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Fujiwara no Umakai was a diplomat during the reign of Empress Genshoand and a minister during the reign of Emperor Shomu. In the Imperial court, Umakai was the chief of protocol (Shikibu-kyo).<br/><br/>

In 716, together with Tajihi no Agatamori, Abe no Yasumaro and Otomo no Yamamori, Umakai participated in a Japanese diplomatic mission to Tang China in 717-718. Kibi no Makibi and the Buddhist monk Genbo were also part of the entourage.
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today.<br/><br/>

Now housed at the Isabella Stewart Gardner Museum in Boston, this painting reflects Bellini’s passion for Eastern cultures. Originally commissioned by Fatih Sultan Mehmet II in 1479 to go to Constantinople to paint portraits of the sultan for two years, the Venetian painter was strongly influenced by Ottoman traditions and fashions.
Guru Nanak (15 April 1469 – 22 September 1539) was the founder of the religion of Sikhism and the first of ten Sikh Gurus. Sikhs believe that all subsequent Gurus possessed Guru Nanak’s divinity and religious authority.
Fatehpur Sikri (the City of Victory) was built during the second half of the 16th century by the Emperor Akbar ((r. 1556-1605)). It was the capital of the Mughal Empire for 10 years.
The Tang was an imperial dynasty of China preceded by the Sui Dynasty and followed by the Five Dynasties and Ten Kingdoms Period.<br/><br/>

The Tang Dynasty, with its capital at Chang'an (present-day Xi'an), which at the time was the most populous city in the world, is generally regarded as a high point in Chinese civilization—equal to, or surpassing that of, the earlier Han Dynasty—a golden age of cosmopolitan culture. Its territory, acquired through the military campaigns of its early rulers, rivalled that of the Han Dynasty. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people.
Commissioned by Nuruddin Muhammad Jahangir; fourth Mughal emperor of Hindustan in Northern India; ca. 1620. This courtier was awarded a prestigious title for his valour and military success in the Mughal army. He is garbed in sumptuous clothing; as though standing at court in front of the emperor. Sundar Das received the title Raja Bikramajit; 'which among the Hindus is the highest'; he offers a gemstone between thumb and forefinger to curry the emperor’s favour.
Commissioned by Nuruddin Muhammad Jahangir, fourth Mughal emperor of Hindustan in Northern India, ca. 1620.
These two courtiers were awarded prestigious titles for their valour and military success in the Mughal army. They are garbed in sumptuous clothing, as though standing at court in front of the emperor. On the left, Sundar Das received the title Raja Bikramajit, 'which among the Hindus is the highest'; he offers a gemstone between thumb and forefinger to curry the emperor’s favour. Maharaja Bhim Kunwar stands at right, equally well dressed: his richly embroidered pants and sash were gifts from the emperor, seeking to keep him in service.
Commissioned by Nuruddin Muhammad Jahangir; fourth Mughal emperor of Hindustan in Northern India; ca. 1620. This courtier was awarded a prestigious title for his valour and military success in the Mughal army. He is garbed in sumptuous clothing; as though standing at court in front of the emperor.
Zahir ud-din Muhammad Babur (1483—1530-1) was a Muslim conqueror from Central Asia who succeeded in laying the basis for the Mughal dynasty of India. He was a direct descendant of Timur (Tamerlane) and of Genghis Khan. Babur identified his lineage as Timurid and Chaghatay-Turkic, while his origin, milieu, training and culture were steeped in Persian culture. He was largely responsible for the expansion of Persian cultural influence in the Indian subcontinent, with brilliant literary, artistic, and historiographical results.
The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century AD, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb. The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars. The paintings are designated as a national treasure of Japan. For whom the tomb was built is unknown, but the decorations suggest it is for a member of the Japanese royal family or a high-ranking nobleman.
The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb.<br/><br/>

The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars. The paintings are designated as a national treasure of Japan. For whom the tomb was built is unknown, but the decorations suggest it is for a member of the Japanese royal family or a high-ranking nobleman.
The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb.<br/><br/>

The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars. The paintings are designated as a national treasure of Japan. For whom the tomb was built is unknown, but the decorations suggest it is for a member of the Japanese royal family or a high-ranking nobleman.
The Takamatsuzuka Tomb (Takamatsuzuka Kofun or 'Tall Pine Tree Ancient Burial Mound' is an ancient circular tomb in Asuka village, Nara prefecture, Japan. Dating from the 6th-7th century CE, it contains painted fresco wall paintings of courtiers in Goguryeo-style garb.<br/><br/>

The paintings are in full color with red, blue, gold, and silver foil representing four male followers and four abigails together with the Azure Dragon, Black Tortoise, White Tiger, and Vermilion Bird groups of stars. The paintings are designated as a national treasure of Japan. For whom the tomb was built is unknown, but the decorations suggest it is for a member of the Japanese royal family or a high-ranking nobleman.
Phowintaung (also variously romanised as Hpowindaung, Powintaung, Po Win Taung) is a Buddhist cave complex located approximately 25 kilometers west of Monywa and 10 kilometers southeast of Yinmabin, in Yinmabin Township, Monywa District, Sagaing Region, Northern Burma (Myanmar). It is located on the western bank of the Chindwin River.<br/><br/>

The name of the complex means 'Mountain of Isolated Solitary Meditation'. The complex contains 947 small and large richly decorated caves. It is carved into a sandstone outcrop and contains numerous carved Buddha statues and mural paintings of geometric patterns and Jataka stories. The statues and paintings have been dated to between the 14th and 18th centuries.