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The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel.<br/><br/> The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the Entry of Christ into Jerusalem and the Wedding at Cana.<br/><br/> The paintings were done by the Catalan Master of Tahull (Taüll in Catalan), whose best known works are in Sant Climent de Taüll and the Museu Nacional d'Art de Catalunya in Barcelona, with two other painters. The frescoes include that of a camel and of a war elephant, which were inspired by Muslim motifs.
The <i>Tres Riches Heures du Duc de Berry</i> is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours.<br/><br/> It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthelemy d'Eyck. In 1485-1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy.<br/><br/> Acquired by the Duc d'Aumale in 1856, the book is now in the Musee Conde, Chantilly, France.
Guru Nanak (15 April 1469 – 22 September 1539) was the founder of the religion of Sikhism and the first of ten Sikh Gurus. Sikhs believe that all subsequent Gurus possessed Guru Nanak’s divinity and religious authority.
Bedouin (from the Arabic badawī بَدَوِي, pl. badw بَدْو or badawiyyūn بَدَوِيُّون) are a part of a predominantly desert-dwelling Arabian ethnic group traditionally divided into tribes, or clans, known in Arabic as ʿašāʾir (عَشَائِر).The term 'Bedouin' derives from a plural form of the Arabic word badawī, as it is pronounced in colloquial dialects. The Arabic term badawī (بدوي) derives from the word bādiyah (بَادِية), which means semiarid desert (as opposed to ṣaḥarāʾ صَحَرَاء, which means desert).<br/><br/> Starting in the late nineteenth century, many Bedouin under British rule began to transit to a seminomadic life. In the 1950s and 1960s, large numbers of Bedouin throughout Midwest Asia started to leave the traditional, nomadic life to settle in the cities of Midwest Asia, especially as hot ranges have shrunk and populations have grown. For example, in Syria the Bedouin way of life effectively ended during a severe drought from 1958 to 1961, which forced many Bedouin to abandon herding for standard jobs. Similarly, governmental policies in Egypt and Israel, oil production in the Persian Gulf, as well as a desire for improved standards of living, effectively led most Bedouin to become settled citizens of various nations, rather than stateless nomadic herders.
The sport of falconry was introduced to Algeria and the Maghreb by the Arabs over 1,000 years ago and was a favorite pastime of royalty and nobility. During the period of Arab expansion into North Africa, cavalry was often mounted on small, agile horses called ‘Berbers’, or ‘Barbs’.
Edwin Lord Weeks (1849 – 1903), American artist and Orientalist, was born at Boston, Massachusetts, in 1849. He was a pupil of Léon Bonnat and of Jean-Léon Gérôme, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes.<br/><br> Weeks' parents were affluent spice and tea merchants from Newton, a suburb of Boston and as such they were able to accept, probably encourage, and certainly finance their son's youthful interest in painting and travelling.<br/><br> As a young man Edwin Lord Weeks visited the Florida Keys to draw and also travelled to Surinam in South America. His earliest known paintings date from 1867 when Edwin Lord Weeks was eighteen years old. In 1895 he wrote and illustrated a book of travels, From the Black Sea through Persia and India.
Khwāja Shamsu d-Dīn Muhammad Hāfez-e Shīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی‎), known by his pen name Hāfez (1325/1326–1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.<br/><br/> Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings' (fāl-e hāfez, Persian: فال حافظ‎), frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages.
Khwāja Shamsu d-Dīn Muhammad Hāfez-e Shīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی‎), known by his pen name Hāfez (1325/1326–1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.<br/><br/> Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings' (fāl-e hāfez, Persian: فال حافظ‎), frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages.