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Hu Sheng was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. Hu Sheng was a general who, alongside Hu Lei, replaced the Mo Generals as the commanders of Good Dream Pass after they were killed by Huang Tianhua. Hu Sheng was later executed on the orders of the legendary sage Jiang Ziya.
Mo Lihong was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. One of the four Mo Generals who guarded Good Dream Pass, Mo Lihong served King Zhou of Shang alongside his brothers. When the Shang army and Zhou army fought each other, Mo Lihong joined the battle on the Shang side. He, alongside his brothers, was eventually killed by Huang Tianhua.
Mo Liqing was a character from the classic Ming Dynasty novel 'Fengshen Yanyi'. One of the four Mo Generals who guarded Good Dream Pass, Mo Liqing served King Zhou of Shang alongside his brothers. When the Shang army and Zhou army fought each other, Mo Liqing joined the battle on the Shang side. He, alongside his brothers, was eventually killed by Huang Tianhua.
<i>The History of the True Cross</i> or <i>The Legend of the True Cross</i> is a sequence of frescoes painted by Piero della Francesca in the Basilica of San Francesco in Arezzo. It is his largest work, and generally considered one of his finest, and an early Renaissance masterpiece.<br/><br/> Its theme, derived from the popular 13th century book on the lives of saints by Jacopo da Voragine, the <i>Golden Legend</i>, is the triumph of the True Cross – the legend of the wood from the Garden of Eden becoming the Cross on which Jesus Christ was crucified. This work demonstrates Piero’s advanced knowledge of perspective and colour, his geometric orderliness and skill in pictorial construction.
Kitagawa Utamaro was a Japanese artist. He is one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women, or bijin-ga. He also produced nature studies, particularly illustrated books of insects.<br/><br/> Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated. The reference to the 'Japanese influence' among these artists often refers to the work of Utamaro.
The Dream of the Fisherman's Wife (蛸と海女 Tako to ama, literally Octopi and shell diver), also known as Girl Diver and Octopi, Diver and Two Octopi, etc., is a zoophilia-associated woodcut design of the ukiyo-e genre by the Japanese artist Hokusai.<br/><br/>It is from the book Kinoe no Komatsu ('Young Pines'), a three-volume book of shunga erotica first published in 1814, and is the most famous shunga Hokusai ever produced. Playing with themes popular in Japanese art, it depicts a young ama pearl-diver woman entwined sexually with a pair of octopuses.<br/><br/>The larger of the two mollusks performs cunnilingus on her, while the smaller one, his son, assists on the left by fondling her mouth and nipple. In the text above the image the woman and the creatures express their mutual sexual pleasure from the encounter.<br/><br/>Katsushika Hokusai (葛飾 北斎, October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 Fugaku Sanjūroku-kei, c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s.
In a dream, the Daughter of the Dragon King appeared to Minamoto Mitsunaka (912-997), father of Yorimitsu and founder of the Tada Genji lineage (1886).<br/><br/> Toyohara Chikanobu (豊原周延) (1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/> In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced nishiki-e artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e.<br/><br/> Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the mie (formal pose) of kabuki productions.<br/><br/> Chikanobu was known as a master of bijinga, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
Dream of the Red Chamber (pinyin: Hóng Lóu Mèng; Wade–Giles: Hung Lou Meng), composed by Cao Xueqin, is one of China's Four Great Classical Novels. It was composed sometime in the middle of the 18th century during the Qing Dynasty. It is a masterpiece of Chinese vernacular literature and is generally acknowledged to be the pinnacle of classical Chinese novels.<br/><br/> Red Chamber is believed to be semi-autobiographical, mirroring the fortunes of author Cao Xueqin's own family. As the author details in the first chapter, it is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.
Dream of the Red Chamber (pinyin: Hóng Lóu Mèng; Wade–Giles: Hung Lou Meng), composed by Cao Xueqin, is one of China's Four Great Classical Novels. It was composed sometime in the middle of the 18th century during the Qing Dynasty. It is a masterpiece of Chinese vernacular literature and is generally acknowledged to be the pinnacle of classical Chinese novels.<br/><br/> Red Chamber is believed to be semi-autobiographical, mirroring the fortunes of author Cao Xueqin's own family. As the author details in the first chapter, it is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.
Dream of the Red Chamber (pinyin: Hóng Lóu Mèng; Wade–Giles: Hung Lou Meng), composed by Cao Xueqin, is one of China's Four Great Classical Novels. It was composed sometime in the middle of the 18th century during the Qing Dynasty. It is a masterpiece of Chinese vernacular literature and is generally acknowledged to be the pinnacle of classical Chinese novels.<br/><br/> Red Chamber is believed to be semi-autobiographical, mirroring the fortunes of author Cao Xueqin's own family. As the author details in the first chapter, it is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.
The Bakemono Zukushi handscroll, painted in the Edo period (18th-19th century) by an unknown artist, depicts 24 traditional monsters that traditionally haunt people and localities in Japan.
'The Dream and Lie of Franco' is a series of two sheets of prints, comprising 18 individual images, and an accompanying prose poem, by Pablo Picasso produced in 1937. The sheets each contain nine images arranged in a 3x3 grid. The first 14, in etching and aquatint, are dated 8 January 1937. The remaining 4 images were added to the second printing plate later, without use of aquatint, and dated June 7, 1937.<br/><br/> 'The Dream and Lie of Franco' is significant as Picasso's first overtly political work and prefigures his iconic political painting 'Guernica'. The etchings satirise Spanish Generalísimo Francisco Franco's claim to represent and defend conservative Spanish culture and values by showing him in various ridiculous guises destroying Spain and its culture while the poem denounces 'evil-omened polyps'. Three of the four images added in June 1937 are directly related to studies for 'Guernica'.<br/><br/> The individual images were originally intended to be published as postcards to raise funds for the Spanish Republican government, and sold at the Spanish Pavilion of the 1937 World's Fair, although it is unclear whether any prints were made or sold in postcard format.
Socialist realism is a style of realistic art that was developed in the Soviet Union and became a dominant style in other socialist countries. Socialist realism is a teleologically-oriented style having as its purpose the furtherance of the goals of socialism and communism.
Socialist realism is a style of realistic art that was developed in the Soviet Union and became a dominant style in other socialist countries. Socialist realism is a teleologically-oriented style having as its purpose the furtherance of the goals of socialism and communism.