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Kisaeng (also spelled gisaeng), sometimes called ginyeo, were female official prostitutes or entertainers. Kisaeng are artists who work to entertain others, such as the yangban aristocracy and kings.<br/><br/> First appearing in the Goryeo Dynasty, kisaeng were legally entertainers of the government, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained, and frequently accomplished in the fine arts, poetry, and prose, although their talents were often ignored due to their inferior social status.<br/><br/> Women of the kisaeng class performed various roles, although they were all of the same low status in the eyes of yangban society. Aside from entertainment, these roles included medical care and needlework. In some cases, such as at army bases, kisaeng were expected to fill several such roles.<br/><br/> Kisaeng, both historic and fictional, play an important role in Korean conceptions of the traditional culture of the Joseon Dynasty. Some of Korea's oldest and most popular stories, such as the tale of Chunhyang, feature kisaeng as heroines. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as talent or loyalty. The most famous of these is the 16th-century kisaeng Hwang Jin-i.
Kisaeng (also spelled gisaeng), sometimes called ginyeo, were female official prostitutes or entertainers. Kisaeng are artists who work to entertain others, such as the yangban aristocracy and kings.<br/><br/> First appearing in the Goryeo Dynasty, kisaeng were legally entertainers of the government, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained, and frequently accomplished in the fine arts, poetry, and prose, although their talents were often ignored due to their inferior social status.<br/><br/> Women of the kisaeng class performed various roles, although they were all of the same low status in the eyes of yangban society. Aside from entertainment, these roles included medical care and needlework. In some cases, such as at army bases, kisaeng were expected to fill several such roles.<br/><br/> Kisaeng, both historic and fictional, play an important role in Korean conceptions of the traditional culture of the Joseon Dynasty. Some of Korea's oldest and most popular stories, such as the tale of Chunhyang, feature kisaeng as heroines. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as talent or loyalty. The most famous of these is the 16th-century kisaeng Hwang Jin-i.
Gaochang is the site of an ancient oasis city built on the northern rim of the inhospitable Taklamakan Desert in Xinjiang, China. A busy trading center, it was a stopping point for merchant traders traveling on the Silk Road. The ruins are located 30 km southeast of modern Turpan. Gaochang is called Karakhoja or Qarakhoja in Uighur. The archaeological site is also known in early published reports as Chotscho, Khocho, or Qočo.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
The oud is a pear-shaped stringed instrument commonly used in Middle Eastern music. The modern oud and the European lute both descend from a common ancestor via diverging evolutionary paths. The oud is readily distinguished by its lack of frets and smaller neck.
The oud is a pear-shaped stringed instrument commonly used in Middle Eastern music. The modern oud and the European lute both descend from a common ancestor via diverging evolutionary paths. The oud is readily distinguished by its lack of frets and smaller neck.
Kisaeng (also spelled gisaeng), sometimes called ginyeo, were female official prostitutes or entertainers. Kisaeng are artists who work to entertain others, such as the yangban aristocracy and kings.<br/><br/> First appearing in the Goryeo Dynasty, kisaeng were legally entertainers of the government, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained, and frequently accomplished in the fine arts, poetry, and prose, although their talents were often ignored due to their inferior social status.<br/><br/> Women of the kisaeng class performed various roles, although they were all of the same low status in the eyes of yangban society. Aside from entertainment, these roles included medical care and needlework. In some cases, such as at army bases, kisaeng were expected to fill several such roles.<br/><br/> Kisaeng, both historic and fictional, play an important role in Korean conceptions of the traditional culture of the Joseon Dynasty. Some of Korea's oldest and most popular stories, such as the tale of Chunhyang, feature kisaeng as heroines. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as talent or loyalty. The most famous of these is the 16th-century kisaeng Hwang Jin-i.
Kisaeng (also spelled gisaeng), sometimes called ginyeo, were female official prostitutes or entertainers. Kisaeng are artists who work to entertain others, such as the yangban aristocracy and kings.<br/><br/>First appearing in the Goryeo Dynasty, kisaeng were legally entertainers of the government, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained, and frequently accomplished in the fine arts, poetry, and prose, although their talents were often ignored due to their inferior social status.<br/><br/>Women of the kisaeng class performed various roles, although they were all of the same low status in the eyes of yangban society. Aside from entertainment, these roles included medical care and needlework. In some cases, such as at army bases, kisaeng were expected to fill several such roles.<br/><br/>Kisaeng, both historic and fictional, play an important role in Korean conceptions of the traditional culture of the Joseon Dynasty. Some of Korea's oldest and most popular stories, such as the tale of Chunhyang, feature kisaeng as heroines. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as talent or loyalty. The most famous of these is the 16th-century kisaeng Hwang Jin-i.
Kisaeng (also spelled gisaeng), sometimes called ginyeo, were female official prostitutes or entertainers. Kisaeng are artists who work to entertain others, such as the yangban aristocracy and kings.<br/><br/>First appearing in the Goryeo Dynasty, kisaeng were legally entertainers of the government, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained, and frequently accomplished in the fine arts, poetry, and prose, although their talents were often ignored due to their inferior social status.<br/><br/>Women of the kisaeng class performed various roles, although they were all of the same low status in the eyes of yangban society. Aside from entertainment, these roles included medical care and needlework. In some cases, such as at army bases, kisaeng were expected to fill several such roles.<br/><br/>Kisaeng, both historic and fictional, play an important role in Korean conceptions of the traditional culture of the Joseon Dynasty. Some of Korea's oldest and most popular stories, such as the tale of Chunhyang, feature kisaeng as heroines. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as talent or loyalty. The most famous of these is the 16th-century kisaeng Hwang Jin-i.
Kisaeng (also spelled gisaeng), sometimes called ginyeo, were female official prostitutes or entertainers. Kisaeng are artists who work to entertain others, such as the yangban aristocracy and kings.<br/><br/> First appearing in the Goryeo Dynasty, kisaeng were legally entertainers of the government, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained, and frequently accomplished in the fine arts, poetry, and prose, although their talents were often ignored due to their inferior social status.<br/><br/> Women of the kisaeng class performed various roles, although they were all of the same low status in the eyes of yangban society. Aside from entertainment, these roles included medical care and needlework. In some cases, such as at army bases, kisaeng were expected to fill several such roles.<br/><br/> Kisaeng, both historic and fictional, play an important role in Korean conceptions of the traditional culture of the Joseon Dynasty. Some of Korea's oldest and most popular stories, such as the tale of Chunhyang, feature kisaeng as heroines. Although the names of most real kisaeng have been forgotten, a few are remembered for an outstanding attribute, such as talent or loyalty. The most famous of these is the 16th-century kisaeng Hwang Jin-i.
The Shanghai Russians were a sizable Russian diaspora that flourished in Shanghai, China between the World Wars. By 1937 it is estimated that there were as many as 25,000 anti-Bolshevik Russians living in the city, the largest European group by far. Most of them had come from the Russian Far East, where, with the support of the Japanese, the Whites had maintained a presence as late as the autumn of 1922.<br/><br/> It was the contribution that Russian women made to the entertainment industry, dancing and otherwise, that helped give Shanghai its exotic reputation, noted in the guidebooks of the day. A fictionalized portrayal of their predicament is presented in the James Ivory film The White Countess (2005). Those who were left became the focus of earnest campaigns by the League of Nations and others to end the 'white slave trade'.