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Damarwulan is a Javanese legendary hero who appears in a cycle of stories used in the performance of wayang klitik, as well as Langendriya (female dance-opera) and ketoprak (popular theater). These stories tell of the struggles between the Majapahit and Blambangan kingdoms, in which Damarwulan gains honor. The stories are especially popular in East Java.<br/><br/>The Damarwulan legend is associated with the Majapahit court at the time of the queen Suhita, at which time there was a war with Blambangan. However, the names of the characters Damar Wulan ('radiance of the moon') and Menak Jingga ('red knight') suggest that it may incorporate elements of an older sun-moon myth. It is uncertain when the story was first recorded and by whom.
Ronggeng is a type of Javanese and Malay social dance in which couples exchange poetic verses as they dance to the music of a rebab or violin and a gong. Ronggeng originated in Java, but also can be found in Sumatra and the Malay peninsula.<br/><br/> Ronggeng probably has existed in Java since ancient times, the bas reliefs in Karmawibhanga section on 8th century Borobudur displays the scene of travelling entertainment troupe with musicians and female dancers. In Java, a traditional ronggeng performance features a traveling dance troupe that travels from village to village. The dance troop consists of one or several professional female dancers, accompanied by a group of musicians playing musical instruments: rebab and gong.<br/><br/> The term 'ronggeng' is also applied to the female dancers. During a ronggeng performance, the female professional dancers are expected to invite some male audiences or clients to dance with them as a couple with the exchange of some tips of money for the female dancer, given during or after the dance. The couple dances intimately and the female dancer might perform some movements that might be considered too erotic by standards of modesty in Javanese court etiquette. In the past, the erotic and sexual nuances of the dance gave ronggeng a shady reputation as prostitution disguised in the art of dance.