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The Satsuma Rebellion was a revolt that occurred nine years into the Meiji Era. After various military reforms had led to the lessening of samurai power and resulted in many unemployed samurai in the Satsuma Domain, Saigo Takamori, one of the senior Satsumi leaders, became worried about political corruption and the future role of samurai warriors.<br/><br/> Saigo and his men eventually revolted in January 29, 1877, leading 20,000 to 30,000 samurai against the Japanese Imperial Army. The rebellion was decisvely crushed nine months later in September during the Battle of Shiroyama, the samurai outnumbered 60-to-1 by the Imperial Army. Saigo committed seppuku and killed himself rather than surrender, thus ending the last of a series of armed uprisings against the new government and effectively ending the samurai class.<br/><br/> During the Satsuma Rebellion, there were a number of women samurai who fought against government troops at Kagoshima. The women had decided to join the rebellion and fight alongside their husbands and fathers.
Vo Thi Sau (1935-1952), real name Nguyen Thi Sau, was a 17 year old heroine and patriot executed by French firing squad, March 13, 1952, just seven years after metropolitan France had been liberated from Nazi occupation. She was arrested in 1950, aged 15 years, for throwing a hand grenade in the market at Dat Do which killed three French soldiers. She was sent to Con Dao Prison island where she was executed by the occupying forces. Vo Thi Sau was posthumously awarded the title Hero of the People's Armed Forces.<br/><br/> The Con Dao Islands (Vietnamese: Côn Đảo) are an archipelago of Bà Rịa–Vũng Tàu Province, in southeastern Vietnam, and are a district of this province. Situated at about 185 km (115 mi) from Vũng Tàu and 230 km (143 mi) from Hồ Chí Minh City (Saigon), the group includes 16 mountainous islands and islets. The total land area is 75 sq km, and the local population is about 5,000. The island group is served by Cỏ Ống Airport.<br/><br/> The archipelago was formerly known as Poulo Condore, and it is mentioned under a variant of this Malay name by Marco Polo in the early 14th century. On June 16, 1702, the English East India Company founded a settlement on the island of 'Pulo Condor' off the south coast of southern Vietnam, and on March 2, 1705, but the garrison and settlement were later destroyed during a mutiny by the Malay mercenaries employed by the English.<br/><br/> The largest island is Côn Sơn Island (also known as Con Lon Island), infamous for its numerous prisons - eleven in all - built by the French colonial government. It was also used as a prison island after independence in 1954, by the pro-Western Republic of Vietnam regime, acquiring a fearsome reputation for isolation and brutality as well as - conversely - functiong as a de facto insurgent 'university', where many leading nationalist and communist Vietnamese were imprisoned.<br/><br/> In 1984, the archipelago became a protected area, Côn Đảo National Park, which was subsequently enlarged in 1998. Endangered species protected within the park include the hawksbill turtle, the green turtle and the dugong. Ecosystems represented in the park include seagrass meadow, mangrove and coral reefs.
Wayang is a Javanese word for particular kinds of theatre (literally 'shadow'). When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by gamelan in Java.<br/><br/>UNESCO designated Wayang Kulit, a shadow puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7 November 2003.<br/><br/>The Javanese script, natively known as Hanacaraka), Carakan, or Aksara Jawa, is a pre-colonial script used to write Javanese and several other native languages of Indonesia. It is closely related to the Balinese script.
The Second Indochina War, known in America as the Vietnam War, was a Cold War era military conflict that occurred in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. This war followed the First Indochina War and was fought between North Vietnam, supported by its communist allies, and the government of South Vietnam, supported by the U.S. and other anti-communist nations. The U.S. government viewed involvement in the war as a way to prevent a communist takeover of South Vietnam and part of their wider strategy of containment.<br/><br/> The North Vietnamese government viewed the war as a colonial war, fought initially against France, backed by the U.S., and later against South Vietnam, which it regarded as a U.S. puppet state. U.S. military advisors arrived beginning in 1950. U.S. involvement escalated in the early 1960s, with U.S. troop levels tripling in 1961 and tripling again in 1962. U.S. combat units were deployed beginning in 1965. Operations spanned borders, with Laos and Cambodia heavily bombed. Involvement peaked in 1968 at the time of the Tet Offensive.<br/><br/> U.S. military involvement ended on 15 August 1973. The capture of Saigon by the North Vietnamese army in April 1975 marked the end of the US-Vietnam War.
The Trưng Sisters (c. 12 - AD 43), known in Vietnamese as Hai Bà Trưng (literally 'the two Trưng Ladies'), and individually as Trưng Trắc and Trưng Nhị, were two first century Vietnamese women leaders who successfully rebelled against Chinese Han-Dynasty rule for three years, and are regarded as national heroines of Vietnam.<br/><br/> The sisters were born in Northern Vietnam, the dates of their birth are unknown, but Trưng Trắc was older than Trưng Nhị. The exact date of their death is also unknown but both died in AD 43.
The Trưng Sisters (c. 12 - AD 43), known in Vietnamese as Hai Bà Trưng (literally 'the two Trưng Ladies'), and individually as Trưng Trắc and Trưng Nhị, were two first century Vietnamese women leaders who successfully rebelled against Chinese Han-Dynasty rule for three years, and are regarded as national heroines of Vietnam.<br/><br/> The sisters were born in Northern Vietnam, the dates of their birth are unknown, but Trưng Trắc was older than Trưng Nhị. The exact date of their death is also unknown but both died in AD 43.
Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
Two Vietnamese women on elephant back represent the celebrated Trung Sisters (Hai Ba Trung) in the annual Hai Ba Trung Parade, Saigon, 26 April 1957.<br/><br/> The Trưng Sisters (c. 12 - AD 43), known in Vietnamese as Hai Bà Trưng (literally 'the two Trưng Ladies'), and individually as Trưng Trắc and Trưng Nhị, were two first century Vietnamese women leaders who successfully rebelled against Chinese Han-Dynasty rule for three years, and are regarded as national heroines of Vietnam.<br/><br/> The sisters were born in Northern Vietnam, the dates of their birth are unknown, but Trưng Trắc was older than Trưng Nhị. The exact date of their death is also unknown but both died in AD 43.
Dance in Burma can be divided into dramatic, folk and village, and nat dances, each having distinct characteristics. Although Burmese dance has been influenced by the dance traditions of its neighbours, in particular Thailand, it retains unique qualities that distinguish it from other regional styles, including angular, fast-paced and energetic movements and emphasis on pose, not movement.<br/><br/> Various types of Burmese music use an array of traditional musical instruments, assembled in an orchestra known as hsaing waing which the Burmese saing saya Kyaw Kyaw Naing has made more widely known in the West. Traditional folk music is atypical in Southeast Asian music, as it is characterized by sudden shifts in rhythm and melody as well as change in texture and timbre.<br/><br/> Classical traditions of Burmese music are found in the Mahagita, an extensive collection of classical songs and are typically divided into indoor and outdoor ensembles. These songs tend to be about various legends in Pali and subsequently in Burmese intermingled with Pali, related to religion or the power and glory of monarchs, and then the natural beauty of the land, forests and the seasons, eventually feminine beauty, love, passion and longing, in addition to folk music sung in the paddy fields.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
Vo Thi Sau (1935-1952), real name Nguyen Thi Sau, was a 17 year old heroine and patriot executed by French firing squad, March 13, 1952, just seven years after metropolitan France had been liberated from Nazi occupation. She was arrested in 1950, aged 15 years, for throwing a hand grenade in the market at Dat Do which killed three French soldiers. She was sent to Con Dao Prison island where she was executed by the occupying forces. Vo Thi Sau was posthumously awarded the title Hero of the People's Armed Forces.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
The Anglo-Manipur war (1891) saw the conquest of Manipur by British Indian forces and the incorporation of the small Assamese kingdom within the British Raj.<br/><br/> Subsequently Manipur became a Princely State under British tutelage.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts, the Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has long been used as theme in Indian painting, literature, sculpture as well as Indian classical dance.
The Anglo-Manipur war (1891) saw the conquest of Manipur by British Indian forces and the incorporation of the small Assamese kingdom within the British Raj.<br/><br/> Subsequently Manipur became a Princely State under British tutelage.
Two Vietnamese women on elephant back represent the celebrated Trung Sisters (Hai Ba Trung) in the annual Hai Ba Trung Parade, Saigon, 26 April 1957.<br/><br/> The Trưng Sisters (c. 12 - 43 CE), known in Vietnamese as Hai Bà Trưng (literally 'the two Trưng Ladies'), and individually as Trưng Trắc and Trưng Nhị, were two first century Vietnamese women leaders who successfully rebelled against Chinese Han-Dynasty rule for three years, and are regarded as national heroines of Vietnam.<br/><br/> The sisters were born in Northern Vietnam, the dates of their birth are unknown, but Trưng Trắc was older than Trưng Nhị. The exact date of their death is also unknown but both died in 43 CE.
Joan of Arc is considered a heroine of France and a Roman Catholic saint. She was born to Jacques d'Arc and Isabelle, a peasant family, at Domrémy in north-east France. Joan said she received visions of the Archangel Michael, Saint Margaret, and Saint Catherine instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War.<br/><br/> The uncrowned King Charles VII sent Joan to the siege of Orléans as part of a relief mission. She gained prominence after the siege was lifted in only nine days. Several additional swift victories led to Charles VII's coronation at Reims. This long-awaited event boosted French morale and paved the way for the final French victory.<br/><br/> On 23 May 1430, she was captured at Compiegne by the Burgundian faction which was allied with the English. She was later handed over to the English, and then put on trial by the pro-English Bishop of Beauvais Pierre Cauchon on a variety of charges. After Cauchon declared her guilty she was burned at the stake on 30 May 1431, dying at about nineteen years of age.