Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Gerardus Mercator, a Flemish German (5 March 1512 – 2 December 1594) was a cartographer renowned for creating a world map based on a new projection which represented sailing courses of constant bearing as straight lines—an innovation that is still employed in nautical charts used for navigation.<br/><br/> In his own day he was the world's most famous geographer but, in addition, he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments.
Gerardus Mercator, a Flemish German (5 March 1512 – 2 December 1594) was a cartographer renowned for creating a world map based on a new projection which represented sailing courses of constant bearing as straight lines—an innovation that is still employed in nautical charts used for navigation.<br/><br/> In his own day he was the world's most famous geographer but, in addition, he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments.
Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.<br/><br/> In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. The catalogue of his works by Michael Jaffe lists 1,403 pieces, excluding numerous copies made in his workshop.
The English 'brothel' comes from the French <i>bordel</i> or 'place of prostitution'.<br/><br/> Joachim Beuckelaer was born in Antwerp and possibly learned to paint in the workshop of his uncle, Pieter Aertsen, who had married his aunt. Aertsen was best known for his market and kitchen scenes, genres which Beuckelaer continued to paint when he established himself as an independent master in 1560.
Gerardus Mercator, a Flemish German (5 March 1512 – 2 December 1594) was a cartographer renowned for creating a world map based on a new projection which represented sailing courses of constant bearing as straight lines—an innovation that is still employed in nautical charts used for navigation.<br/><br/> In his own day he was the world's most famous geographer but, in addition, he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments.
The English 'brothel' comes from the French bordel or 'place of prostitution'.<br/><br/> Jan Sanders van Hemessen (c. 1500 – c. 1566) was a leading artist of the second generation of Dutch and Flemish Renaissance painting, belonging to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting. Unlike some of these Hemessen had visited Italy at least once, and also Fontainebleau, where there was at the time a colony of Italian artists, the First School of Fontainebleau, working on the palace there.
Gerardus Mercator, a Flemish German (5 March 1512 – 2 December 1594) was a cartographer renowned for creating a world map based on a new projection which represented sailing courses of constant bearing as straight lines—an innovation that is still employed in nautical charts used for navigation.<br/><br/> In his own day he was the world's most famous geographer but, in addition, he had interests in theology, philosophy, history, mathematics and magnetism as well as being an accomplished engraver, calligrapher and maker of globes and scientific instruments.
The Ghent Altarpiece (also called the Adoration of the Mystic Lamb or The Lamb of God, Dutch: Het Lam Gods) is a very large and complex 15th-century Early Flemish polyptych panel painting.<br/><br/> Commissioned and designed as an altarpiece, it comprises 12 panels, eight of which are hinged shutters painted on each side, giving two distinct views depending on whether they are open or closed. Except for Sundays and festive holidays, the outer wings were closed and covered with cloth.<br/><br/> It was begun by Hubert van Eyck who was most likely responsible for the overall design, but died in 1426. Probably, the individual panels were executed by his younger and better known brother Jan van Eyck between 1430 and 1432.<br/><br/> In 1945, the altarpiece was returned from Germany after spending much of World War II hidden in an Austrian salt mine, which greatly damaged the paint and varnish.
The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.
Hugo van der Goes (Ghent c. 1430/1440 – Oudergem 1482) was a Flemish painter. He was, along with Jan van Eyck, Rogier van der Weyden, Hans Memling and Dieric Bouts, one of the most important of the Early Netherlandish painters.
Jan van Eyck was an Early Netherlandish painter active in Bruges and one of the most significant Northern Renaissance artists of the 15th century.<br/><br/> In addition to the Ghent Altarpiece and the illuminated miniatures of the Turin-Milan Hours, about 20 surviving paintings are confidently attributed to him, all dated between 1432 and 1439.
Father Ferdinand Verbiest (9 October 1623 – 28 January 1688) was a Flemish Jesuit missionary in China during the Qing dynasty. He was born in Pittem near Tielt in Flanders, later part of the modern state of Belgium. He was known as Nan Huairen (南懷仁) in Chinese.<br/><br/> He was an accomplished mathematician and astronomer and proved to the court of the Kangxi Emperor that European astronomy was more accurate than Chinese astronomy. He then corrected the Chinese calendar and was later asked to rebuild and re-equip the Beijing Ancient Observatory, being given the role of Head of the Mathematical Board and Director of the Observatory.<br/><br/> He became close friends with the Kangxi Emperor, who frequently requested his teaching, in geometry, philosophy and music. Verbiest worked as a diplomat and cartographer, and also as a translator, because he spoke Latin, German, Dutch, Spanish, Hebrew, and Italian. He wrote more than thirty books.
The Boucicaut Master or Master of the Hours for Marshal Boucicaut was an anonymous French or Flemish miniaturist and illuminator active between 1400 and 1430 in Paris. He worked in the International Gothic style.<br/><br/> He is named after his illustrated Book of Hours for Jean II Le Meingre Boucicaut, Marshal of France, which was created between 1410 and 1415. This Book of Hours is now in the Musée Jacquemart-André in Paris.