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The Kasthamandap, reputedly built from the wood of a single Sal tree, is a kind of half-open, airy pavilion, covered with a three-tiered roof. The simplicity of the building belies its importance.<br/><br/> The Kasthamandap is thought to have been built in the 14th century, but its origins may go back even further. The present building is presumed to date back to the reign of King Lakshminarasinha (1617-41).<br/><br/> The Kasthamandap contains a small shrine dedicated to saint Gorakhnath, and, in line with Gorakhnath’s bizarre exploits, spiritual aspirants are said in the past to have gathered there to perform the Tantric rite of chakra-puja, or 'circle-worship' (from the Sanskrit chakra, 'circle' and puja, 'worship, prayer').
The Kasthamandap, reputedly built from the wood of a single Sal tree, is a kind of half-open, airy pavilion, covered with a three-tiered roof. The simplicity of the building belies its importance.<br/><br/> The Kasthamandap is thought to have been built in the 14th century, but its origins may go back even further. The present building is presumed to date back to the reign of King Lakshminarasinha (1617-41).<br/><br/> The Kasthamandap contains a small shrine dedicated to saint Gorakhnath, and, in line with Gorakhnath’s bizarre exploits, spiritual aspirants are said in the past to have gathered there to perform the Tantric rite of chakra-puja, or 'circle-worship' (from the Sanskrit chakra, 'circle' and puja, 'worship, prayer').
Kālī is the Hindu goddess associated with eternal energy. 'She who destroys'. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Kali means 'the black one'. Since Shiva is called Kāla - the eternal time, Kālī, his consort, also means 'Time' or 'Death' (as in time has come). Hence, Kali is considered the goddess of time and change.<br/><br/> Although sometimes presented as dark and violent, her earliest incarnation as a figure of annihilation still has some influence. Various Shakta Hindu cosmologies, as well as Shakta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatarini (literally 'redeemer of the universe').<br/><br/> Kali is represented as the consort of Lord Shiva, on whose body she is often seen standing. She is associated with many other Hindu goddesses like Durga, Bhadrakali, Sati, Rudrani, Parvati and Chamunda. She is the foremost among the Dasa Mahavidyas, ten fierce Tantric goddesses.
The British conquest of Burma began in 1824 in response to a Burmese attempt to invade India. By 1886, and after two further wars, Britain had incorporated the entire country into the British Raj. To stimulate trade and facilitate changes, the British brought in Indians and Chinese, who quickly displaced the Burmese in urban areas. To this day Rangoon and Mandalay have large ethnic Indian populations. Railways and schools were built, as well as a large number of prisons, including the infamous Insein Prison, then as now used for political prisoners.<br/><br/>Burmese resentment was strong and was vented in violent riots that paralysed Rangoon on occasion all the way until the 1930s. Burma was administered as a province of British India until 1937 when it became a separate, self-governing colony. Burma finally gained independence from Britain on January 4, 1948.
Originally built in the 16th century, Wat Pho is Bangkok's oldest temple. King Rama I of the Chakri Dynasty (1736—1809) rebuilt the temple in the 1780s.<br/><br/> Officially called Wat Phra Chetuphon, it is one of Bangkok's best known Buddhist temples and is nowadays a major tourist attraction, located directly to the south of the Grand Palace. Wat Pho is famed for its Reclining Buddha and renowned as the home of traditional Thai massage.
The Vishnu figure of Budhanilkantha is a 4.5 metre long, intricately carved figure depicting Vishnu sleeping on the ground of the cosmic ocean, on a 'bed' of intertwining snake bodies, which are all part of the eleven-headed giant snake Ananta, 'The Endless One'.<br/><br/> The figure probably originated in the 7th century and is hewn out of a single piece of rock. According to legend, Budhanilkantha was discovered by a farmer while ploughing his field; the plough snagged on the figure, which was buried underground, and, to the farmer’s great surprise, the figure began to bleed. Budha means 'mud' and Nila-kantha is 'Blue Throat'; Budhanilkantha is regarded as a manifestation of Vishnu (not to be confused with a better known incarnation of Vishnu as Nilakantha).
The Vishnu figure of Budhanilkantha is a 4.5 metre long, intricately carved figure depicting Vishnu sleeping on the ground of the cosmic ocean, on a 'bed' of intertwining snake bodies, which are all part of the eleven-headed giant snake Ananta, 'The Endless One'.<br/><br/> The figure probably originated in the 7th century and is hewn out of a single piece of rock. According to legend, Budhanilkantha was discovered by a farmer while ploughing his field; the plough snagged on the figure, which was buried underground, and, to the farmer’s great surprise, the figure began to bleed. Budha means 'mud' and Nila-kantha is 'Blue Throat'; Budhanilkantha is regarded as a manifestation of Vishnu (not to be confused with a better known incarnation of Vishnu as Nilakantha).
The Vishnu figure of Budhanilkantha is a 4.5 metre long, intricately carved figure depicting Vishnu sleeping on the ground of the cosmic ocean, on a 'bed' of intertwining snake bodies, which are all part of the eleven-headed giant snake Ananta, 'The Endless One'.<br/><br/> The figure probably originated in the 7th century and is hewn out of a single piece of rock. According to legend, Budhanilkantha was discovered by a farmer while ploughing his field; the plough snagged on the figure, which was buried underground, and, to the farmer’s great surprise, the figure began to bleed. Budha means 'mud' and Nila-kantha is 'Blue Throat'; Budhanilkantha is regarded as a manifestation of Vishnu (not to be confused with a better known incarnation of Vishnu as Nilakantha).