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The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
The <i>Anwar-i Suhayli</i> or 'The Lights of Canopus', commonly known as the <i>Fables of Bidpai</i> in the West, is a Persian version of the ancient Indian collection of animal fables, the <i>Panchatantra</i>. It tells a tale of a Persian physician, Burzuyah, and his mission to India, where he stumbles upon a book of stories collected from the animals who reside there.<br/><br/> In a similar vein to the <i>Arabian Nights</i>, the fables in the manuscript are inter-woven as the characters of one story recount the next, leading up to three or four degrees of narrative embedding. Many usually have morals or offer philosophical glimpses into human behaviour, emphasising loyalty and teamwork.
Xianhe Tongzi, also known as Bai He Tong Zi or 'White Crane Immortal Boy', was a character in the classic Ming Dynasty novel 'Fengshen Yanyi'. As his name suggests, Xianhe Tongzi was an immortal who could transform into an immortal crane.<br/><br/> He practiced Taoist cultivation on the mythical Kun Lun Mountain, and was said to be the only animal disciple that Yuanshi Yianzun, one of the highest deities in Taoism, accepted under his wing. Xianhe Tongzi is worshipped in temples and shrines as a spiritual power for getting rid of negative forces, as well as a deity of bravery, determination, intelligence and wisdom.
Nha Trang is a coastal city and capital of Khanh Hoa province, on the South Central Coast of Vietnam. Historically, the city was known as Kauthara under the Champa. The city is still home to the famous Po Nagar Tower built by the Champa. Being a coastal city, Nha Trang is a centre for marine science based at the Nha Trang Oceanography Institute.
China: Goods being transported on the Huangpu Jiang (Huangpu River) from the Yangzi (Yangtze) River, Shanghai. Shanghai began life as a fishing village, and later as a port receiving goods carried down the Yangzi River. From 1842 onwards, in the aftermath of the first Opium War, the British opened a ‘concession’ in Shanghai where traders could operate undisturbed. French, Italians, Germans, Americans and Japanese all followed. By the 1920s and 1930s, Shanghai was a boom town. When the Communists won power in 1949, they transformed Shanghai into a model of the Revolution.
Shangguan Zhou, style name Wenzuo and sobriquet Zhuzhuang, was a native of Changting, Fujian Province. He specialized in landscapes and portraits.
China: Coal and other goods being transported on the Huangpu Jiang (Huangpu River) from the Yangzi (Yangtze) River, Shanghai. Shanghai began life as a fishing village, and later as a port receiving goods carried down the Yangzi River. From 1842 onwards, in the aftermath of the first Opium War, the British opened a ‘concession’ in Shanghai where traders could operate undisturbed. French, Italians, Germans, Americans and Japanese all followed. By the 1920s and 1930s, Shanghai was a boom town. When the Communists won power in 1949, they transformed Shanghai into a model of the Revolution.
<i>Hikifuda</i> are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper.<br/><br/> While <i>hikifuda</i> began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
China: Goods being transported on the Huangpu Jiang (Huangpu River) from the Yangzi (Yangtze) River, Shanghai. Shanghai began life as a fishing village, and later as a port receiving goods carried down the Yangzi River. From 1842 onwards, in the aftermath of the first Opium War, the British opened a ‘concession’ in Shanghai where traders could operate undisturbed. French, Italians, Germans, Americans and Japanese all followed. By the 1920s and 1930s, Shanghai was a boom town. When the Communists won power in 1949, they transformed Shanghai into a model of the Revolution.
China: Goods being transported on the Huangpu Jiang (Huangpu River) from the Yangzi (Yangtze) River, Shanghai. Shanghai began life as a fishing village, and later as a port receiving goods carried down the Yangzi River. From 1842 onwards, in the aftermath of the first Opium War, the British opened a ‘concession’ in Shanghai where traders could operate undisturbed. French, Italians, Germans, Americans and Japanese all followed. By the 1920s and 1930s, Shanghai was a boom town. When the Communists won power in 1949, they transformed Shanghai into a model of the Revolution.
He Xiangu, sometimes written as He Xian Gu and born as He Qiong, is a Chinese mythological character and one of the Eight Immortals in the Daoist pantheon. She is often portrayed as the only woman among the Eight Immortals, though sometimes Lan Caihe's sex is portrayed somewhat ambigiously. He Xiangu is said to have been born and lived during the Tang Dynasty.<br/><br/> He Xiangu was the daughter of He Tai, a man from Guangzhou, and she was born with six long hairs on the crown of her head. When she was around 14 or 15 years old, she was visited in her dreams by a divine persoange who instructed her to eat powdered mica, so that her body could become etherealised and immune from death. She eventually ascended to Heaven in broad daylight, becoming a <i>xian</i> (immortal).<br/><br/> He Xiangu is often depicted holding a lotus flower, which improves one's physical and mental health. She also sometimes carries a musical instrument known as a 'sheng' or a 'fenghuang', and can also be depicted with a bamboo ladle or a fly-whisk.
Walter Crane (15 August 1845 – 14 March 1915) was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children’s book creator of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the latter 19th century.<br/><br/> Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the Arts and Crafts movement and produced an array of paintings, illustrations, children's books, ceramic tiles and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international Socialist movement.
The Temple of Literature or Van Mieu is one of Vietnam’s foremost cultural treasures. Founded in 1070 by King Ly Thanh Tong of the Early Ly Dynasty, the temple was originally dedicated both to Confucius and to Chu Cong, a member of the Chinese royal family credited with originating many of the teachings that Confucius developed five hundred years later. The site was selected by Ly Dynasty geomancers to stand in harmony with the Taoist Bich Cau temple and the Buddhist One Pillar Pagoda, representing the three major fonts of Vietnamese tradition.<br/><br/> Six years later, in 1076, the Quoc Tu Giam, or ‘School for the Sons of the Nation’, was established at the same location when King Ly Nhan Tong (1072-1127) established Vietnam’s first university. The tradition of Confucian education flourished at the Temple of Literature, with the custom of offering a cloak to successful candidates beginning in 1374, whilst in 1484 the first stele bearing the names of doctoral graduates was erected.
Okumura Masanobu (Japanese: 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction.<br/><br/> At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ('pictures of beautiful women').
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/> The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/> U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
The Temple of Literature or Van Mieu is one of Vietnam’s foremost cultural treasures. Founded in 1070 by King Ly Thanh Tong of the Early Ly Dynasty, the temple was originally dedicated both to Confucius and to Chu Cong, a member of the Chinese royal family credited with originating many of the teachings that Confucius developed five hundred years later. The site was selected by Ly Dynasty geomancers to stand in harmony with the Taoist Bich Cau temple and the Buddhist One Pillar Pagoda, representing the three major fonts of Vietnamese tradition.<br/><br/> Six years later, in 1076, the Quoc Tu Giam, or ‘School for the Sons of the Nation’, was established at the same location when King Ly Nhan Tong (1072-1127) established Vietnam’s first university. The tradition of Confucian education flourished at the Temple of Literature, with the custom of offering a cloak to successful candidates beginning in 1374, whilst in 1484 the first stele bearing the names of doctoral graduates was erected.
An Zhengwen (Wade–Giles: An Cheng-wen, date of birth and death unknown) was an imperial Chinese painter during the Ming Dynasty (1368–1644). An was born in Wuxi and was known for painting people, landscapes, and buildings.<br/><br/> Yellow Crane Tower (Huáng Hè Lóu) is a famous and historic tower, first built in the year 223 AD, the current structure however, was rebuilt in 1981. The tower stands on Sheshan (Snake Hill), at the bank of Yangtze River in the Wuchang District, of the city of Wuhan, in Hubei province of central China.
Yellow Crane Tower (Huáng Hè Lóu) is a famous and historic tower, first built in the year 223 CE, the current structure however, was rebuilt in 1981. The tower stands on Sheshan (Snake Hill), at the bank of Yangtze River in the Wuchang District, of the city of Wuhan, in Hubei province of central China.
‘Thirty-six Views of Mount Fuji’ is an ‘ukiyo-e’ series of large, color woodblock prints by the Japanese artist Katsushika Hokusai (1760–1849). The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication.<br/><br/> Mount Fuji is the highest mountain in Japan at 3,776 m (12,389 ft). An active stratovolcano that last erupted in 1707–08, Mount Fuji lies about 100 km southwest of Tokyo. Mount Fuji's exceptionally symmetrical cone is a well-known symbol and icon of Japan and is frequently depicted in art and photographs. It is one of Japan's ‘Three Holy Mountains’ along with Mount Tate and Mount Haku.<br/><br/> Fuji is nowadays frequently visited by sightseers and climbers. It is thought that the first ascent was in 663 CE by an anonymous monk. The summit has been thought of as sacred since ancient times and was forbidden to women until the Meiji Era. Ancient samurai used the base of the mountain as a remote training area, near the present-day town of Gotemba.
The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art.<br/><br/> The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a boat, and the Emperor hunting), on the Southern Wall Samarkand (the Iranian world: a religious funerary procession in honor of the ancestors during the Nowruz festival), on the eastern wall India (as the land of the astrologers and of the pygmies, but the painting is much destroyed there).<br/><br/> The topic on the main wall, the western wall facing the entrance is debated between specialists. Turkish soldiers are escorting ambassadors coming from various countries of the world (Korea, China, Iranian principalities, etc). There are three main hypotheses. The leading expert on Sogdian painting, the excavator of Panjikent, B. Marshak points out that Sogdian painting, gods are always depicted on the top of the main wall. However, as the Turks are guiding the embassies but are not themselves ambassadors, it has been suggested also that the Turkish Qaghan, then lord of inner and central Asia, might be depicted there.<br/><br/> A Chinese text states that the 'Four Lords of the World', here China, India, Iran and Turan, are depicted on the walls of palaces near Samarkand precisely during this period, and this would perfectly fit the four walls of this room. The last hypothesis makes use of an inscription mentioning the king of Samarkand to propose the idea that the ambassadors are presenting their gifts to him.