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Wake no Kiyomaro was born in Bizen Province (now Wake, Okayama) to a family of politically important, devoted Buddhists who hoped to keep Buddhism and politics separate through religious reform.<br/><br/> He became a trusted advisor to Emperor Kammu, a position which he used to encourage the development of Buddhism in a direction which would prevent it from posing a threat to the government.<br/><br/> Usa Jingu, also known as Usa Hachimangu, is a Shinto shrine in the city of Usa in Oita Prefecture. Emperor Ojin, who was deified as Hachiman-jin (the tutelary god of warriors), is said to be enshrined in all the sites dedicated to him; and the first and earliest of these was at Usa in the early 8th century. The Usa Jingu has long been the recipient of Imperial patronage; and its prestige is considered second only to that of Ise.
Wake no Kiyomaro was born in Bizen Province (now Wake, Okayama) to a family of politically important, devoted Buddhists who hoped to keep Buddhism and politics separate through religious reform.<br/><br/> He became a trusted advisor to Emperor Kammu, a position which he used to encourage the development of Buddhism in a direction which would prevent it from posing a threat to the government.<br/><br/> Usa Jingu, also known as Usa Hachimangu, is a Shinto shrine in the city of Usa in Oita Prefecture. Emperor Ojin, who was deified as Hachiman-jin (the tutelary god of warriors), is said to be enshrined in all the sites dedicated to him; and the first and earliest of these was at Usa in the early 8th century. The Usa Jingu has long been the recipient of Imperial patronage; and its prestige is considered second only to that of Ise.
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series continues with summer (夏の部). Summer amusements of the Fourth, Fifth, and Sixth Months are represented in numbers 43 through 72. Evening outings in pleasure boats on the Sumida River were taken along the many famous bridges of Edo, where endless varieties of entertainment were offered.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Emperor Ojin became the crown prince at the age of four. He was crowned (in 270) at the age of 70 and reigned for 40 years until his death in 310. He supposedly lived in two palaces both of which are in present day Osaka. Ōjin is traditionally identified as the father of Emperor Nintoku, who acceded after Ōjin's death.<br/><br/>Ōjin has been deified as Hachiman Daimyōjin, regarded as the guardian of warriors. The Hata Clan considered him their guardian Kami. The actual site of Ōjin's grave is not known, but he is traditionally venerated at a memorial Shinto shrine (misasagi) at Osaka.<br/><br/> The Imperial Household Agency designates this location as Ōjin's mausoleum. It is formally named Eega no Mofushi no oka no misasagi.
Emperor Ojin became the crown prince at the age of four. He was crowned (in 270) at the age of 70 and reigned for 40 years until his death in 310. He supposedly lived in two palaces both of which are in present day Osaka. Ōjin is traditionally identified as the father of Emperor Nintoku, who acceded after Ōjin's death.<br/><br/>Ōjin has been deified as Hachiman Daimyōjin, regarded as the guardian of warriors. The Hata Clan considered him their guardian Kami. The actual site of Ōjin's grave is not known, but he is traditionally venerated at a memorial Shinto shrine (misasagi) at Osaka.<br/><br/> The Imperial Household Agency designates this location as Ōjin's mausoleum. It is formally named Eega no Mofushi no oka no misasagi.
Emperor Ojin became the crown prince at the age of four. He was crowned (in 270) at the age of 70 and reigned for 40 years until his death in 310. He supposedly lived in two palaces both of which are in present day Osaka. Ōjin is traditionally identified as the father of Emperor Nintoku, who acceded after Ōjin's death.<br/><br/>Ōjin has been deified as Hachiman Daimyōjin, regarded as the guardian of warriors. The Hata Clan considered him their guardian Kami. The actual site of Ōjin's grave is not known, but he is traditionally venerated at a memorial Shinto shrine (misasagi) at Osaka.<br/><br/> The Imperial Household Agency designates this location as Ōjin's mausoleum. It is formally named Eega no Mofushi no oka no misasagi.
According to the ancient Japanese chronicles <i>Kojiki</i> written in 680 and <i>Nihon Shoki</i> written in 720, Ōjin was the son of the Emperor Chūai and his consort Jingū. As Chūai died before Ōjin's birth, his mother Jingū became the de facto ruler. These sources allege that Ōjin was conceived but unborn when Chūai died. His widow, Jingū, then spent three years in the conquest of Korea, then, after her return to Japan, the new emperor was born, three years after the death of the father.<br/><br/> Ojin became the crown prince at the age of four. He was crowned (in 270) at the age of 70 and reigned for 40 years until his death in 310. He supposedly lived in two palaces both of which are in present day Osaka. Ōjin is traditionally identified as the father of Emperor Nintoku, who acceded after Ōjin's death.<br/><br/>Ōjin has been deified as Hachiman Daimyōjin, regarded as the guardian of warriors. The Hata Clan considered him their guardian Kami. The actual site of Ōjin's grave is not known, but he is traditionally venerated at a memorial Shinto shrine (misasagi) at Osaka.<br/><br/> The Imperial Household Agency designates this location as Ōjin's mausoleum. It is formally named Eega no Mofushi no oka no misasagi.