Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
<i>Urania's Mirror; or, a view of the Heavens</i> is a set of 32 astronomical star chart cards, first published in November 1824. They had illustrations based on Alexander Jamieson's <i>A Celestial Atlas</i>, but the addition of holes punched in them allowed them to be held up to a light to see a depiction of the constellation's stars. They were engraved by Sidney Hall, and were said to be designed by 'a lady', but have since been identified as the work of the Reverend Richard Rouse Bloxam, an assistant master at Rugby School.<br/><br/> The cover of the box-set showed a depiction of Urania, the muse of astronomy, and came with a book entitled <i>A Familiar Treatise on Astronomy...</i> written as an accompaniment.
The Hunterian Psalter (or York Psalter) is an illuminated manuscript of the 12th century. It was produced in England some time around 1170, and is considered a striking example of Romanesque book art. The work is part of the collection of the Glasgow University Library, which acquired the book in 1807. It derives its colloquial name, the 'Hunterian Psalter', from having been part of the collection of 18th century Scottish anatomist and book collector William Hunter, who willed his collection to the University. It has also at times been known as the 'York Psalter', owing to its supposed northern English origin in the city of York.
'Abd al-Rahman al-Sufi (Persian: عبدالرحمن صوفی) (December 7, 903 – May 25, 986) was a Persian astronomer also known as 'Abd ar-Rahman as-Sufi, or 'Abd al-Rahman Abu al-Husayn, 'Abdul Rahman Sufi, 'Abdurrahman Sufi and known in the west as Azophi; the lunar crater Azophi and the minor planet 12621 Alsufi are named after him. Al-Sufi published his famous Book of Fixed Stars in 964, describing much of his work, both in textual descriptions and pictures.