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The Padaung or Kayan Lahwi or Long Necked Karen are a subgroup of the Kayan, a mix of Lawi, Kayan and several other tribes. Kayan are a subgroup of the Red Karen (Karenni) people, a Tibeto-Burman ethnic minority of Burma (Myanmar).
The Padaung or Kayan Lahwi or Long Necked Karen are a subgroup of the Kayan, a mix of Lawi, Kayan and several other tribes. Kayan are a subgroup of the Red Karen (Karenni) people, a Tibeto-Burman ethnic minority of Burma (Myanmar).
Between 1405 and 1433, the Ming government sponsored a series of seven naval expeditions. The Yongle emperor designed them to establish a Chinese presence, impose imperial control over trade, impress foreign peoples in the Indian Ocean basin and extend the empire's tributary system.<br/><br/> Zheng He was placed as the admiral in control of the huge fleet and armed forces that undertook these expeditions. Zheng He's first voyage consisted of a fleet of up to 317 ships holding almost 28,000 crewmen, with each ship housing up to 500 men.<br/><br/> Zheng He's fleets visited Arabia, Brunei, East Africa, India, the Malay Archipelago and Thailand, dispensing and receiving goods along the way. Zheng He presented gifts of gold, silver, porcelain and silk; in return, China received such novelties as ostriches, zebras, camels, ivory and giraffes.
Between 1405 and 1433, the Ming government sponsored a series of seven naval expeditions. The Yongle emperor designed them to establish a Chinese presence, impose imperial control over trade, impress foreign peoples in the Indian Ocean basin and extend the empire's tributary system.<br/><br/> Zheng He was placed as the admiral in control of the huge fleet and armed forces that undertook these expeditions. Zheng He's first voyage consisted of a fleet of up to 317 ships holding almost 28,000 crewmen, with each ship housing up to 500 men.<br/><br/> Zheng He's fleets visited Arabia, Brunei, East Africa, India, the Malay Archipelago and Thailand, dispensing and receiving goods along the way. Zheng He presented gifts of gold, silver, porcelain and silk; in return, China received such novelties as ostriches, zebras, camels, ivory and giraffes.
Between 1405 and 1433, the Ming government sponsored a series of seven naval expeditions. The Yongle emperor designed them to establish a Chinese presence, impose imperial control over trade, impress foreign peoples in the Indian Ocean basin and extend the empire's tributary system.<br/><br/> Zheng He was placed as the admiral in control of the huge fleet and armed forces that undertook these expeditions. Zheng He's first voyage consisted of a fleet of up to 317 ships holding almost 28,000 crewmen, with each ship housing up to 500 men.<br/><br/> Zheng He's fleets visited Arabia, Brunei, East Africa, India, the Malay Archipelago and Thailand, dispensing and receiving goods along the way. Zheng He presented gifts of gold, silver, porcelain and silk; in return, China received such novelties as ostriches, zebras, camels, ivory and giraffes.
Between 1405 and 1433, the Ming government sponsored a series of seven naval expeditions. The Yongle emperor designed them to establish a Chinese presence, impose imperial control over trade, impress foreign peoples in the Indian Ocean basin and extend the empire's tributary system.<br/><br/> Zheng He was placed as the admiral in control of the huge fleet and armed forces that undertook these expeditions. Zheng He's first voyage consisted of a fleet of up to 317 ships holding almost 28,000 crewmen, with each ship housing up to 500 men.<br/><br/> Zheng He's fleets visited Arabia, Brunei, East Africa, India, the Malay Archipelago and Thailand, dispensing and receiving goods along the way. Zheng He presented gifts of gold, silver, porcelain and silk; in return, China received such novelties as ostriches, zebras, camels, ivory and giraffes.
Shen Du's poem:<br/><br/><i>In the corner of the western seas, in the stagnant waters of a great morass, Truly was produced a qilin, whose shape was as high as fifteen feet. With the body of a deer and the tail of an ox, and a fleshy, boneless horn, With luminous spots like a red cloud or purple mist. Its hoofs do not tread on living beings and in its wanderings it carefully selects its ground.</i><br/><br/><i>It walks in stately fashion and in its every motion it observes a rhythm, Its harmonious voice sounds like a bell or a musical tube. Gentle is this animal, that has in antiquity been seen but once, The manifestation of its divine spirit rises up to heaven’s abode.</i>
Khwāja Shamsu d-Dīn Muhammad Hāfez-e Shīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی‎), known by his pen name Hāfez (1325/1326–1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.<br/><br/> Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings' (fāl-e hāfez, Persian: فال حافظ‎), frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages., Khwāja Shamsu d-Dīn Muhammad Hāfez-e Shīrāzī (Persian: خواجه شمس‌الدین محمد حافظ شیرازی‎), known by his pen name Hāfez (1325/1326–1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.<br/><br/> Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings' (fāl-e hāfez, Persian: فال حافظ‎), frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages.
Tassili n'Ajjer is a mountain range in the Sahara desert in southeast Algeria, North Africa. It extends about 500 km. The nearest town is Djanet, about 10 km southwest of the range. Much of the range, including the cypresses and archaeological sites, is protected in a National park, Biosphere Reserve and World Heritage Site, named the Tassili n'Ajjer National Park. The range is noted for its prehistoric rock paintings and other ancient archaeological sites, dating from neolithic times when the local climate was much moister, with savannah rather than desert. The art depicts herds of cattle, large wild animals including crocodiles, and human activities such as hunting and dancing. The art has strong stylistic links to the pre-Nguni Art of South Africa and the region, executed in caves by the San Peoples before the year 1200 BC.