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Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
The main feature of Tachupal Tol is the Dattatreya Temple. This three storey temple was initiated in 1427 by King Yaksha Malla, on the site of an ancient shrine marking the spot where a famous spiritual teacher had died. Yaksha Malla’s construction was originally only a kind of mandap, similar to the Kasthamandap in Kathmandu; and, in common with the Kasthamandap, it was supposedly built from the wood of a single Sal tree and used for the obscure rites of Tantric sects.<br/><br/> In 1558, Vishva Malla renovated the mandap and added a building which was to house an image of Dattatreya, the 'Lord of the Trinity'. Dattatreya is a rare amalgamation of Hinduism’s foremost deities, Brahma, Vishnu and Shiva, into a single form. Nevertheless, a Garuda is set high on a pillar facing the temple indicates that the locals considered Dattatreya primarily a manifestation of Vishnu.
The main feature of Tachupal Tol is the Dattatreya Temple. This three storey temple was initiated in 1427 by King Yaksha Malla, on the site of an ancient shrine marking the spot where a famous spiritual teacher had died. Yaksha Malla’s construction was originally only a kind of mandap, similar to the Kasthamandap in Kathmandu; and, in common with the Kasthamandap, it was supposedly built from the wood of a single Sal tree and used for the obscure rites of Tantric sects.<br/><br/> In 1558, Vishva Malla renovated the <i>mandap</i> and added a building which was to house an image of Dattatreya, the 'Lord of the Trinity'. Dattatreya is a rare amalgamation of Hinduism’s foremost deities, Brahma, Vishnu and Shiva, into a single form. Nevertheless, a Garuda is set high on a pillar facing the temple indicates that the locals considered Dattatreya primarily a manifestation of Vishnu.
The main feature of Tachupal Tol is the Dattatreya Temple. This three storey temple was initiated in 1427 by King Yaksha Malla, on the site of an ancient shrine marking the spot where a famous spiritual teacher had died. Yaksha Malla’s construction was originally only a kind of mandap, similar to the Kasthamandap in Kathmandu; and, in common with the Kasthamandap, it was supposedly built from the wood of a single Sal tree and used for the obscure rites of Tantric sects.<br/><br/> In 1558, Vishva Malla renovated the <i>mandap</i> and added a building which was to house an image of Dattatreya, the 'Lord of the Trinity'. Dattatreya is a rare amalgamation of Hinduism’s foremost deities, Brahma, Vishnu and Shiva, into a single form. Nevertheless, a Garuda is set high on a pillar facing the temple indicates that the locals considered Dattatreya primarily a manifestation of Vishnu.
The main feature of Tachupal Tol is the Dattatreya Temple. This three storey temple was initiated in 1427 by King Yaksha Malla, on the site of an ancient shrine marking the spot where a famous spiritual teacher had died. Yaksha Malla’s construction was originally only a kind of mandap, similar to the Kasthamandap in Kathmandu; and, in common with the Kasthamandap, it was supposedly built from the wood of a single Sal tree and used for the obscure rites of Tantric sects.<br/><br/> In 1558, Vishva Malla renovated the <i>mandap</i> and added a building which was to house an image of Dattatreya, the 'Lord of the Trinity'. Dattatreya is a rare amalgamation of Hinduism’s foremost deities, Brahma, Vishnu and Shiva, into a single form. Nevertheless, a Garuda is set high on a pillar facing the temple indicates that the locals considered Dattatreya primarily a manifestation of Vishnu.
The main feature of Tachupal Tol is the Dattatreya Temple. This three storey temple was initiated in 1427 by King Yaksha Malla, on the site of an ancient shrine marking the spot where a famous spiritual teacher had died. Yaksha Malla’s construction was originally only a kind of mandap, similar to the Kasthamandap in Kathmandu; and, in common with the Kasthamandap, it was supposedly built from the wood of a single Sal tree and used for the obscure rites of Tantric sects.<br/><br/> In 1558, Vishva Malla renovated the <i>mandap</i> and added a building which was to house an image of Dattatreya, the 'Lord of the Trinity'. Dattatreya is a rare amalgamation of Hinduism’s foremost deities, Brahma, Vishnu and Shiva, into a single form. Nevertheless, a Garuda is set high on a pillar facing the temple indicates that the locals considered Dattatreya primarily a manifestation of Vishnu.
The Garuda is a large bird-like creature, or humanoid bird that appears in both Hinduism and Buddhism. The Garuda is the mount (vahana) of the Lord Vishnu.<br/><br/> Patan’s Durbar Square is the best preserved of the three Durbar Squares in the Kathmandu Valley, the one least changed from its original form. On the square itself, which measures about 160 by 70 metres at its widest, there are some 30 monuments, including the extensive old palace complex, and another 30 can be found in the immediate vicinity. In addition, all around, craftsmen conduct their business in ways little changed in centuries.
The Kumbheshvara Temple a little to the north of the Golden Temple, is dedicated to Shiva in his manifestation as 'Lord of the Water Pots' (kumbha translates as 'water pot' or 'clay pot') and is considered Patan’s most important Shiva sanctuary. Its significance is founded on the belief that Shiva spends the six winter months at this site, returning for the summer months to his cool abode on Mount Kailash.<br/><br/> Notably, the temple is one of only two in the valley with a five-tiered roof, the other being the Nyatapola Temple in Bhaktapur. Initially the temple had only a double-tiered roof: the upper three tiers were added by King Shrinivasa Malla between 1660 and 1684. In the original construction the roofs were covered with tiles, but over-zealous local politicians had the tiles removed and substituted them with expensive copper sheeting.<br/><br/> The temple was built in its original form in 1392, by a wealthy man named Jaya Bhima, who hoped that the meritorious act would boost the recovery of his ailing wife. She died, however, and after her demise Jaya Bhima and his sons made additions to the temple. The temple features some masterful woodcarvings, including torana and a wooden, brightly gilded Shivalingam with the four faces of Shiva on its sides.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
The Royal Palace supposedly dates back to the Licchavi period (5th-13th century), but, with the exception of a few inscriptions, there is little substantial evidence for this. In the earliest inscription, which hails from the year 643 CE and which was found at the Keshav Narayan Chowk, Licchavi King Narendra Deva announced the abolition of three types of taxes, presumably making him popular with his subjects. This indicates that there may at the time have been a palace at the site of Keshav Narayan Chowk, which is part of the present royal palace complex.<br/><br/> The royal palace as seen today in Durbar Square has its origins in the 14th century; however, the most active building period was the 17th century.
The Garuda is a large bird-like creature, or humanoid bird that appears in both Hinduism and Buddhism. The Garuda is the mount (vahana) of the Lord Vishnu.
The Garuda is a large bird-like creature, or humanoid bird that appears in both Hinduism and Buddhism. The Garuda is the mount (vahana) of the Lord Vishnu.
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
Vishnu (Sanskrit विष्णु Viṣṇu) is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God.<br/><br/> The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of - and beyond - the past, present and future, one who supports, sustains and governs the Universe and originates and develops all elements within. Vishnu governs the aspect of preservation and sustenance of the universe, so he is called 'Preserver of the Universe'.<br/><br/> In the Puranas, Vishnu is described as having the divine colour of water filled clouds, four-armed, holding a lotus, mace, conch (shankha) and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a 'Universal Form' (Vishvarupa) which is beyond the ordinary limits of human perception or imagination.
The Krut Hern Het is one of two Krut Class barges with garuda figureheads.<br/><br/> Thailand's royal barges have been used in ceremonies on Bangkok's Chao Phraya River since the 18th century, but were also used prior to this period in the Ayutthayan era.<br/><br/> The exquisitely crafted Royal Barges are a blend of craftsmanship and traditional Thai art. The Royal Barge Procession takes place rarely, typically coinciding with only the most significant cultural and religious events. During the reign of King Bhumibol Adulyadej spanning over 60 years the Procession has only occurred 16 times.<br/><br/> The Royal Barge Procession, in the present, consists of 52 barges (51 historical Barges, and the Royal Barge the Narai Song Suban King Rama IX, built in 1994 and the only Barge built during King Bhumibol's reign) and is manned by 2,082 oarsmen. The Procession proceeds down the Chao Phraya River, from the Wasukri Royal Landing Place in Khet Dusit, Bangkok, passes the Temple of the Emerald Buddha, The Grand Palace, Wat Po and finally arrives at Wat Arun (Temple of the Dawn).
Rudravarna Mahavihara, or Oku Bahal, was built in the mid-17th century. The temple is located around a courtyard which overflows with chaitya and metal figures of all kinds and sizes. There are massive Garudas, elephants, peacocks, figures of praying worshippers and a statue of Juddha Shamsher Rana, who granted the temple generous restoration aid after the earthquake of 1934.<br/><br/> In the corners of the courtyard, which is lined with oil lamp railings, there are bronze figures of the mischievous monkey god Hanuman, which show him variously eating a pumpkin, a banana and something which looks like a chapati, the traditional bread of the Indian subcontinent. Some sources suggest that the kings of Patan were crowned in this most elaborate of courtyards.<br/><br/> The temple complex is of a square design, and the building housing the main shrine is topped with a two-tiered roof. Inside, a profusely decorated figure of the Akshobhya Buddha is kept. Every day at around 3.30 pm a priest will come to open it up and perform some puja. At the beginning of the puja, the priest stands for a few moments on a pair of gilded, richly ornamented paduka, or sandals, the insignia of kings or deities; by standing on the paduka, the priest invokes the spirit of the gods. Then he beats a longish wooden tube, held over his shoulder, to wake up the deity in whose honour the puja is being held. The rite has probably been conducted in this manner for centuries.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
Located four kilometres north of Bhaktapur at the end of a high ridge (1,677 metres), the temple of Changu Narayan is one of the oldest in the Kathmandu Valley, and the most sacred to worshippers of Vishnu.<br/><br/> The original construction of Changu Narayan, or Vishnu of the Moving Hill, is attributed to Licchavi king Hari Datta Varma around 325 CE. The earliest inscription found dates back to the year 464 in the reign of King Manadeva I, but there are indications that the temple must have existed long before.
The Garuda is a large bird-like creature, or humanoid bird that appears in both Hinduism and Buddhism.<br/><br/> The Garuda is the mount (vahana) of the Lord Vishnu.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
Wat Phra Kaew (Temple of the Emerald Buddha); full official name Wat Phra Si Rattana Satsadaram is regarded as the most sacred Buddhist temple in Thailand. It is located within the precincts of the Grand Palace.<br/><br/> The Grand Palace served as the official residence of the Kings of Thailand from the 18th century onwards. Construction of the Palace began in 1782, during the reign of King Rama I, when he moved the capital across the river from Thonburi to Bangkok.
The kingdom of Champa (Campadesa or nagara Campa) Chăm Pa in Vietnamese, 占城 Chiêm Thành in Hán Việt and Zhàn chéng in Chinese records) was an Indianized kingdom that controlled much of southern and central Vietnam from approximately the 7th century through to 1832.<br/><br/> Champa reached its apogee in the 9th and 10th centuries. Then began a gradual decline under pressure from Đại Việt, the Vietnamese polity centered in the region of modern Hanoi. In 1471, Viet troops sacked the northern Cham capital of Vijaya, and in 1697 the southern principality of Panduranga became a vassal of the Vietnamese emperor.<br/><br/> In 1832, the Vietnamese emperor Minh Mạng annexed the remaining Cham territories. Mỹ Sơn, a former religious center, and Hội An, one of Champa's main port cities, are now UNESCO World Heritage sites.
Preah Khan (Temple of the Sacred Sword) was built in the late 12th century (1191) by Jayavarman VII and is located just north of Angkor Thom. The temple was built on the site of Jayavarman VII's victory over the invading Chams in 1191. It was the centre of a substantial organisation, with almost 100,000 officials and servants. It served as a Buddhist university at one time. The temple's primary deity is the boddhisatva Avalokiteshvara in the form of Jayavarman's father.
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
The Terrace of the Elephants was used by King Jayavarman VII to review his victorious army.<br/><br/> Angkor Thom, meaning ‘The Great City’, is located one mile north of Angkor Wat. It was built in the late 12th century by King Jayavarman VII, and covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. It is believed to have sustained a population of 80,000-150,000 people.<br/><br/> At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north. Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.<br/><br/> Angkor Thom seems not to be the first Khmer capital on the site, however, as Yasodharapura, dating from three centuries earlier, was centred slightly further northwest. The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609.
The Terrace of the Elephants was used by King Jayavarman VII to review his victorious army.<br/><br/> Angkor Thom, meaning ‘The Great City’, is located one mile north of Angkor Wat. It was built in the late 12th century by King Jayavarman VII, and covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. It is believed to have sustained a population of 80,000-150,000 people.<br/><br/> At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north. Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.<br/><br/> Angkor Thom seems not to be the first Khmer capital on the site, however, as Yasodharapura, dating from three centuries earlier, was centred slightly further northwest. The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
The Vittala Temple, built in the early 16th century, is devoted to the Hindu god Vithoba (also known as Vitthala and Panduranga), an incarnation of Vishnu or his avatar Krishna.<br/><br/> Hampi is a village in northern Karnataka state. It is located within the ruins of Vijayanagara, the former capital of the Vijayanagara Empire. Predating the city of Vijayanagara, it continues to be an important religious centre, housing the Virupaksha Temple, as well as several other monuments belonging to the old city.
Vishnu (Sanskrit विष्णु Viṣṇu) is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God.<br/><br/> The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of - and beyond - the past, present and future, one who supports, sustains and governs the Universe and originates and develops all elements within. Vishnu governs the aspect of preservation and sustenance of the universe, so he is called 'Preserver of the Universe'.<br/><br/> In the Puranas, Vishnu is described as having the divine colour of water filled clouds, four-armed, holding a lotus, mace, conch (shankha) and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a 'Universal Form' (Vishvarupa) which is beyond the ordinary limits of human perception or imagination.<br/><br/> In this Burmese representation, Vishnu as Beikthano appears in the style of a Burmese nat.
The Bayon was originally the official state temple of the Mahayana Buddhist King Jayavarman VII. The Bayon, at the centre of Angkor Thom (Great City), was established in the 12th century by King Jayavarman VII.<br/><br/> Angkor Thom, meaning ‘The Great City’, is located one mile north of Angkor Wat. It was built in the late 12th century CE by King Jayavarman VII, and covers an area of 9 km², within which are located several monuments from earlier eras as well as those established by Jayavarman and his successors. It is believed to have sustained a population of 80,000-150,000 people.<br/><br/> At the centre of the city is Jayavarman's state temple, the Bayon, with the other major sites clustered around the Victory Square immediately to the north.<br/><br/> Angkor Thom was established as the capital of Jayavarman VII's empire, and was the centre of his massive building programme. One inscription found in the city refers to Jayavarman as the groom and the city as his bride.<br/><br/> Angkor Thom seems not to be the first Khmer capital on the site, however, as Yasodharapura, dating from three centuries earlier, was centred slightly further northwest.<br/><br/> The last temple known to have been constructed in Angkor Thom was Mangalartha, which was dedicated in 1295. In the following centuries Angkor Thom remained the capital of a kingdom in decline until it was abandoned some time prior to 1609.
In Hindu tradition Shesha, also known as Sheshanaga, is the king of all Nagas, and of all serpent deities, one of the primal beings of creation, and according to the Bhagavata Purana, an avatar of the Supreme God known as Narayana. He is also known as Balarama and Sankarshana.<br/><br/> In the Puranas, Sheshanaga is said to hold all the planets of the Universe on his hoods and to constantly sing the glories of Vishnu from all his mouths. He is sometimes referred to as Ananta Shesha which translates as endless-Shesha or as Adishesha which means the first Shesha.<br/><br/> It is said that when Adishesa uncoils, time moves forward and creation takes place. When he coils back, the universe ceases to exist. 'Shesha' in sanskrit texts, especially those relating to mathematical calculation, also implies the 'remainder' - that which remains when all else ceases to exist.
Wat Phra Mahathat Woramahawihan, generally shortened to Wat Mahathat, or ‘Temple of the Great Chedi’ is the most revered and important temple in Nakhon Si Thammarat and indeed in southern Thailand. It is considered to have been built at the time of the founding of the town, and is said to contain a tooth relic of the Lord Buddha. Southern Thai lore records that the founders of the temple were Prince Thanakuman and his Queen Hemchala, who brought Buddha relics to Hat Sai Kaeo and built a small pagoda to mark the location. Subsequently, in the 13th century, King Si Thamma Sokharat founded the city of Nakhon Si Thammarat and built a new temple around the great chedi.
The Sanctuary of Truth is an all-wood building filled with sculptures based on traditional Buddhist and Hindu motifs. The building is close to 105 meters (345 feet) high and covers an area of more than two rai. It features contemporary Visionary art based on traditional religious themes. The project was initiated as an idea of Thai businessman Lek Viriyaphant in 1981, and is scheduled to be complete in 2025.
The Krut Hern Het is one of two Krut Class barges with garuda figureheads.<br/><br/> Thailand's royal barges have been used in ceremonies on Bangkok's Chao Phraya River since the 18th century, but were also used prior to this period in the Ayutthayan era.<br/><br/> The exquisitely crafted Royal Barges are a blend of craftsmanship and traditional Thai art. The Royal Barge Procession takes place rarely, typically coinciding with only the most significant cultural and religious events. During the reign of King Bhumibol Adulyadej spanning over 60 years the Procession has only occurred 16 times.<br/><br/> The Royal Barge Procession, in the present, consists of 52 barges (51 historical Barges, and the Royal Barge the Narai Song Suban King Rama IX, built in 1994 and the only Barge built during King Bhumibol's reign) and is manned by 2,082 oarsmen. The Procession proceeds down the Chao Phraya River, from the Wasukri Royal Landing Place in Khet Dusit, Bangkok, passes the Temple of the Emerald Buddha, The Grand Palace, Wat Po and finally arrives at Wat Arun (Temple of the Dawn).
The Krut Hern Het is one of two Krut Class barges with garuda figureheads.<br/><br/> Thailand's royal barges have been used in ceremonies on Bangkok's Chao Phraya River since the 18th century, but were also used prior to this period in the Ayutthayan era.<br/><br/> The exquisitely crafted Royal Barges are a blend of craftsmanship and traditional Thai art. The Royal Barge Procession takes place rarely, typically coinciding with only the most significant cultural and religious events. During the reign of King Bhumibol Adulyadej spanning over 60 years the Procession has only occurred 16 times.<br/><br/> The Royal Barge Procession, in the present, consists of 52 barges (51 historical Barges, and the Royal Barge the Narai Song Suban King Rama IX, built in 1994 and the only Barge built during King Bhumibol's reign) and is manned by 2,082 oarsmen. The Procession proceeds down the Chao Phraya River, from the Wasukri Royal Landing Place in Khet Dusit, Bangkok, passes the Temple of the Emerald Buddha, The Grand Palace, Wat Po and finally arrives at Wat Arun (Temple of the Dawn).
The National Emblem (National Symbol) of Thailand features the Garuda, a figure from both Buddhist and Hindu mythology. In Thailand, this figure is used as a symbol of the royal family and authority. This version of the figure is referred to as Krut Pha, meaning 'garuḍa acting as the vehicle (of Vishnu).' The National Emblem is also the Emblem of the King of Thailand.<br/><br/> In Hindu mythology, Rahu is a snake that swallows the sun or the moon causing eclipses. He is depicted in art as a dragon with no body riding a chariot drawn by eight black horses. Rahu is one of the navagrahas (nine planets) in Vedic astrology. The Rahu kala (time of day under the influence of Rahu) is considered inauspicious.<br/><br/> According to legend, during the Samudra manthan, the asura Rahu drank some of the divine nectar. But before the nectar could pass his throat, Mohini (the female avatar of Vishnu) cut off his head. The head, however, remained immortal. It is believed that this immortal head occasionally swallows the sun or the moon, causing eclipses. Then, the sun or moon passes through the opening at the neck, ending the eclipse.<br/><br/> Wat Traimit is a Thai Buddhist temple found in the Chinatown area of Bangkok. It is chiefly known for housing the world's largest solid gold Buddha figure, the Phra Phuttha Maha Suwan Patimakon. The image is also the largest solid gold statue of any kind in the world.