Korean peninsula after the Amnok, Duman, and Nakdong rivers. Along the banks of the river, especially in Seoul, pedestrian walkways and bicycle paths are available on both sides of the river.<br/><br/>The Han River and its surrounding area played an important role in Korean history. The Three Kingdoms of Korea strove to take control of this land, where the river was used as a trade route to China (via the Yellow Sea). However, the river is no longer actively used for navigation, because its estuary is located at the borders of the two Koreas, barred for entrance by any civilian.<br/><br/>During the Korean war, in an attempt to slow the North Korean approach, the South Korean military destroyed the Han Bridge, along with the hopes of thousands of citizens of escape.
Long Bien Bridge was built in 1903 by the architects of Dayde & Pille, a French company. It is a historic cantilever bridge that spans the Red River, some 2.5 km in length. From 1899 to 1902, more than 3,000 Vietnamese took part in the construction. Before Vietnam's independence in 1954, it was called the Doumer Bridge after Paul Doumer, the Governor-General of French Indochina and then French president. Defence of the bridge played a major role in the Vietnam War against the United States, as the bridge provided the only secure connection to the port of Haiphong. It was heavily bombarded and was rendered unusable for a year when, in May 1972, it fell victim to one of the first coordinated attacks using laser-guided 'smart bombs'. The defense of Long Bien Bridge continues to play a large role in Hanoi’s self-image and is often extolled in poetry and song.
China Burma India Theater (CBI) was the name used by the United States Army for its forces operating in conjunction with British and Chinese Allied air and land forces in China, Burma, and India during World War II.<br/><br/> Well-known US units in this theater included the Flying Tigers, transport and bomber units flying the Hump, the 1st Air Commando Group, the engineers who built Ledo Road, and the 5307th Composite Unit (Provisional), otherwise known as Merrill's Marauders.
The Perfume River crosses the city of Hue in the central Vietnamese province of Thua Thien Hue. In the autumn, flowers from orchards upriver fall into the water, giving it an aromatic smell—hence the name 'Perfume River'. The Perfume River has two sources, both of which begin in the Day Truong Son mountain range and meet at Bang Lang fork. The 30-km river passes the landmarks of the Hon Chen Temple and the Ngoc Tran Temple.
The Hurricane of 1900 made landfall on September 8, 1900, in the city of Galveston, Texas, in the United States. It had estimated winds of 145 miles per hour (233 km/h) at landfall, making it a Category 4 storm on the Saffir–Simpson Hurricane Scale. It was the deadliest hurricane in US history.<br/><br/> The hurricane caused great loss of life with the estimated death toll between 6,000 and 12,000 individuals; the number most cited in official reports is 8,000, giving the storm the third-highest number of deaths or injuries of any Atlantic hurricane, after the Great Hurricane of 1780 and 1998's Hurricane Mitch. The Galveston Hurricane of 1900 is the deadliest natural disaster ever to strike the United States.<br/><br/> The hurricane occurred before the practice of assigning official code names to tropical storms was instituted, and thus it is commonly referred to under a variety of descriptive names. Typical names for the storm include the Galveston Hurricane of 1900, the Great Galveston Hurricane, and, especially in older documents, the Galveston Flood. It is often referred to by Galveston locals as The Great Storm or The 1900 Storm.
The Great Leap Forward (simplified Chinese: 大跃进; traditional Chinese: 大躍進; pinyin: Dà yuè jìn) of the People's Republic of China (PRC) was an economic and social campaign of the Communist Party of China (CPC), reflected in planning decisions from 1958 to 1961, which aimed to use China's vast population to rapidly transform the country from an agrarian economy into a modern communist society through the process of rapid industrialization, and collectivization. Mao Zedong led the campaign based on the Theory of Productive Forces, and intensified it after being informed of the impending disaster from grain shortages.<br/><br/> Chief changes in the lives of rural Chinese included the introduction of a mandatory process of agricultural collectivization, which was introduced incrementally. Private farming was prohibited, and those engaged in it were labeled as counter revolutionaries and persecuted. Restrictions on rural people were enforced through public struggle sessions, and social pressure.<br/><br/> The Great Leap ended in catastrophe, resulting in tens of millions of excess deaths. Estimates of the death toll range from 18 million to at least 45 million.<br/><br/> In subsequent conferences in 1960 and 1962, the negative effects of the Great Leap Forward were studied by the CPC, and Mao was criticized in the party conferences. Moderate Party members like Liu Shaoqi and Deng Xiaoping rose to power, and Mao was marginalized within the party, leading him to initiate the Cultural Revolution in 1966.
Exposition poster art in Japan between approximately 1925 and 1941 mirrors the rapid militarisation of society and the growth of militarism, statism and fascism during the Showa Era.<br/><br/> In the 1920s expo poster art features elements of modern art and even Art Deco. Themes are whimsical and outward looking, representing Japan's growing importance and influence in the world of international commerce and art. By the 1930s this kind of poster art had grown much more bleak, less concerned with human themes and more directed towards statism and social control. Feminine imagery disappears to be replaced by wheels of industry, with distinct similarities to contemporary Nazi art in Fascist Germany.<br/><br/> From the outbreak of full scale hostilities with China through to Pearl Harbour and Japan's entry into World War II, ponderous, heavy machinery, marching soldiers, menacing guns and above all bomber aircraft combine to give the posters a crushing, inhuman, Orwellian aspect. This epitomises Japanese fascist art of the Showa Period.
Exposition poster art in Japan between approximately 1925 and 1941 mirrors the rapid militarisation of society and the growth of militarism, statism and fascism during the Showa Era.<br/><br/> In the 1920s expo poster art features elements of modern art and even Art Deco. Themes are whimsical and outward looking, representing Japan's growing importance and influence in the world of international commerce and art. By the 1930s this kind of poster art had grown much more bleak, less concerned with human themes and more directed towards statism and social control. Feminine imagery disappears to be replaced by wheels of industry, with distinct similarities to contemporary Nazi art in Fascist Germany.<br/><br/> From the outbreak of full scale hostilities with China through to Pearl Harbour and Japan's entry into World War II, ponderous, heavy machinery, marching soldiers, menacing guns and above all bomber aircraft combine to give the posters a crushing, inhuman, Orwellian aspect. This epitomises Japanese fascist art of the Showa Period.
The Aceh War, also known as the Dutch War or the Infidel War (1873–1914), was an armed military conflict between the Sultanate of Aceh and the Netherlands which was triggered by discussions between representatives of Aceh and the United Kingdom in Singapore during early 1873.<br/><br/> The war was part of a series of conflicts in the late 19th century that consolidated Dutch rule over modern-day Indonesia.