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US Navy Bureau of Medicine and Surgery propaganda and health poster from 1944-45, promoting an anti-malarial campaign with the aid of a mosquito with 'Japanese' features and Imperial Japanese Navy wings.
Helene Bertha Amalie 'Leni' Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress, dancer, and propagandist for the Nazis.<br/><br/>

Adolf Hitler (20 April 1889 – 30 April 1945) was a German politician of Austrian origin who was the leader of the Nazi Party (NSDAP), Chancellor of Germany from 1933 to 1945, and Fuhrer ('leader') of Nazi Germany from 1934 to 1945.<br/><br/>

As dictator of Nazi Germany he initiated World War II in Europe and was a central figure of the Holocaust.
Triumph of the Will (German: Triumph des Willens) is a 1935 German propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters.<br/><br/>

The film contains excerpts from speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess, and Julius Streicher, interspersed with footage of massed Sturmabteilung and Schutzstaffel troops and public reaction.<br/><br/>

Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. The film's overriding theme is the return of Germany as a great power, with Hitler as the leader who will bring glory to the nation.
'October: Ten Days That Shook the World' is a 1928 Soviet silent propaganda film by Sergei Eisenstein and Grigori Aleksandrov. It is a celebratory dramatization of the 1917 October Revolution commissioned for the tenth anniversary of the event.<br/><br/>

Originally released as 'October' in the Soviet Union, the film was re-edited and released internationally as 'Ten Days That Shook The World', after John Reed's popular book on the Revolution.
Jean Maurice Eugene Clement Cocteau (5 July 1889 – 11 October 1963) was a French writer, designer, playwright, artist and filmmaker.<br/><br/>

Cocteau is best known for his novel Les Enfants Terribles (1929), and the films Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). His circle of associates, friends and lovers included Kenneth Anger, Pablo Picasso, Jean Hugo, Jean Marais, Henri Bernstein, Yul Brynner, Marlene Dietrich, Coco Chanel, Erik Satie, Igor Stravinsky, María Félix, Édith Piaf, Panama Al Brown, Colette, Jean Genet, and Raymond Radiguet.
After appearing in minor movie roles, Wray was contracted to Paramount Pictures as a teenager, where she made more than a dozen movies. After leaving Paramount, she signed deals with various film companies, being cast in her first horror film roles among many other types of roles, including in <i>The Bowery</i> (1933) and <i>Viva Villa</i> (1934), both huge productions starring Wallace Beery.<br/><br/>

For RKO Radio Pictures, Inc., she starred in the film with which she is most identified, <i>King Kong</i> (1933). After the success of <i>King Kong</i>, Wray made numerous appearances in both film and television before retiring in 1980.
Helene Bertha Amalie 'Leni' Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress, dancer, and propagandist for the Nazis.
'October - Ten Days That Shook the World'  is a 1928 Soviet silent propaganda film by Sergei Eisenstein and Grigori Aleksandrov. It is a celebratory dramatization of the 1917 October Revolution commissioned for the tenth anniversary of the event.<br/><br/>

Originally released as October in the Soviet Union, the film was re-edited and released internationally as Ten Days That Shook The World, after John Reed's popular book on the Revolution.
Yukio Mishima is the pen name of Kimitake Hiraoka (January 14, 1925 – November 25, 1970), a Japanese author, poet, playwright, actor, and film director. Mishima is considered one of the most important Japanese authors of the 20th century; he was nominated three times for the Nobel Prize in Literature and was poised to win the prize in 1968 but lost the award to his fellow countryman Yasunari Kawabata.<br/><br/>

His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change. He is remembered for his ritual suicide by seppuku after a failed coup d'etat attempt, known as the 'Mishima Incident'.
After an early and brief film career in Germany, which included a controversial film Ecstasy (1933), Lamarr fled from her husband, a wealthy Austrian ammunition manufacturer and secretly moved to Paris. There, she met MGM head Louis B. Mayer, who offered her a movie contract in Hollywood, where she became a film star from the late 1930s to the 1950s.<br/><br/> 

Lamarr appeared in numerous popular feature films, including Algiers (1938), I Take This Woman (1940), Comrade X (1940), Come Live With Me (1941), H.M. Pulham, Esq. (1941), and Samson and Delilah (1949).<br/><br/> 

At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Though the US Navy did not adopt the technology until the 1960s, the principles of their work are now incorporated into modern Wi-Fi, CDMA, and Bluetooth technology, and this work led to their being inducted into the National Inventors Hall of Fame in 2014.
Helene Bertha Amalie 'Leni' Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress, dancer, and propagandist for the Nazis.<br/><br/>

Adolf Hitler (20 April 1889 – 30 April 1945) was a German politician of Austrian origin who was the leader of the Nazi Party (NSDAP), Chancellor of Germany from 1933 to 1945, and Fuhrer ('leader') of Nazi Germany from 1934 to 1945.<br/><br/>

As dictator of Nazi Germany he initiated World War II in Europe and was a central figure of the Holocaust.
Sergei Mikhailovich Eisenstein (22 January 1898 – 11 February 1948) was a Soviet Russian film director and film theorist, a pioneer in the theory and practice of montage.<br/><br/>

He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).
Aminah Tjendrakasih (Aminah Cendrakasih, born 29 January 1938 in Magelang, Central Java, is an Indonesian actress best known for her appearance as Lela in the television series 'Si Doel Anak Sekolahan' (Doel the Schoolchild, 1994–2005).<br/><br/>

Beginning her career in her teenage years, in 1955 Cendrakasih had her first starring role in 1955's 'Ibu dan Putr'i (Mother and Daughter). She has since acted in more than a hundred feature films. In 2012 and 2013 she received Lifetime Achievement Awards from the Bandung Film Festival and the Indonesian Movie Awards, respectively.
Yukio Mishima is the pen name of Kimitake Hiraoka (January 14, 1925 – November 25, 1970), a Japanese author, poet, playwright, actor, and film director. Mishima is considered one of the most important Japanese authors of the 20th century; he was nominated three times for the Nobel Prize in Literature and was poised to win the prize in 1968 but lost the award to his fellow countryman Yasunari Kawabata.<br/><br/>

His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change. He is remembered for his ritual suicide by seppuku after a failed coup d'etat attempt, known as the 'Mishima Incident'.
After an early and brief film career in Germany, which included a controversial film Ecstasy (1933), Lamarr fled from her husband, a wealthy Austrian ammunition manufacturer and secretly moved to Paris. There, she met MGM head Louis B. Mayer, who offered her a movie contract in Hollywood, where she became a film star from the late 1930s to the 1950s.<br/><br/> 

Lamarr appeared in numerous popular feature films, including Algiers (1938), I Take This Woman (1940), Comrade X (1940), Come Live With Me (1941), H.M. Pulham, Esq. (1941), and Samson and Delilah (1949).<br/><br/> 

At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Though the US Navy did not adopt the technology until the 1960s, the principles of their work are now incorporated into modern Wi-Fi, CDMA, and Bluetooth technology, and this work led to their being inducted into the National Inventors Hall of Fame in 2014.
Helene Bertha Amalie 'Leni' Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress, dancer, and propagandist for the Nazis.
Sergei Mikhailovich Eisenstein (22 January 1898 – 11 February 1948) was a Soviet Russian film director and film theorist, a pioneer in the theory and practice of montage.<br/><br/>

He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).
The Tet Offensive was a military campaign during the Vietnam War that began on January 31, 1968. Regular and irregular forces of the People's Army of Vietnam, as well as NLF (Viet Cong) resistance fighters, fought against the forces of the Republic of Vietnam (South Vietnam), the United States, and their allies.<br/><br/>

The purpose of the offensive was to strike military and civilian command and control centers throughout South Vietnam and to spark a general uprising among the population that would then topple the Saigon government, thus ending the war in a single blow. Although the offensive failed militarily, it succeeded psychologically, undermining American confidence and marking a major turning point in the Second Indochina War (Vietnam War).
Asmara Moerni is (or perhaps was) a 1941 romance film from the Dutch East Indies (now Indonesia) directed by Rd Ariffien and produced by Ang Hock Liem for Union Films. Written by Saeroen, the film follows a doctor who falls in love with his maid, as well as her failed romance with a fellow villager.<br/><br/>

Starring Adnan Kapau Gani, Djoewariah, and S. Joesoef, the black-and-white film was cast and advertised to cater to the growing native intelligentsia. Despite mixed reviews, it was a commercial success. As with most Indonesian films of this era, Asmara Moerni may be lost.
Yukio Mishima is the pen name of Kimitake Hiraoka (January 14, 1925 – November 25, 1970), a Japanese author, poet, playwright, actor, and film director. Mishima is considered one of the most important Japanese authors of the 20th century; he was nominated three times for the Nobel Prize in Literature and was poised to win the prize in 1968 but lost the award to his fellow countryman Yasunari Kawabata.<br/><br/>

His avant-garde work displayed a blending of modern and traditional aesthetics that broke cultural boundaries, with a focus on sexuality, death, and political change. He is remembered for his ritual suicide by seppuku after a failed coup d'etat attempt, known as the 'Mishima Incident'.
Helene Bertha Amalie 'Leni' Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress, dancer, and propagandist for the Nazis.
Helene Bertha Amalie 'Leni' Riefenstahl (22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress, dancer, and propagandist for the Nazis.
Ravished Armenia, full title Ravished Armenia; the Story of Aurora Mardiganian, the Christian Girl, Who Survived the Great Massacres is a book written in 1918 by Arshaluys (Aurora) Mardiganian about her experiences in the Armenian Genocide.<br/><br/>

A Hollywood film based on it was filmed in 1919 under the title Auction of Souls (which also became to be known as Ravished Armenia, based on the book it was adapted from). All known complete copies of the film have since been lost, but Mardiganian's account is still in print.
Khotan traces its history back at least as far as the 3rd century BCE, when the eldest son of the Indian emperor Asoka is said to have settled here. It was of great importance on the Silk Road, and is claimed to have been the first place outside China to have cultivated silk.<br/><br/>It sits astride the Karakash or ‘Black Jade’ and Yurungkash or ‘White Jade’ Rivers, which here conjoin to form the Khotan Darya, and has been famous for its jade for well over two millennia.<br/><br/>In times past trade routes crossed the desert to the north all the way to Kuqa, and as recently as 2007 this link has been re-established for the first time in centuries with the opening of a second Desert Highway leading to Aksu, distant some 424km to the north.<br/><br/>In 1006 Khotan was conquered by Uighur Muslims from Kashgar, and since that time the city remains a very Uighur place.
Xu Lai was a popular movie star of the Chinese cinema in the 1930s, and is best remembered for being the first Chinese actress to appear in a bath scene.
Li was born Qian Zhenzhen in Beijing, 1915. Her father, Qian Zhuangfei, was an important figure among the early heroes of the Communist Party. In 1927 she moved to Shanghai, where her father encouraged her to join the China National Song & Dance Troupe, later renamed Bright Moon Song and Dance Troupe. Li Jinhui, later known as the Father of Chinese popular music, was the conductor of the troupe and adopted her as his god-daughter, and she adopted his surname.<br/><br/>

The troupe were very popular in 1920s Shanghai. Li Lili, Wang Renmei, Xue Lingxian and Hu Jia were known as the Four Divas. The troupe joined the Lianhua Film Company in 1931, and disbanded the troupe the next year. Li became an actress, and starred in Sun Yu's 1932 Loving Blood of the Volcano. Set in the South Seas with plenty of dancing, this allowed Li to play to her strengths. She and Wang Renmei then acted together in Poetry Written on the Banana Leaf.<br/><br/>

After war with Japan broke out in 1937, she joined the China Film Studio in Chongqing. There she met and married Luo Jingyu, a section head, who became head of the studio. In 1939 she filmed Cai Chusheng's Orphan Island Paradise in Hong Kong; it was another hit. Back in Chongqing, she starred in another hit film Storm on the Border, for which she was highly praised.<br/><br/>

Li travelled to the United States in 1946, studying acting at Catholic University in Washington, language and singing in New York, and make-up at the University of California. She also observed filmmaking at Hollywood. She returned to China, and to acting at the Beijing Film Studio. In 1955, she studied at Beijing Film Academy, and later taught in the acting department. Her son, Luo Dan, married the daughter of Marshal Ye Jianying; Ye became China's head of state in the late 1970s.<br/><br/>

During the Cultural Revolution, Li and her husband were denounced and tortured on the orders of Mao's wife Jiang Qing. Li had acted with her, and outshone her, in films such as Blood on Wolf Mountain. Li later told her family that she refused to denounce anyone. Luo, however, was killed.<br/><br/>

In 1991, she was given the 'Special Honour Award' by the Chinese Academy of Motion Picture Arts. By the end of her life, Li Lili was the last living Chinese movie star from the silent era. She died of a heart attack in Xuanwu Hospital, Beijing on August 7, 2005, aged 90.
Zhou was born Su Pu (θ˜‡η’ž), but was separated from her natural parents at a young age and raised by adoptive parents. She spent her entire life searching for her biological parents but her parentage was never established until after her death.<br/><br/>

According to later family research, a relative who was an opium addict took her at the age of 3 to another city and sold her to a family named Wang, who named her Wang Xiaohong. She was later adopted by a family named Zhou, changing her name to Zhou Xiaohong.<br/><br/>

At the age of 13 she took Zhou Xuan as her stage name, 'Xuan' (η’‡) meaning 'beautiful jade' in Chinese. Zhou started acting in 1935, but she achieved stardom in 1937 in Street Angel, when director Yuan Muzhi cast her as one of the leads as a singing girl.<br/><br/>

'Golden Voice' (金嗓子) was Zhou's nickname to commend her singing talents after a singing competition in Shanghai, where she came in second. Zhou rapidly became the most famous and marketable popular singer in the gramophone era up to her death, singing many famous tunes from her own movies. Her light but eminently musical voice captured the hearts of millions of Chinese of her time.<br/><br/>

After introducing 'Shanghai Nights' (倜上桷) in 1949, Zhou returned to Shanghai. She spent the next few years in and out of mental institutions owing to frequent breakdowns. Through the years, Zhou led a complicated and unhappy life marked by her failed marriages, illegitimate children, and suicide attempts. In 1957 she died in Shanghai in a mental asylum at the age of 39 during an Anti-Rightist Movement.
Zhou was born Su Pu (θ˜‡η’ž), but was separated from her natural parents at a young age and raised by adoptive parents. She spent her entire life searching for her biological parents but her parentage was never established until after her death.<br/><br/>

According to later family research, a relative who was an opium addict took her at the age of 3 to another city and sold her to a family named Wang, who named her Wang Xiaohong. She was later adopted by a family named Zhou, changing her name to Zhou Xiaohong.<br/><br/>

At the age of 13 she took Zhou Xuan as her stage name, 'Xuan' (η’‡) meaning 'beautiful jade' in Chinese. Zhou started acting in 1935, but she achieved stardom in 1937 in Street Angel, when director Yuan Muzhi cast her as one of the leads as a singing girl.<br/><br/>

'Golden Voice' (金嗓子) was Zhou's nickname to commend her singing talents after a singing competition in Shanghai, where she came in second. Zhou rapidly became the most famous and marketable popular singer in the gramophone era up to her death, singing many famous tunes from her own movies. Her light but eminently musical voice captured the hearts of millions of Chinese of her time.<br/><br/>

After introducing 'Shanghai Nights' (倜上桷) in 1949, Zhou returned to Shanghai. She spent the next few years in and out of mental institutions owing to frequent breakdowns. Through the years, Zhou led a complicated and unhappy life marked by her failed marriages, illegitimate children, and suicide attempts. In 1957 she died in Shanghai in a mental asylum at the age of 39 during an Anti-Rightist Movement.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/>

The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/>

U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
Anna May Wong (January 3, 1905 – February 3, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.<br/><br/>

Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color and Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon, and by 1924 had achieved international stardom. Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them Piccadilly (1929). She spent the first half of the 1930s traveling between the United States and Europe for film and stage work.<br/><br/>


Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck's The Good Earth, choosing instead the German actress Luise Rainer to play the leading role. Wong spent the next year touring China, visiting her family's ancestral village and studying Chinese culture.<br/><br/>


In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56.
Andre Roosevelt (c.1879—1962) was a US filmmaker. He was born in Paris, France to Cornelius Roosevelt (1847-1902), a cousin of U.S. President Theodore Roosevelt, who married a French actress.<br/><br/>

Roosevelt was an adventurer, traveling to Bali in 1924. He envisioned making Bali a national or international park with laws to regulate it as such. In 1928 and 1929, he and Armand Denis shot Goona-Goona, An Authentic Melodrama (also called The Kris) with assistance from Walter Spies. It was released in the U.S. in 1930 and started an American craze for Bali. He was also well known for his 1938 film Beyond the Caribbean. He died in July 1962 in Port-au-Prince, Haiti.<br/><br/>

Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/>

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress. One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly three miles long, with three women committing suicide during the event.
Xia Meng (Chinese: 倏撦; a.k.a Hsia Moon or Miranda Yang; born Yang Meng (杨濛) on 16 February 1932 in Shanghai, China) is a Hong Kong actress and film producer. She was the key figure of Hong Kong's Left Wing Mandarin movie scene
Bali is home to most of Indonesia's small Hindu minority with some 92% of the island’s 4 million population adhering to Balinese Hinduism, while most of the remainder follow Islam.<br/><br/> 

Bali is the largest tourist destination in Indonesia, and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leatherwork, metalwork and music.
Xia Meng, a.k.a Hsia Moon or Miranda Yang; born Yang Meng, on 16 February 1932 in Shanghai, China) is a Hong Kong actress and film producer. She was the key figure of Hong Kong's Left Wing Mandarin movie scene.
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress.<br/><br/>

One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly three miles long, with three women committing suicide during the event.
Anna May Wong (January 3, 1905 – February 3, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.<br/><br/>

Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color and Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon, and by 1924 had achieved international stardom. Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them Piccadilly (1929). She spent the first half of the 1930s traveling between the United States and Europe for film and stage work.<br/><br/>


Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck's The Good Earth, choosing instead the German actress Luise Rainer to play the leading role. Wong spent the next year touring China, visiting her family's ancestral village and studying Chinese culture.<br/><br/>


In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56.
The cinema was later knocked down and replaced by a stele house to commemorate Father Alexandre de Rhodes, a 17th-century French Jesuit missionary who was prominent in introducing Christianity to Vietnam.
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress.<br/><br/>

One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly three miles long, with three women committing suicide during the event.
Anna May Wong (January 3, 1905 – February 3, 1961) was an American actress, the first Chinese American movie star, and the first Asian American to become an international star. Her long and varied career spanned both silent and sound film, television, stage, and radio.<br/><br/>

Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies and began acting in films at an early age. During the silent film era, she acted in The Toll of the Sea (1922), one of the first movies made in color and Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon, and by 1924 had achieved international stardom. Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, where she starred in several notable plays and films, among them Piccadilly (1929). She spent the first half of the 1930s traveling between the United States and Europe for film and stage work.<br/><br/>


Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). In 1935 Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role in its film version of Pearl S. Buck's The Good Earth, choosing instead the German actress Luise Rainer to play the leading role. Wong spent the next year touring China, visiting her family's ancestral village and studying Chinese culture.<br/><br/>


In the late 1930s, she starred in several B movies for Paramount Pictures, portraying Chinese-Americans in a positive light. She paid less attention to her film career during World War II, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56.
Nightclub entertainer Jean Clery has just become engaged to Lili, his attractive psychoanalyst. Meanwhile, the nightclub where he works is being used by a counterfeit ring, and Paris police suspect owner Paul Latour of being the ringleader.<br/><br/>

Finding it expedient to leave town, Paul leaves his 'baby' daughter with Jean, who discovers too late that she's a wild, carefree, shapely sex-kitten with a talent for getting Jean into amusing scrapes. Contemporaneous Japanese version of a sexy French comedy.
Shanghai (Chinese: 上 ζ΅·; Pinyin Shànghǎi) is one of the largest cities by population in the People's Republic of China, and the world. The city is located in eastern China, at the middle portion of the Chinese coast, and sits at the mouth of the Yangtze River. Due to its rapid growth over the last two decades it has again become a global city, exerting influence over finance, commerce, fashion, technology and culture.<br/><br/>

Once a fishing and textiles town, Shanghai grew in importance in the 19th century due to its favourable port location and was one of the cities opened to foreign trade by the 1842 Treaty of Nanking. The city then flourished as a centre of commerce between east and west, and became a multinational hub of finance and business in the 1930s. However, with the Communist Party takeover of the mainland in 1949, the city's international influence declined.<br/><br/>

In 1990, the economic reforms introduced by Deng Xiaoping resulted in an intense re-development of the city, aiding the return of finance and foreign investment to the city. Shanghai is now aiming to be an international shipping centre in the future, and is one of the world's major financial centres.<br/><br/>

Shanghai is also a popular tourist destination renowned for its historical landmarks such as The Bund, City God Temple and Yuyuan Garden, as well as the extensive and growing Pudong skyline. It is described as the 'showpiece' of the booming economy of mainland China.<br/><br/>
Ruan Lingyu (April 26, 1910 – March 8, 1935), born Ruan Fenggen), was a Chinese silent film actress. One of the most prominent Chinese film stars of the 1930s, her tragic suicide at the age of 24 led her to become an icon of Chinese cinema. Her funeral procession was reportedly five kilometres (three miles) long, with three women committing suicide during the event.
Jiang Qing (Chiang Ch'ing, March 1914  – May 14, 1991) was the pseudonym that was used by Chinese leader Mao Zedong's last wife and major Communist Party of China power figure.<br/><br/>

She went by the stage name Lan Ping during her acting career, and was known by various other names during her life. She married Mao in Yan'an in November 1938, and is sometimes referred to as Madame Mao in Western literature, serving as Communist China's first first lady.<br/><br/>

Jiang Qing was most well-known for playing a major role in the Cultural Revolution (1966–76) and for forming the radical political alliance known as the 'Gang of Four'. When Mao died in 1976, Jiang lost the support and justification for her political activities. She was arrested in October 1976 by Hua Guofeng and his allies, and was subsequently accused of being counter-revolutionary.<br/><br/>

Though initially sentenced to death, her sentence was commuted to life imprisonment in 1983, however, and in May 1991 she was released for medical treatment. Before returning to prison, she committed suicide.
Ravished Armenia, full title Ravished Armenia; the Story of Aurora Mardiganian, the Christian Girl, Who Survived the Great Massacres is a book written in 1918 by Arshaluys (Aurora) Mardiganian about her experiences in the Armenian Genocide.<br/><br/>

A Hollywood film based on it was filmed in 1919 under the title Auction of Souls (which also became to be known as Ravished Armenia, based on the book it was adapted from). All known complete copies of the film have since been lost, but Mardiganian's account is still in print.
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/>

The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/>

U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Ko Phi Phi consists of two islands, Phi Phi Leh and Phi Phi Don, located southeast of Phuket. Both are part of Hat Noppharat Thara Ko Phi Phi National Marine Park.<br/><br/>

Set in the centre of the Sea of Phuket, Ko Phi Phi is almost equidistant from Phuket and Krabi and can be reached by boat in around two hours.<br/><br/>

Phi Phi Don is the larger of the two islands, with scenic hills, steep cliffs, silken beaches, azure waters and remarkable bird- and sea-life. The island narrows at the middle where long, white-sand beaches are only a few hundred metres apart. Boats from Krabi and Phuket dock at Ao Ton Sai on the southern side of the island. Hat Yao or 'Long Beach' faces south and is famous for the good snorkelling to be had on its coral reefs. To the northeast Hat Lanti is another fine beach with good waves for surfing. North of this beach is beautiful Ao Bakao, a bay with a small resort, while near the tip of Laem Tong are three more luxury resorts.
Xu Lai was a popular movie star of the Chinese cinema in the 1930s, and is best remembered for being the first Chinese actress to appear in a bath scene.
Grauman's Chinese Theatre is a movie theater located at 6925 Hollywood Boulevard in Hollywood. It is located along the historic Hollywood Walk of Fame. The Chinese Theatre was commissioned following the success of the nearby Grauman's Egyptian Theatre which opened in 1922. Built over 18 months, beginning in January 1926 by a partnership headed by Sid Grauman, the theater opened May 18, 1927.