Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Ren Yi (1840-1896), also known as Ren Bonian, was a Chinese painter born in Zhejiang during the Qing Dynasty era. He moved to Shanghai in 1855 after the death of his father, which exposed him to Western thinking within a more urban environment. He became a member of the Shanghai School, fusing popular and traditional styles. He is sometimes referred to as one of the 'Four Rens'.
Japan: 'A Youthful Noble'. Chemigraph from series 'Military Costumes in Old Japan' by Kazumasa Ogawa (1860-1929), 1893, Tokyo. Ogawa Kazumasa, also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, chemigrapher, printer and publisher of the Meiji era. He was a pioneer in photomechanical printing and photography, and was born into the Matsudaira samurai clan, where he studied English and photography at the age of 15.
A typical <i>khrueang sai</i> ensemble features two two-string fiddles, one high and one low (<i>saw duang</i> and <i>saw u</i>), a three-string zither called <i>jakhe</i>, a vertical duct flute called <i>khlui</i>, hand drums, and various <i>ching</i> or cymbals. Depending on the size of the ensemble, instruments may be doubled or left out.
A typical <i>khrueang sai</i> ensemble features two two-string fiddles, one high and one low (<i>saw duang</i> and <i>saw u</i>), a three-string zither called <i>jakhe</i>, a vertical duct flute called <i>khlui</i>, hand drums, and various <i>ching</i> or cymbals. Depending on the size of the ensemble, instruments may be doubled or left out.
The main traditional Lao instrument is the flute-like khene (kaen) which is made of bamboo. The khene (also spelled khaen, kaen and khen) is a mouth organ of Lao origin whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown, creating a sound similar to that of the violin.<br/><br/> Today associated with the Lao of Laos and Northeast Thailand, similar instruments date back to the Bronze Age of Southeast Asia. In Cambodia, it is used among the ethnic Lao population of the province of Stung Treng and is used in lakhon ken, a Cambodian dance drama genre that features the khene as the premiere instrument.
The <i>khlui</i> is a vertical duct flute from Thailand. It originated before or during the Sukhothai period (1238-1583 CE) along with many other Thai instruments. But, it was officially recorded as a Thai instrument by King Borommatrailokkanat (1431-1488) during the Ayutthaya Kingdon (1351-1767).<br/><br/> It is a reedless instrument, generally made of bamboo, though instruments are also made from hardwood or plastic. After many generations of modifications, it survives to the present day as the <i>khlui phiang aw</i>.
The <i>khlui</i> is a vertical duct flute from Thailand. It originated before or during the Sukhothai period (1238-1583 CE) along with many other Thai instruments. But, it was officially recorded as a Thai instrument by King Borommatrailokkanat (1431-1488) during the Ayutthaya Kingdon (1351-1767).<br/><br/> It is a reedless instrument, generally made of bamboo, though instruments are also made from hardwood or plastic. After many generations of modifications, it survives to the present day as the <i>khlui phiang aw</i>.
Water Puppetry or Múa rối nước, literally 'puppets that dance on water' originated in the Red River Delta. The puppets are carved from water-resistant wood to represent traditional rural lifestyles and mythical creatures. Standing behind the watery stage, waist-deep in water, the hidden puppeteers skillfully manoeuvre their wooden charges to the music of a traditional orchestra.
Zhao Mengfu ( Wade–Giles: Chao Meng-fu) was a prince and descendant of the Song Dynasty's imperial family, and a Chinese scholar, painter and calligrapher during the Yuan Dynasty.<br/><br/> He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses.
Consort Yang Yuhuan (1 June 719 — 15 July 756), often known as Yang Guifei (Guifei being the highest rank for imperial consorts during her time), known briefly by the Taoist nun name Taizhen, is famous as one of the Four Beauties of Ancient China.<br/><br/> She was the beloved consort of Emperor Xuanzong of Tang during his later years. During the Anshi Rebellion, as Emperor Xuanzong was fleeing from the capital Chang'an to Chengdu, she was killed because his guards blamed the rebellion on her powerful cousin Yang Guozhong and the rest of her family.
<i>Hikifuda</i> are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper.<br/><br/> While <i>hikifuda</i> began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his <i>kyoka</i> poetry and <i>surimono</i> woodblock works.
'Book of the Marvels of the World' (French: <i>Livre des Merveilles du Monde</i>) or 'Description of the World' (<i>Devisement du Monde</i>), in Italian <i>Il Milione</i> ('The Million') or <i>Oriente Poliano</i> and in English commonly called 'The Travels of Marco Polo', is a 13th-century travelogue.<br/><br/> It was recorded by Rustichello da Pisa from stories told by Marco Polo, describing Polo's travels through Asia between 1276 and 1291, and his experiences at the court of Kublai Khan.
Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahabharata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> The principal scriptures discussing Krishna are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
'The Night Revels of Han Xizai' is a painted scroll depicting Han Xizai, a minister of the Southern Tang Emperor Li Yu (937-978). This narrative painting is split into five distinct sections: Han Xizai listens to the pipa, watches dancers, takes a rest, listens to music, and then sees guests off.<br/><br/> The original, painted by Gu Hongzhong (937-975), is lost, but a 12th century copy, housed in the Palace Museum in Beijing, survives (reproduced here).<br/><br/> The full scroll should be viewed from right to left.
The musician on the left is playing a <i>gekkin</i> or Chinese lute (<i>yueqin</i>), while the one on the right is accompanying her with a <i>kiyoshi fue</i> or bamboo flute (<i>Qingdi</i> or 'Qing flute'). Both instruments are associated with Chinese Qing Dynasty music in traditional Japan.
They are known, variously, as sadhus (saints, or 'good ones'), yogis (ascetic practitioners), fakirs (ascetic seeker after the Truth) and sannyasins (wandering mendicants and ascetics). They are the ascetic – and often eccentric – practitioners of an austere form of Hinduism. Sworn to cast off earthly desires, some choose to live as anchorites in the wilderness. Others are of a less retiring disposition, especially in the towns and temples of Nepal's Kathmandu Valley.<br/><br/> If the Vale of Kathmandu seems to boast more than its share of sadhus and yogis, this is because of the number and importance of Hindu temples in the region. The most important temple of Vishnu in the valley is Changunarayan, and here the visitor will find many Vaishnavite ascetics. Likewise, the most important temple for followers of Shiva is the temple at Pashupatinath.<br/><br/> Vishnu, also known as Narayan, can be identified by his four arms holding a sanka (sea shell), a chakra (round weapon), a gada (stick-like weapon) and a padma (lotus flower). The best-known incarnation of Vishnu is Krishna, and his animal is the mythical Garuda.<br/><br/> Shiva is often represented by the lingam, or phallus, as a symbol of his creative side. His animal is the bull, Nandi, and his weapon is the trisul, or trident. According to Hindu mythology Shiva is supposed to live in the Himalayas and wears a garland of snakes. He is also said to smoke a lot of bhang, or hashish.
They are known, variously, as sadhus (saints, or 'good ones'), yogis (ascetic practitioners), fakirs (ascetic seeker after the Truth) and sannyasins (wandering mendicants and ascetics). They are the ascetic – and often eccentric – practitioners of an austere form of Hinduism. Sworn to cast off earthly desires, some choose to live as anchorites in the wilderness. Others are of a less retiring disposition, especially in the towns and temples of Nepal's Kathmandu Valley.<br/><br/> If the Vale of Kathmandu seems to boast more than its share of sadhus and yogis, this is because of the number and importance of Hindu temples in the region. The most important temple of Vishnu in the valley is Changunarayan, and here the visitor will find many Vaishnavite ascetics. Likewise, the most important temple for followers of Shiva is the temple at Pashupatinath.<br/><br/> Vishnu, also known as Narayan, can be identified by his four arms holding a sanka (sea shell), a chakra (round weapon), a gada (stick-like weapon) and a padma (lotus flower). The best-known incarnation of Vishnu is Krishna, and his animal is the mythical Garuda.<br/><br/> Shiva is often represented by the lingam, or phallus, as a symbol of his creative side. His animal is the bull, Nandi, and his weapon is the trisul, or trident. According to Hindu mythology Shiva is supposed to live in the Himalayas and wears a garland of snakes. He is also said to smoke a lot of bhang, or hashish.
Hang Trong painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống and Hàng Nón streets in Old Hanoi's 36 Streets District.<br/><br/> In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
In the 320s BCE, Alexander the Great captured the city of Bagram and established a fortified colony named Alexandria of the Caucasus. The new town had brick walls reinforced with towers at the angles. The central street was bordered with shops and workshops.<br/><br/> After his death in 323 BC, the city passed to his general Seleucus, who traded it to the Mauryan Dynasty of India in 305 BC. After the Mauryans were overthrown by the Sunga Dynasty in 185 BC, the Greco-Bactrian Kingdom invaded and conquered Northwestern India (Present Day Pakistan) with an army led by Demetrius I of Bactria. Alexandria became a capital of the Eucratidian Indo-Greek Kingdom after they were driven out of Bactria by the Yuezhi in 140 BC.<br/><br/> Bagram (Kapisa) became the summer capital of the Kushan Empire in the 1st century, whereas their winter capital was in Peshawar. The emperor Kanishka started many new buildings there. The central palace building yielded a very rich treasure, dated from the time of emperor Kanishka in the 2nd century: ivory-plated stools of Indian origin, lacquered boxes from Han China, Greco-Roman glasses from Egypt and Syria, Hellenistic statues in the Pompeian style, stucco moldings, and silverware of Mediterranean origin.<br/><br/> The 'Bagram treasure' is indicative of intense commercial exchanges between all the cultural centers of Classical times, with the Kushan empire at the junction of the land and sea trade between the east and west. However, the works of art found in Bagram are either purely Hellenistic, Roman, Chinese or Indian, with little indication of the cultural syncretism found in Greco-Buddhist art.
Beyond Ambalangoda, and the last stop before Galle, is the enduringly popular beach resort of Hikkaduwa.<br/><br/> The name Hikkaduwa is thought to have been derived from the two words <i>Ship Kaduwa</i>, with <i>Ship</i> being the shorter version of <i>Shilpaya</i> which refers to knowledge in Sinhalese and <i>Kaduwa</i> which means sword. It is believed therefore that the name Hikkaduwa means <i>sword of knowledge</i>.
Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
They are known, variously, as sadhus (saints, or 'good ones'), yogis (ascetic practitioners), fakirs (ascetic seeker after the Truth) and sannyasins (wandering mendicants and ascetics). They are the ascetic – and often eccentric – practitioners of an austere form of Hinduism. Sworn to cast off earthly desires, some choose to live as anchorites in the wilderness. Others are of a less retiring disposition, especially in the towns and temples of Nepal's Kathmandu Valley.<br/><br/> If the Vale of Kathmandu seems to boast more than its share of sadhus and yogis, this is because of the number and importance of Hindu temples in the region. The most important temple of Vishnu in the valley is Changunarayan, and here the visitor will find many Vaishnavite ascetics. Likewise, the most important temple for followers of Shiva is the temple at Pashupatinath.<br/><br/> Vishnu, also known as Narayan, can be identified by his four arms holding a sanka (sea shell), a chakra (round weapon), a gada (stick-like weapon) and a padma (lotus flower). The best-known incarnation of Vishnu is Krishna, and his animal is the mythical Garuda.<br/><br/> Shiva is often represented by the lingam, or phallus, as a symbol of his creative side. His animal is the bull, Nandi, and his weapon is the trisul, or trident. According to Hindu mythology Shiva is supposed to live in the Himalayas and wears a garland of snakes. He is also said to smoke a lot of bhang, or hashish.
They are known, variously, as sadhus (saints, or 'good ones'), yogis (ascetic practitioners), fakirs (ascetic seeker after the Truth) and sannyasins (wandering mendicants and ascetics). They are the ascetic – and often eccentric – practitioners of an austere form of Hinduism. Sworn to cast off earthly desires, some choose to live as anchorites in the wilderness. Others are of a less retiring disposition, especially in the towns and temples of Nepal's Kathmandu Valley.<br/><br/> If the Vale of Kathmandu seems to boast more than its share of sadhus and yogis, this is because of the number and importance of Hindu temples in the region. The most important temple of Vishnu in the valley is Changunarayan, and here the visitor will find many Vaishnavite ascetics. Likewise, the most important temple for followers of Shiva is the temple at Pashupatinath.<br/><br/> Vishnu, also known as Narayan, can be identified by his four arms holding a sanka (sea shell), a chakra (round weapon), a gada (stick-like weapon) and a padma (lotus flower). The best-known incarnation of Vishnu is Krishna, and his animal is the mythical Garuda.<br/><br/> Shiva is often represented by the lingam, or phallus, as a symbol of his creative side. His animal is the bull, Nandi, and his weapon is the trisul, or trident. According to Hindu mythology Shiva is supposed to live in the Himalayas and wears a garland of snakes. He is also said to smoke a lot of bhang, or hashish.
The Puning Temple (Chinese: 普宁寺; pinyin: Pǔníng Sì; literally: 'Temple of Universal Peace' and commonly called the Big Buddha Temple) is a Qing dynasty era Buddhist temple complex built in 1755, during the reign of the Qianlong Emperor (1735-1796 CE) to show the Qing's respect for Tibetan Buddhism.<br/><br/> In 1703, Chengde was chosen by the Kangxi Emperor as the location for his summer residence. Constructed throughout the eighteenth century, the Mountain Resort was used by both the Yongzheng and Qianlong emperors. The site is currently an UNESCO World Heritage Site. Since the seat of government followed the emperor, Chengde was a political center of the Chinese empire during these times.<br/><br/> Chengde, formerly known as Jehol, reached its height under the Qianlong Emperor 1735-1796 (died 1799). The great monastery temple of the Potala, loosely based on the famous Potala in Lhasa, was completed after just four years of work in 1771. It was heavily decorated with gold and the emperor worshipped in the Golden Pavilion. In the temple itself was a bronze-gilt statue of Tsongkhapa, the Reformer of the Gelugpa sect.
The Puning Temple (Chinese: 普宁寺; pinyin: Pǔníng Sì; literally: 'Temple of Universal Peace' and commonly called the Big Buddha Temple) is a Qing dynasty era Buddhist temple complex built in 1755, during the reign of the Qianlong Emperor (1735-1796 CE) to show the Qing's respect for Tibetan Buddhism.<br/><br/> In 1703, Chengde was chosen by the Kangxi Emperor as the location for his summer residence. Constructed throughout the eighteenth century, the Mountain Resort was used by both the Yongzheng and Qianlong emperors. The site is currently an UNESCO World Heritage Site. Since the seat of government followed the emperor, Chengde was a political center of the Chinese empire during these times.<br/><br/> Chengde, formerly known as Jehol, reached its height under the Qianlong Emperor 1735-1796 (died 1799). The great monastery temple of the Potala, loosely based on the famous Potala in Lhasa, was completed after just four years of work in 1771. It was heavily decorated with gold and the emperor worshipped in the Golden Pavilion. In the temple itself was a bronze-gilt statue of Tsongkhapa, the Reformer of the Gelugpa sect.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
A hand-drawn, hand-coloured watercolour from the late 19th century by an unknown Burmese artist.<br/><br/> The name of the ethnic group featured appears near the top of the picture in Shan script (left), Burmese script (Centre) and Khun script (right). Khun script was formerly used in Kengtung / Kyaingtong in eastern Shan State and in Lan Na or Lanna, northern Thailand.<br/><br/> The Akha are an ethnic minority hilltribe that is indigenous to Burma, Thailand, Laos and China’s Yunnan Province with a total population estimated to be about half a million.
Minamoto no Hiromasa (源 博雅, 918 – September 28, 980) was a nobleman and gagaku musician in the Heian period. He was the eldest son of Prince Katsuakira and the grandson of Emperor Daigo. His mother was the daughter of Fujiwara no Tokihira.<br/><br/> Emperor Daigo (醍醐天皇 Daigo-tennō, February 6, 884 – October 23, 930) was the 60th emperor of Japan, according to the traditional order of succession. Daigo's reign spanned the years from 897 through 930. He is named after his place of burial.
Between 1802 and 1945, Hue was the imperial capital of the Nguyen Dynasty, a feudal kingdom which dominated much of southern Vietnam from the 17th to the 19th century. In 1775 when Trinh Sam captured it, it was known as Phu Xuan. In 1802, Nguyen Phuc Anh (later Emperor Gia Long) succeeded in establishing his control over the whole of Vietnam, thereby making Hue the national capital until 1945, when Emperor Bao Dai abdicated and a communist government was established in Hanoi.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
Between 1802 and 1945, Hue was the imperial capital of the Nguyen Dynasty, a feudal kingdom which dominated much of southern Vietnam from the 17th to the 19th century. In 1775 when Trinh Sam captured it, it was known as Phu Xuan. In 1802, Nguyen Phuc Anh (later Emperor Gia Long) succeeded in establishing his control over the whole of Vietnam, thereby making Hue the national capital until 1945, when Emperor Bao Dai abdicated and a communist government was established in Hanoi.
The komusō (虚無僧 komusō, Hiragana こむそう; also romanized komusou or komuso) were a group of Japanese mendicant monks of the Fuke school of Zen Buddhism who flourished during the Edo period of 1600-1868.<br/><br/> Komusō were characterized by a straw basket (a sedge or reed hood named a tengai or tengui) worn on the head, manifesting the absence of specific ego. They were also known for playing solo pieces on the shakuhachi (a type of Japanese bamboo flute). These pieces, called honkyoku ('original pieces') were played during a meditative practice called suizen, for alms, as a method of attaining enlightenment, and as a healing modality.<br/><br/> The Japanese government introduced reforms after the Edo period, abolishing the Fuke sect. Records of the musical repertoire survived, and are being revived in the 21st century.
Kitagawa Utamaro (ca. 1753 - October 31, 1806) was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.
The Karen are a major ethnic group of Burma, though several hundred thousand live in northern Thailand. Linguistically Tibeto-Burman, the Karen maintain a legend that dates them back to the Gobi Desert of Mongolia. There are several branches of Karen—the Red Karen (Karenni), Sgaw Karen and Pwo Karen. There is also the hilltribe of Padaung, better known as 'Long-neck Karen'. In present-day Myanmar, the Karen rebel army, the KNU, has continuously fought a bloody civil war with the central Burman government since 1948.<br/><br/> The main traditional Lao instrument is the flute-like khene (kaen) which is made of bamboo. The khene (also spelled khaen, kaen and khen) is a mouth organ of Lao origin whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown, creating a sound similar to that of the violin.<br/><br/> Today associated with the Lao of Laos and Northeast Thailand, similar instruments date back to the Bronze Age of Southeast Asia. In Cambodia, it is used among the ethnic Lao population of the province of Stung Treng and is used in lakhon ken, a Cambodian dance drama genre that features the khene as the premiere instrument.
Hang Trong painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống and Hàng Nón streets in Old Hanoi's 36 Streets District.<br/><br/> In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.
Hang Trong painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống and Hàng Nón streets in Old Hanoi's 36 Streets District.<br/><br/> In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.
The main traditional Lao instrument is the flute-like khene (kaen) which is made of bamboo. The khene (also spelled khaen, kaen and khen) is a mouth organ of Lao origin whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown, creating a sound similar to that of the violin.<br/><br/> Today associated with the Lao of Laos and Northeast Thailand, similar instruments date back to the Bronze Age of Southeast Asia. In Cambodia, it is used among the ethnic Lao population of the province of Stung Treng and is used in lakhon ken, a Cambodian dance drama genre that features the khene as the premiere instrument.<br/><br/> Luang Prabang was formerly the capital of a kingdom of the same name. Until the communist takeover in 1975, it was the royal capital and seat of government of the Kingdom of Laos. The city is nowadays a UNESCO World Heritage Site.
Hand-colored image painted on a thin sheet of mica from a manuscript entitled: ‘Seventy-Two Specimens of Caste in India’ (Madura, southern India: 1837). The full manuscript consists of 72 full-color hand-painted images of men and women of the various castes and religious and ethnic groups found in Madura, Tamil Nadu, at that time. The manuscript shows Indian dress and jewelry adornment in the Madura region as they appeared before the onset of Western influences on South Asian dress and style. Each illustrated portrait is captioned in English and in Tamil, and the title page of the work includes English, Tamil, and Telugu.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Reed Flute Cave takes its name from the reeds that used to grow at the entrance to the cave. These reeds were used to make flutes.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Naxi music is 500 years old, and with its mixture of literary lyrics, poetic topics, and musical styles from the Tang, Song, and Yuan dynasties, as well as some Tibetan influences, it has developed its own unique style and traits. There are three main styles: Baisha, Dongjing, and Huangjing, all using traditional Chinese instruments.<br/><br/> The Naxi or Nakhi are an ethnic group inhabiting the foothills of the Himalayas in the northwestern part of Yunnan Province, as well as the southwestern part of Sichuan Province in China. The Naxi are thought to have come originally from Tibet and, until recently, maintained overland trading links with Lhasa and India.<br/><br/> The Naxi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The Naxi are traditionally followers of the Dongba religion. Through both Han Chinese and Tibetan cultural influences, they adopted Tibetan Buddhism and, to a lesser extent, Taoism, in the 10th century.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Tsukioka Yoshitoshi (1839 – June 9, 1892), also named Taiso Yoshitoshi, was a Japanese artist. He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of feudal Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many outstanding aspects of traditional Japanese culture, among them traditional woodblock printing.
Krishna (literally 'dark, black, dark-blue') is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is an Avatar of Vishnu and considered in some monotheistic traditions as the Supreme Being. Krishna is identified as a historical individual who participated in the events of the Mahābhārata.<br/><br/> Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.<br/><br/> The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.<br/><br/> City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.