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The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.
The Ouroboros or Uroborus is an ancient symbol depicting a serpent or dragon eating its own tail.<br/><br/> The Ouroboros often represents self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself, the eternal return, and other things perceived as cycles that begin anew as soon as they end (compare with phoenix). It can also represent the idea of primordial unity related to something existing in or persisting from the beginning with such force or qualities it cannot be extinguished. While first emerging in Ancient Egypt, the Ouroboros has been important in religious and mythological symbolism, but has also been frequently used in alchemical illustrations, where it symbolizes the circular nature of the alchemist's opus. It is also often associated with Gnosticism, and Hermeticism.
Minoan civilization was a Bronze Age civilization that arose on the island of Crete, came to dominate the shores and islands of the Aegean Sea, and flourished as a maritime power from approximately the 27th century BCE to the 15th century BCE.<br/><br/> It was rediscovered at the beginning of the 20th century by British archaeologist Arthur Evans. Will Durant referred to it as 'the first link in the European chain'. Archaeological evidence points to the island's settlement between the late 8th and early 7th millennia BCE. However, it was not until 5000 BCE that the first signs of advanced agriculture appeared. Minoan civilization is considered to have begun with the palace complexes that appeared in the Bronze Age.
The Roman mythographer Julius Pollux, writing in the 2nd century BCE, asserts (Onomasticon I, 45–49) that Purple Tyrian dye was first discovered by Heracles, or rather, by his dog, whose mouth was stained purple from chewing on snails along the coast of the Levant.
Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός), also known as Labyrinth, or Knossos Palace, is the largest Bronze Age archaeological site on Crete and probably the ceremonial and political centre of the Minoan civilization and culture. The palace appears as a maze of workrooms, living spaces, and store rooms close to a central square.<br/><br/> Detailed images of Cretan life in the late Bronze Age are provided by images on the walls of this palace. It is also a tourist destination today, as it is near the main city of Heraklion and has been substantially restored by archaeologist Arthur Evans.<br/><br/> The city of Knossos remained important through the Classical and Roman periods, but its population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makryteikhos or 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site situated in the suburbs of Heraklion.
Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός), also known as Labyrinth, or Knossos Palace, is the largest Bronze Age archaeological site on Crete and probably the ceremonial and political centre of the Minoan civilization and culture. The palace appears as a maze of workrooms, living spaces, and store rooms close to a central square.<br/><br/> Detailed images of Cretan life in the late Bronze Age are provided by images on the walls of this palace. It is also a tourist destination today, as it is near the main city of Heraklion and has been substantially restored by archaeologist Arthur Evans.<br/><br/> The city of Knossos remained important through the Classical and Roman periods, but its population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makryteikhos or 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site situated in the suburbs of Heraklion.
Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός), also known as Labyrinth, or Knossos Palace, is the largest Bronze Age archaeological site on Crete and probably the ceremonial and political centre of the Minoan civilization and culture. The palace appears as a maze of workrooms, living spaces, and store rooms close to a central square.<br/><br/> Detailed images of Cretan life in the late Bronze Age are provided by images on the walls of this palace. It is also a tourist destination today, as it is near the main city of Heraklion and has been substantially restored by archaeologist Arthur Evans.<br/><br/> The city of Knossos remained important through the Classical and Roman periods, but its population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makryteikhos or 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site situated in the suburbs of Heraklion.
Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός), also known as Labyrinth, or Knossos Palace, is the largest Bronze Age archaeological site on Crete and probably the ceremonial and political centre of the Minoan civilization and culture. The palace appears as a maze of workrooms, living spaces, and store rooms close to a central square.<br/><br/> Detailed images of Cretan life in the late Bronze Age are provided by images on the walls of this palace. It is also a tourist destination today, as it is near the main city of Heraklion and has been substantially restored by archaeologist Arthur Evans.<br/><br/> The city of Knossos remained important through the Classical and Roman periods, but its population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makryteikhos or 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site situated in the suburbs of Heraklion.
Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός), also known as Labyrinth, or Knossos Palace, is the largest Bronze Age archaeological site on Crete and probably the ceremonial and political centre of the Minoan civilization and culture. The palace appears as a maze of workrooms, living spaces, and store rooms close to a central square.<br/><br/> Detailed images of Cretan life in the late Bronze Age are provided by images on the walls of this palace. It is also a tourist destination today, as it is near the main city of Heraklion and has been substantially restored by archaeologist Arthur Evans.<br/><br/> The city of Knossos remained important through the Classical and Roman periods, but its population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makryteikhos or 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site situated in the suburbs of Heraklion.