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Kushida-jinja is a Shinto shrine dedicated to Amaterasu, the Japanese goddess of the sun and the universe, and Susanoo, the Shinto god of the sea and storms. It is believed to have been founded in 757 CE.
Kushida-jinja is a Shinto shrine dedicated to Amaterasu, the Japanese goddess of the sun and the universe, and Susanoo, the Shinto god of the sea and storms. It is believed to have been founded in 757 CE.
Kushida-jinja is a Shinto shrine dedicated to Amaterasu, the Japanese goddess of the sun and the universe, and Susanoo, the Shinto god of the sea and storms. It is believed to have been founded in 757 CE.
Utagawa Kunisada, Utagawa Toyokuni III (1786 – 12 January 1865) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan.<br/><br/> In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.
Exposition poster art in Japan between approximately 1925 and 1941 mirrors the rapid militarisation of society and the growth of militarism, statism and fascism during the Showa Era.<br/><br/> In the 1920s expo poster art features elements of modern art and even Art Deco. Themes are whimsical and outward looking, representing Japan's growing importance and influence in the world of international commerce and art. By the 1930s this kind of poster art had grown much more bleak, less concerned with human themes and more directed towards statism and social control. Feminine imagery disappears to be replaced by wheels of industry, with distinct similarities to contemporary Nazi art in Fascist Germany.<br/><br/> From the outbreak of full scale hostilities with China through to Pearl Harbour and Japan's entry into World War II, ponderous, heavy machinery, marching soldiers, menacing guns and above all bomber aircraft combine to give the posters a crushing, inhuman, Orwellian aspect. This epitomises Japanese fascist art of the Showa Period.
The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history. The Japanese were successful, in part because the Mongols lost up to 75% of their troops and supplies as a result of major storms at sea. These were named 'kamikaze' or divine winds by the Japanese.