Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Japan: 'Foreigners Enjoying Themselves at a Party'. Detail of triptych print by Utagawa Yoshikazu (active 1850-1870), 1860. The <i>ukiyo-e</i> genre of art flourished in Japan from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term <i>ukiyo-e</i> translates as 'picture[s] of the floating world'.
Japan: 'Two Japanese men and one Foreigner riding on a Horse while a Japanese Farmer walks'. Woodblock print dated 1862. The <i>ukiyo-e</i> genre of art flourished in Japan from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties, kabuki actors and sumo wrestlers, scenes from history and folk tales, travel scenes and landscapes, flora and fauna, and erotica. The term <i>ukiyo-e</i> translates as 'picture[s] of the floating world'.
Japan: 'Western Traders at Yokohama Transporting Merchandise'. Detail of triptych print by Utagawa Sadahide (1807-1878/1879), 1861. Utagawa Sadahide, also known as Gountei Sadahide, was a Japanese artist best known for his prints in the <i>ukiyo-e</i> style as a member of the Utagawa school. His prints covered a wide variety of genres; amongst his best known are his <i>Yokohama-e</i> pictures of foreigners in Yokohama in the 1860s, a period when he was a best-selling artist. He was a member of the Tokugawa shogunate's delegation to the International Exposition of 1867 in Paris.
Japan: 'Banquet at a Foreign Mercantile House in Yokohama'. Woodblock print by Utagawa Sadahide (1807-1878/1879), 1861. Utagawa Sadahide, also known as Gountei Sadahide, was a Japanese artist best known for his prints in the <i>ukiyo-e</i> style as a member of the Utagawa school. His prints covered a wide variety of genres; amongst his best known are his <i>Yokohama-e</i> pictures of foreigners in Yokohama in the 1860s, a period when he was a best-selling artist. He was a member of the Tokugawa shogunate's delegation to the International Exposition of 1867 in Paris.
Japan: 'Russians enjoying themselves on Sunday in Yokohama'. Woodblock print by Utagawa Sadahide (1807-1878/1879), 1861. Utagawa Sadahide, also known as Gountei Sadahide, was a Japanese artist best known for his prints in the <i>ukiyo-e</i> style as a member of the Utagawa school. His prints covered a wide variety of genres; amongst his best known are his <i>Yokohama-e</i> pictures of foreigners in Yokohama in the 1860s, a period when he was a best-selling artist. He was a member of the Tokugawa shogunate's delegation to the International Exposition of 1867 in Paris.
Japan: 'Foreigners in Yokohama draw up a contract in Mercantile House'. Woodblock print by Utagawa Sadahide (1807-1878/1879), 1861. Utagawa Sadahide, also known as Gountei Sadahide, was a Japanese artist best known for his prints in the <i>ukiyo-e</i> style as a member of the Utagawa school. His prints covered a wide variety of genres; amongst his best known are his <i>Yokohama-e</i> pictures of foreigners in Yokohama in the 1860s, a period when he was a best-selling artist. He was a member of the Tokugawa shogunate's delegation to the International Exposition of 1867 in Paris.
Japan: 'Foreigners Enjoying Themselves at a Party'. Detail of triptych print by Utagawa Yoshikazu (active 1850-1870), 1860. The ukiyo-e genre of art flourished in Japan from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e translates as 'picture[s] of the floating world'.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Yangshuo is rightly famous for its dramatic scenery. It lies on the west bank of the Li River (Lijiang) and is just 60 kilometres downstream from Guilin. Over recent years it has become a popular destination with tourists whilst also retaining its small river town feel.<br/><br/> The name Guilin means ‘Cassia Woods’ and is named after the osmanthus (cassia) blossoms that bloom throughout the autumn period.<br/><br/> Guilin is the scene of China’s most famous landscapes, inspiring thousands of paintings over many centuries. The ‘finest mountains and rivers under heaven’ are so inspiring that poets, artists and tourists have made this China’s number one natural attraction.
Utagawa Yoshiiku (1833 – 6 February 1904), also known as Ochiai Yoshiiku, was a Japanese artist of the Utagawa school. Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of <i>ukiyo-e</i> artist Utagawa Kuniyoshi towards the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master.<br/><br/> Yoshiiku's earliest works were portraits of actors, beauties, and warriors. He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the <i>Tokyo Nichi Nichi Shimbun</i> (Tokyo Daily News) from 1874 to 1876, and then co-founded the <i>Tokyo E-iri Shinbun</i> (Tokyo Illustrated News). The latter folded in 1889, and Yoshiiku returned to making prints.