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Abū ʿAlī al-Ḥasan ibn al-Ḥasan ibn al-Haytham (Arabic: أبو علي، الحسن بن الحسن بن الهيثم‎), frequently referred to as Ibn al-Haytham (Arabic: ابن الهيثم, Latinized as Alhazenor Alhacen; c. 965 – c. 1040), was an Arab Muslim polymath and philosopher who made significant contributions to the principles of optics, astronomy, mathematics, meteorology, visual perception and the scientific method.<br/><br/> In medieval Europe, he was honored as Ptolemaeus Secundus ('Ptolemy the Second') or simply called 'The Physicist'. He is also sometimes called al-Basri (Arabic: البصري) after Basra, his birthplace. He spent most of his life close to the court of the Caliphate in Cairo and earned his life authoring various treatises and tutoring members of the nobilities.
Abū ʿAlī al-Ḥasan ibn al-Ḥasan ibn al-Haytham (Arabic: أبو علي، الحسن بن الحسن بن الهيثم‎), frequently referred to as Ibn al-Haytham (Arabic: ابن الهيثم, Latinized as Alhazenor Alhacen; c. 965 – c. 1040), was an Arab Muslim polymath and philosopher who made significant contributions to the principles of optics, astronomy, mathematics, meteorology, visual perception and the scientific method.<br/><br/> In medieval Europe, he was honored as Ptolemaeus Secundus ('Ptolemy the Second') or simply called 'The Physicist'. He is also sometimes called al-Basri (Arabic: البصري) after Basra, his birthplace. He spent most of his life close to the court of the Caliphate in Cairo and earned his life authoring various treatises and tutoring members of the nobilities.
Hunayn ibn Ishaq ( Latin: Iohannitius) (809 – 873) was a famous and influential scholar, physician, and scientist of Nestorian Arab Christian descent. He and his students transmitted their Syriac and Arabic translations of many classical Greek texts throughout the Islamic world, during the apex of the Islamic Abbasid Caliphate.<br/><br/> Hunayn ibn Ishaq was the most productive translator of Greek medical and scientific treatises in his day. He studied Greek and became known among the Arabs as the 'Sheikh of the translators'. He mastered four languages: Arabic, Syriac, Greek and Persian.
The Holy See of the Cao Dai is in the Vietnamese province of Tay Ninh, close to the Cambodian frontier, and this syncretic religion – which counts Victor Hugo, Laozi and Jesus among its saints – has also made some Khmer converts.<br/><br/>Vietnam has two indigenous religious sects, both of which were established in the 20th century, and both of which are based firmly in the south of the country. Cao Dai or ‘Supreme Altar’ is a syncretic faith combining aspects of the tam giao with Catholicism and is the larger of the two, with an estimated 2 million followers. Cao Dai is an eclectic amalgam of Confucianism, Taoism, Buddhism and Catholicism. The second sect, called Hoa Hao or ‘Peace and Happiness’, is centred on Chau Doc in the Mekong Delta. Its followers practise an ascetic and austere form of Buddhism.<br/><br/>The Cao Dai religion was founded in 1919 by a Vietnamese civil servant, Ngo Van Chieu and by the mid-1920s Tay Ninh had developed as the ‘Holy See’ of the new religion, with a hierarchy organised under a Cao Dai pope. Initially persecuted by the communists, Cao Dai is now tolerated, and has an estimated two million followers, mainly in the south.
The Holy See of the Cao Dai is in the Vietnamese province of Tay Ninh, close to the Cambodian frontier, and this syncretic religion – which counts Victor Hugo, Laozi and Jesus among its saints – has also made some Khmer converts.<br/><br/>Vietnam has two indigenous religious sects, both of which were established in the 20th century, and both of which are based firmly in the south of the country. Cao Dai or ‘Supreme Altar’ is a syncretic faith combining aspects of the tam giao with Catholicism and is the larger of the two, with an estimated 2 million followers. Cao Dai is an eclectic amalgam of Confucianism, Taoism, Buddhism and Catholicism. The second sect, called Hoa Hao or ‘Peace and Happiness’, is centred on Chau Doc in the Mekong Delta. Its followers practise an ascetic and austere form of Buddhism.<br/><br/>The Cao Dai religion was founded in 1919 by a Vietnamese civil servant, Ngo Van Chieu and by the mid-1920s Tay Ninh had developed as the ‘Holy See’ of the new religion, with a hierarchy organised under a Cao Dai pope. Initially persecuted by the communists, Cao Dai is now tolerated, and has an estimated two million followers, mainly in the south.
The Holy See of the Cao Dai is in the Vietnamese province of Tay Ninh, close to the Cambodian frontier, and this syncretic religion – which counts Victor Hugo, Laozi and Jesus among its saints – has also made some Khmer converts.<br/><br/> Vietnam has two indigenous religious sects, both of which were established in the 20th century, and both of which are based firmly in the south of the country. Cao Dai or ‘Supreme Altar’ is a syncretic faith combining aspects of the tam giao with Catholicism and is the larger of the two, with an estimated 2 million followers. Cao Dai is an eclectic amalgam of Confucianism, Taoism, Buddhism and Catholicism. The second sect, called Hoa Hao or ‘Peace and Happiness’, is centred on Chau Doc in the Mekong Delta. Its followers practise an ascetic and austere form of Buddhism.<br/><br/> The Cao Dai religion was founded in 1919 by a Vietnamese civil servant, Ngo Van Chieu and by the mid-1920s Tay Ninh had developed as the ‘Holy See’ of the new religion, with a hierarchy organised under a Cao Dai pope. Initially persecuted by the communists, Cao Dai is now tolerated, and has an estimated two million followers, mainly in the south.
The Holy See of the Cao Dai is in the Vietnamese province of Tay Ninh, close to the Cambodian frontier, and this syncretic religion – which counts Victor Hugo, Laozi and Jesus among its saints – has also made some Khmer converts.<br/><br/> Vietnam has two indigenous religious sects, both of which were established in the 20th century, and both of which are based firmly in the south of the country. Cao Dai or ‘Supreme Altar’ is a syncretic faith combining aspects of the tam giao with Catholicism and is the larger of the two, with an estimated 2 million followers. Cao Dai is an eclectic amalgam of Confucianism, Taoism, Buddhism and Catholicism. The second sect, called Hoa Hao or ‘Peace and Happiness’, is centred on Chau Doc in the Mekong Delta. Its followers practise an ascetic and austere form of Buddhism.<br/><br/> The Cao Dai religion was founded in 1919 by a Vietnamese civil servant, Ngo Van Chieu and by the mid-1920s Tay Ninh had developed as the ‘Holy See’ of the new religion, with a hierarchy organised under a Cao Dai pope. Initially persecuted by the communists, Cao Dai is now tolerated, and has an estimated two million followers, mainly in the south.
During the 10th and 11th centuries CE the Chandella Kings of central India, scions of a powerful Rajput clan who claimed the moon as their direct ancestor, built a total of 85 temples to the glory of God, the creation, and the Hindu pantheon. The Chandellas were devout Hindus.<br/><br/> Eclipsed by the Mughal conquest, the rise of rival dynasties, and the passage of time, the temples languished in the harsh sun and monsoon rains of central India, gradually becoming lost in the jungle. At the time of their re-discovery in 1839, they were so completely overgrown that T. S. Burt, their founder, thought no more than seven temples had survived. Happily this proved far from the case, for when the undergrowth was hacked back and the complex restored, no fewer than twenty two of the original structures were revealed standing.
The Shihon choshoku yamai no soshi ('Diseases and Deformities', 紙本著色病草紙) is a late Heian (12th century) hand scroll (emakimono) consisting of colour paintings on paper that has, at some time, been cut into ten separate sections. They are preserved in the Kyoto National Museum and are listed as a National Treasure of Japan.
The Bakemono Zukushi handscroll, painted in the Edo period (18th-19th century) by an unknown artist, depicts 24 traditional monsters that traditionally haunt people and localities in Japan.
The Bakemono Zukushi handscroll, painted in the Edo period (18th-19th century) by an unknown artist, depicts 24 traditional monsters that traditionally haunt people and localities in Japan.
The Holy See of the Cao Dai is in the Vietnamese province of Tay Ninh, close to the Cambodian frontier, and this syncretic religion – which counts Victor Hugo, Laozi and Jesus among its saints – has also made some Khmer converts.<br/><br/>Vietnam has two indigenous religious sects, both of which were established in the 20th century, and both of which are based firmly in the south of the country. Cao Dai or ‘Supreme Altar’ is a syncretic faith combining aspects of the tam giao with Catholicism and is the larger of the two, with an estimated 2 million followers. Cao Dai is an eclectic amalgam of Confucianism, Taoism, Buddhism and Catholicism. The second sect, called Hoa Hao or ‘Peace and Happiness’, is centred on Chau Doc in the Mekong Delta. Its followers practise an ascetic and austere form of Buddhism.<br/><br/>The Cao Dai religion was founded in 1919 by a Vietnamese civil servant, Ngo Van Chieu and by the mid-1920s Tay Ninh had developed as the ‘Holy See’ of the new religion, with a hierarchy organised under a Cao Dai pope. Initially persecuted by the communists, Cao Dai is now tolerated, and has an estimated two million followers, mainly in the south.
The date of construction of the Svayambhunath stupa, its origins steeped in myth, is unknown. According to the inscriptions on an ancient and damaged stone tablet at Svayambhunath, King Vrishadeva (ca. 400 CE) was the first to build a place of worship on the site. His grandson, King Manadeva I (ca. 464-505) may have made some additions.<br/><br/> The Muslim invasion of 1349 undid all the pious building work, the marauding Muslim warriors dismantling every kafir (infidel) sanctuary that they came across. An inscription at Svayambhunath records the date of the Muslim invasion as 20 November 1349, in all probability a very accurate account. After the raids Svayambhunath was restored, and most of the buildings seen today are from the post-invasion period.<br/><br/> Swayambhunath (Devnagari: स्वयम्भूनाथ स्तुप) is an ancient religious complex atop a hill in the Kathmandu Valley, west of Kathmandu city. It is also known as the Monkey Temple as there are holy monkeys living in parts of the temple in the north-west. The Tibetan name for the site means 'Sublime Trees' (Wylie:Phags.pa Shing.kun), for the many varieties of trees found on the hill.<br/><br/> For the Buddhist Newars in whose mythological history and origin myth as well as day-to-day religious practice, Swayambhunath occupies a central position, it is probably the most sacred among Buddhist pilgrimage sites. For Tibetans and followers of Tibetan Buddhism, it is second only to Bodhnath.
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景; Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by the Japanese ukiyo-e artist Andō Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances. The 1852 series are in landscape orientation; the 1858 series are in portrait orientation.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.
Kamal al-Din Hasan ibn Ali ibn Hasan al-Farisi or Abu Hasan Muhammad ibn Hasan (1267– 12 January 1319 (Persian: كمال‌الدين فارسی‎) was a prominent Persian born in Tabriz, Iran. He made two major contributions to science, one on optics, the other on number theory. Farisi was a pupil of the great astronomer and mathematician Qutb al-Din al-Shirazi, who in turn was a pupil of Nasir al-Din Tusi.<br/><br/> His work on optics was prompted by a question put to him concerning the refraction of light. Shirazi advised him to consult 'The Book of Optics' of Ibn al-Haytham (Alhacen), and Farisi made such a deep study of this treatise that Shirazi suggested that he write what is essentially a revision of that major work, which came to be called the Tanqih.