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<i>Hikifuda</i> are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper.<br/><br/> While <i>hikifuda</i> began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
Yashima Gakutei was a Japanese artist and poet who was a pupil of both Totoya Hokkei and Hokusai. Gakutei is best known for his <i>kyoka</i> poetry and <i>surimono</i> woodblock works.
The Temple of Extreme Happiness was built by Emperor Qianlong (1711 – 1799), the fifth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China proper.
The Temple of Extreme Happiness was built by Emperor Qianlong (1711 – 1799), the fifth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China proper.
The Temple of Extreme Happiness was built by Emperor Qianlong (1711 – 1799), the fifth emperor of the Manchu-led Qing Dynasty, and the fourth Qing emperor to rule over China proper.
The Tacuinum (sometimes Taccuinum) Sanitatis is a medieval handbook on health and wellbeing, based on the Taqwim al‑sihha تقويم الصحة ('Maintenance of Health'), an eleventh-century Arab medical treatise by Ibn Butlan of Baghdad.<br/><br/> Ibn Butlân was a Christian physician born in Baghdad and who died in 1068. He sets forth the six elements necessary to maintain daily health: food and drink, air and the environment, activity and rest, sleep and wakefulness, secretions and excretions of humours, changes or states of mind (happiness, anger, shame, etc). According to Ibn Butlân, illnesses are the result of changes in the balance of some of these elements, therefore he recommended a life in harmony with nature in order to maintain or recover one’s health.<br/><br/> Ibn Butlân also teaches us to enjoy each season of the year, the consequences of each type of climate, wind and snow. He points out the importance of spiritual wellbeing and mentions, for example, the benefits of listening to music, dancing or having a pleasant conversation.<br/><br/> Aimed at a cultured lay audience, the text exists in several variant Latin versions, the manuscripts of which are characteristically profusely illustrated. The short paragraphs of the treatise were freely translated into Latin in mid-thirteenth-century Palermo or Naples, continuing an Italo-Norman tradition as one of the prime sites for peaceable inter-cultural contact between the Islamic and European worlds.<br/><br/> Four handsomely illustrated complete late fourteenth-century manuscripts of the Taccuinum, all produced in Lombardy, survive, in Vienna, Paris, Liège and Rome, as well as scattered illustrations from others, as well as fifteenth-century codices.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
In Japan, Fukurokuju (from Japanese fuku, 'happiness'; roku, 'wealth'; and ju, 'longevity') is one of the Seven Lucky Gods in Japanese mythology. It has been suggested that he is a Japanese assimilation of the Chinese Three Star Gods (Fulushou) embodied in one deity. Most related in appearance to the Chinese star god Shou, he is the God of wisdom and longevity.<br/><br/> According to some, before attaining divinity, he was a Chinese hermit of the Song Dynasty and a reincarnation of the Taoist god Xuanwu. It is said that during his human incarnation, he was a sennin; a philosopher who could exist without eating food. Usually portrayed as being bald, with long whiskers, he is said to be an incarnation of the Southern Polestar. In many depictions, Fukurokuju has an abnormally high forehead.<br/><br/> The sacred book tied to his staff either contains the lifespan of every person on earth or a magical scripture. He is accompanied by a crane and a turtle, which are considered to be symbols of longevity. He is also sometimes accompanied by a black deer (ancient legends say a deer turns black if it is over 2000 years old). He is the only member of the Seven Lucky Gods credited with the ability to revive the dead.
This leaflet was first printed on 8 March 1953. The leaflet is designed to stimulate longing for normal human relationships and to create dissension against the government which denies them. The front depicts a photograph of a beautiful woman in a formal silk dress. 500,000 of these leaflets were dropped on the Communist Chinese troops on 14 May 1953, and they were dropped on other earlier occasions.<br/><br/>Reportedly, the pretty young woman featured in the leaflet was the very patriotic daughter of a South Korean Minister who had never given his permission for her to be photographed. Allegedly, when the minister saw a copy of the leaflet and heard that it had been dropped all over North Korea he was furious.
The Great Leap Forward (simplified Chinese: 大跃进; traditional Chinese: 大躍進; pinyin: Dà yuè jìn) of the People's Republic of China (PRC) was an economic and social campaign of the Communist Party of China (CPC), reflected in planning decisions from 1958 to 1961, which aimed to use China's vast population to rapidly transform the country from an agrarian economy into a modern communist society through the process of rapid industrialization, and collectivization. Mao Zedong led the campaign based on the Theory of Productive Forces, and intensified it after being informed of the impending disaster from grain shortages.<br/><br/> Chief changes in the lives of rural Chinese included the introduction of a mandatory process of agricultural collectivization, which was introduced incrementally. Private farming was prohibited, and those engaged in it were labeled as counter revolutionaries and persecuted. Restrictions on rural people were enforced through public struggle sessions, and social pressure.<br/><br/> The Great Leap ended in catastrophe, resulting in tens of millions of excess deaths. Estimates of the death toll range from 18 million to at least 45 million.<br/><br/> In subsequent conferences in 1960 and 1962, the negative effects of the Great Leap Forward were studied by the CPC, and Mao was criticized in the party conferences. Moderate Party members like Liu Shaoqi and Deng Xiaoping rose to power, and Mao was marginalized within the party, leading him to initiate the Cultural Revolution in 1966.