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Thanaka (also spelt thanakha) is a yellowish-white cosmetic paste made from ground bark. It is a distinctive feature of Myanmar (formerly Burma) seen commonly applied to the face and sometimes the arms of women and girls and to a lesser extent men and boys. The use of thanaka has also spread to neighboring countries including Thailand.<br/><br/> The earliest literary reference to thanaka is in a 14th century poem written by Mon-speaking King Razadarit's consort. Mentions of thanaka also exist in the 15th century literary works of Burmese monk-poet Shin Maharatthasara (1486-1529).<br/><br/> The wood of several trees may be used to produce thanaka cream; these trees grow abundantly in central Myanmar. They include principally <i>Murraya spp.</i> (<i>thanaka</i>), but also <i>Limonia acidissima</i> (<i>theethee</i> or wood apple).<br/><br/> Thanaka trees are perennials, and a tree must be at least 35 years old before it is considered mature enough to yield good-quality cuttings. Thanaka in its natural state is sold as small logs individually or in bundles, but nowadays also available as a paste or in powder form.<br/><br/> Thanaka cream has been used by Burmese women for over 2000 years. It has a fragrant scent somewhat similar to sandalwood. The creamy paste is applied to the face in attractive designs, the most common form being a circular patch on each cheek, sometimes made stripey with the fingers known as <i>thanaka bè gya</i>, or patterned in the shape of a leaf, often also highlighting the bridge of the nose with it at the same time.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
'Vanishing Cream' is a low- to heavy-viscosity topical preparation intended for application to unbroken skin.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
The Bamar, also called Burman, are the dominant ethnic group of Burma (Myanmar), constituting approximately two-thirds of the population.<br/><br/> The Bamar live primarily in the Irrawaddy basin, and speak the Burmese language, which is also the official language of Burma. Bamar customs and identity are closely intertwined with general Burmese customs and identity. The Bamar are frequently but inaccurately called Burmese, a term that in modern usage refers to a citizen of Burma of any ethnic background.<br/><br/> Thanaka (also spelt thanakha) is a yellowish-white cosmetic paste made from ground bark. It is a distinctive feature of Myanmar (formerly Burma) seen commonly applied to the face and sometimes the arms of women and girls and to a lesser extent men and boys. The use of thanaka has also spread to neighboring countries including Thailand.
Thanaka (also spelt thanakha) is a yellowish-white cosmetic paste made from ground bark. It is a distinctive feature of Myanmar (formerly Burma) seen commonly applied to the face and sometimes the arms of women and girls and to a lesser extent men and boys. The use of thanaka has also spread to neighboring countries including Thailand.<br/><br/> The earliest literary reference to thanaka is in a 14th century poem written by Mon-speaking King Razadarit's consort. Mentions of thanaka also exist in the 15th century literary works of Burmese monk-poet Shin Maharatthasara (1486-1529).<br/><br/> The wood of several trees may be used to produce thanaka cream; these trees grow abundantly in central Myanmar. They include principally Murraya spp. (thanaka), but also Limonia acidissima (theethee or wood apple). The two most popular are Shwebo thanaka from Sagaing Division and Shinmadaung thanaka from Magwe Division. A more recent contender sold as a paste is Taunggyi Maukme thanaka from southern Shan State. Thanaka trees are perennials, and a tree must be at least 35 years old before it is considered mature enough to yield good-quality cuttings. Thanaka in its natural state is sold as small logs individually or in bundles, but nowadays also available as a paste or in powder form.<br/><br/> Thanaka cream has been used by Burmese women for over 2000 years. It has a fragrant scent somewhat similar to sandalwood. The creamy paste is applied to the face in attractive designs, the most common form being a circular patch on each cheek, sometimes made stripey with the fingers known as thanaka bè gya, or patterned in the shape of a leaf, often also highlighting the bridge of the nose with it at the same time. It may be applied from head to toe (thanaka chi zoun gaung zoun). Apart from cosmetic beauty, thanaka also gives a cooling sensation and provides protection from sunburn. It is believed to help remove acne and promote smooth skin. It is also an anti-fungal.