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Qingyuan is a major economic and transportation hub. The Beijing–Guangzhou Railway, National Highways 106 and 107, and the Bei or North River cross through the city. The maritime infrastructure in Qingyuan plays a vital role in transporting goods to other regional centers in Guangdong, Hong Kong, and Macao.
Ren Yi (1840 - 1896), also known as Ren Bonian, was a Chinese painter born in Zhejiang during the Qing Dynasty (1644 - 1911). He moved to Shanghai in 1855 after the death of his father, which exposed him to Western thinking within a more urban environment. He became a member of the Shanghai School, fusing popular and traditional styles. He is sometimes referred to as one of the 'Four Rens'.
Tesshu Tokusai (-1366) was a Japanese artist living during the Nanbokucho Period. Tokusai was a Zen monk and an accomplished poet as well as a painter, and took extended trips to the Chinese mainland in the 1330s where he would become highly influenced by the ink paintings of Yuan Dynasty Chinese painters. He took these influences back to Japan and introduced them to other Zen monks.
Hua Rong, Japanese name Shoriko Kaei, shooting at geese with a bow and arrow.<br/><br/> The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu, 水滸傳), known as Suikoden in Japanese, as well as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang in English, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature.<br/><br/> Attributed to Shi Nai'an and written in vernacular Chinese, the story, set in the Song Dynasty, tells of how a group of 108 outlaws gathered at Mount Liang (or Liangshan Marsh) to form a sizable army before they are eventually granted amnesty by the government and sent on campaigns to resist foreign invaders and suppress rebel forces.<br/><br/> In 1827, Japanese publisher Kagaya Kichibei commissioned Utagawa Kuniyoshi to produce a series of woodblock prints illustrating the 108 heroes of the Suikoden. The 1827-1830 series, called '108 Heroes of the Water Margin' or 'Tsuzoku Suikoden goketsu hyakuhachinin no hitori', made Utagawa Kuniyoshi's famous.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Xiaoyan Ta (Little Wild Goose Pagoda) stands in the grounds of Jianfu Si (Jianfu Temple). Dating from 684 CE, this temple was dedicated to the deceased Tang Emperor Gaozong (r. 649-83).<br/><br/>Between 707 and 709 Gaozong’s successor, Emperor Zhongzong (r. 684 and 705-710), ordered the construction of the Xiaoyan Ta to house Buddhist scriptures brought back from India and Srivijaya by the itinerant Chinese monk Yi Jing (635-713). In all, Yi Jing is reported to have collected more than 400 Buddhist manuscripts over 25 years of travel, and these were lodged in the Little Wild Goose Pagoda for safekeeping and translation.<br/><br/>In its original form, the ochre-yellow pagoda rose through a total of 15 storeys, though an earthquake in 1487 is said to have split the pagoda in half. A subsequent earthquake brought the two halves of the pagoda back together again – it must have been a fortuitously precise tremor, as no signs of the former split remain visible – but at the cost of the top two storeys, reducing the pagoda to its current 13 levels.<br/><br/>There is a small stele garden to the east of the pagoda.
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景; Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by the Japanese ukiyo-e artist Andō Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances. The 1852 series are in landscape orientation; the 1858 series are in portrait orientation.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Chiang Mai is often called Thailand’s ‘Rose of the North’, and is the country’s second city and a popular tourist destination due primarily to its mountainous scenery, colourful ethnic hilltribes and their handicrafts.<br/><br/> Founded in 1296 by King Mengrai as the capital of his Lanna kingdom, Chiang Mai was later overrun by Burmese invaders in 1767. The city was then left abandoned between 1776 and 1791. Chiang Mai formally became part of Siam in 1774 by an agreement with local prince Chao Kavila, after the Siamese King Taksin helped drive out the Burmese. Chiang Mai then slowly grew in cultural, trading and economic importance.
Opium poppy, Papaver somniferum, is the species of plant from which opium and poppy seeds are extracted. Opium is the source of many opiates, including morphine, thebaine, codeine, papaverine, and noscapine.<br/><br/> The Latin botanical name means the 'sleep-bringing poppy', referring to the sedative properties of some of these opiates.
Wat Phuak Hong (วัดพวกหงษ์), the 'Temple of the Flight of Swans', is located in the southwest corner of Chiang Mai Old City. A typical small Lan Na temple, it is chiefly notable for the round stupa that stands to the west of the viharn. Built in the 16th century, the rounded structure has seven diminishing tiers encircled by a total of 52 niches for images of the Buddha,some of which survive today, though in a rather damaged condition.<br/><br/> This unusual structure, one of only four round, stepped stupas in northern Thailand, is sometimes described as a pagoda, while some experts suggest it shows signs of influence from neighbouring Yunnan Province in China. An alternative explanation is that it is a round version of the square stepped stupas dating from the 12th century found in nearby Lamphun.<br/><br/> The Hamsa (from Sanskrit हंस haṃsa), also hong or hongsa, is an aquatic bird, often considered to be a goose or sometimes a swan. It is used in Indian and Southeast Asian culture as a symbol and a decorative element.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning "new city") in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. Chiang Mai sometimes written as "Chiengmai" or "Chiangmai", is the largest and most culturally significant city in northern Thailand.
Wat Phuak Hong (วัดพวกหงษ์), the 'Temple of the Flight of Swans', is located in the southwest corner of Chiang Mai Old City. A typical small Lan Na temple, it is chiefly notable for the round stupa that stands to the west of the viharn. Built in the 16th century, the rounded structure has seven diminishing tiers encircled by a total of 52 niches for images of the Buddha,some of which survive today, though in a rather damaged condition.<br/><br/> This unusual structure, one of only four round, stepped stupas in northern Thailand, is sometimes described as a pagoda, while some experts suggest it shows signs of influence from neighbouring Yunnan Province in China. An alternative explanation is that it is a round version of the square stepped stupas dating from the 12th century found in nearby Lamphun.<br/><br/> The Hamsa (from Sanskrit हंस haṃsa), also hong or hongsa, is an aquatic bird, often considered to be a goose or sometimes a swan. It is used in Indian and Southeast Asian culture as a symbol and a decorative element.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning "new city") in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. Chiang Mai sometimes written as "Chiengmai" or "Chiangmai", is the largest and most culturally significant city in northern Thailand.
Wat Lok Moli or ‘topknot of the world’ is thought to have been founded by King Ku Na, the 6th king of the Mangrai Dynasty (1263–1578), who ruled the Lan Na Kingdom from Chiang Mai between about 1367 and 1388. It was probably a royal temple, since the northern side of the city was a royal precinct at the time; certainly the sanctuary enjoyed a long and close association with the Mangrai rulers. According to a notice at the south entrance of the temple, King Ku Na invited a group of ten monks from Burma to come and live in Chiang Mai, providing Lok Moli as a residence for them.<br/><br/> The huge chedi that distinguishes Lok Moli was built in 1527, perhaps after the orders of the 11th Mangrai monarch, King Muang Kaeo (1495–1526), but apparently during the first year of the first reign of his younger brother, King Ket Chettharat (1526–1538).
Mandalay Palace was constructed between 1857 and 1859 as part of King Mindon's new royal capital city of Mandalay, in fulfillment of a Buddhist prophecy that a religious center would be built at the foot of Mandalay Hill. In 1861 the court was transferred to the newly built city from the previous capital of Amarapura.<br/><br/> The plan of Mandalay Palace largely follows the traditional Burmese palace design, inside a walled fort surrounded by a moat. The palace itself is at the center of the citadel and faces east. All buildings of the palace are of one story in height. The palace was the primary royal residence of King Mindon and King Thibaw, the last two kings of the country.<br/><br/> On Nov. 28, 1885, the British entered the palace and captured the royal family, officially ending the Third Anglo-Burmese War. The British looted the palace, and turned the palace compound into Fort Dufferin. Much of the palace compound was burned down during World War II by allied bombing; only the royal mint and the watch tower survived. A replica of the palace was rebuilt in the 1990s with some modern materials.<br/><br/> Today, Mandalay Palace is a primary symbol of Mandalay and a major tourist destination.
Opium poppy, Papaver somniferum, is the species of plant from which opium and poppy seeds are extracted. Opium is the source of many opiates, including morphine, thebaine, codeine, papaverine, and noscapine.<br/><br/> The Latin botanical name means the 'sleep-bringing poppy', referring to the sedative properties of some of these opiates.