Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
A camel is an even-toed ungulate within the genus Camelus, bearing distinctive fatty deposits known as humps on its back. There are two species of camel: Dromedary, or one-humped camels, which are native to the Middle East and the Horn of Africa; and Bactrian, or two-humped camels, which inhabit Central Asia. Both species have been domesticated; they provide milk and meat, and are working animals
A camel is an even-toed ungulate within the genus Camelus, bearing distinctive fatty deposits known as humps on its back. There are two species of camel: Dromedary, or one-humped camels, which are native to the Middle East and the Horn of Africa; and Bactrian, or two-humped camels, which inhabit Central Asia. Both species have been domesticated; they provide milk and meat, and are working animals
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
This bas-relief was excavated in northern Syria at the site of Tell Halaf, the capital of a small independent city-state known as Guzana, which was conquered by the Assyrians in the late 9th century BC.<br/><br/> More than two hundred such stone reliefs (styled orthostats) decorated the façade of a temple-palace built in the 10th century BCE by a local ruler named Kapara. He reused the blocks from one or more pre-existing structures and carved an inscription in cuneiform on each one statings, 'Palace of Kapara, son of Hadianu'. The blocks were placed so that limestone ones painted red alternated with others of black basalt.<br/><br/> In this image, a rider sits atop the hump of a dromedary camel, driving it on with a staff. Crossed leather or cloth bands fasten the saddle to the animal. The image represents an Arab caravan trader. The domestication of dromedaries shortly before the beginning of the first millenium BCE made the caravan trade possible. This relief from Tell Halaf may be the earliest representation of such a dromedary rider.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
The Kitab al-Bulhan is an Arabic manuscript of divinatory works, dating principally from the late 14th century A.D., containing astrological, astronomical and geomantic texts compiled by Abd al-Hasan Al-Isfahani, containing more than 80 illustrations.
The Isle of Graia, also know as Pharaoh's Island, is an island in the northern Gulf of Aqaba off the shore of Egypt's eastern Sinai Peninsula.
Palestine (Arabic: فلسطين‎ Filasṭīn, Falasṭīn, Filisṭīn; Greek: Παλαιστίνη, Palaistinē; Latin: Palaestina; Hebrew: פלשתינה Palestina) is a name given to the geographic region between the Mediterranean Sea and the Jordan River. The region is also known as the Land of Israel (Hebrew: ארץ־ישראל Eretz-Yisra'el), the Holy Land and the Southern Levant.<br/><br/> In 1832 Palestine was conquered by Muhammad Ali's Egypt, but in 1840 Britain intervened and returned control of the Levant to the Ottomans in return for further capitulations. The end of the 19th century saw the beginning of Zionist immigration and the Revival of the Hebrew language. The movement was publicly supported by Great Britain during World War I with the Balfour Declaration of 1917. The British captured Jerusalem a month later, and were formally awarded a mandate in 1922.<br/><br/> In 1947, following World War II and the Holocaust, the British Government announced their desire to terminate the Mandate, and the United Nations General Assembly voted to partition the territory into a Jewish state and an Arab state. The Jewish leadership accepted the proposal but the Arab Higher Committee rejected it; a civil war began immediately, and the State of Israel was declared in 1948.<br/><br/> The 1948 Palestinian exodus, known in Arabic as the Nakba (Arabic: النكبة‎, an-Nakbah, 'The Catastrophe') occurred when approximately 711,000 to 725,000 Palestinian Arabs fled or were expelled from their homes, during the 1948 Arab-Israeli War during which Israel captured and incorporated a further 26% of Palestinian territory.<br/><br/> In the course of the Six Day War in June 1967, Israel captured the remainder of historic Palestine and began a continuing policy of Israeli settlement and annexation.
South Arabia as a general term refers to several regions as currently recognized, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighboring dialects of Arabic, and their descendants. Anciently there was a South Arabian alphabet, which was borrowed by Ethiopia. South Arabia as generally conceived would include the lands inhabited by peoples partaking of its distinctive traditions and culture, which overlap recently demarcated political boundaries.<br/><br/> Yemen or al-yaman means 'the south'. One etymology derives Yemen from yamin the 'right side' as the south is on the right when facing the sunrise; yet this etymology is considered suspect. Another derives Yemen from yumn meaning 'felicity' as the region is fertile; indeed the Romans called it Arabia Felix. In an ancient, traditional Arabian genealogy, the people of the peninsula are divided between north and south, those of the north descending from Ishmael and Adnan (from whom Muhammad descended), and those of South Arabia being the descendants of Qahtan or Joktan (Yoqtan) and Jokshan.<br/><br/> Three thousand years ago several different state entities occupied the region of South Arabia, including M'ain, Qataban, Hadhramaut and Saba.In those ancient times South Arabia claimed several notable features, e.g., the famous dam at Marib, the cosmopolitan incense trade, as well as the legendary Queen of Sheba. Two thousand years ago the Himyarites became the masters of South Arabia, remaining for several centuries until displaced by the armies of Axum which landed from nearby Ethiopia; rule by the Ethiopians was followed by that of Persia under the Sassanids, who also arrived by sea. A half-century later, in the year 638, the region became Muslim.